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One of Wall Street Journal’s “Five Best of World War II Fiction” A BBC miniseries starring Emma Thompson and Kenneth Branagh A spellbinding chronicle of a marriage and a panoramic account of Eastern Europe during WWII—the “finest fictional record of the war produced by a British writer” (Anthony Burgess) The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. Manning’s focus is not the battlefield but the café and kitchen, the bedroom and street, the fabric of the everyday world that has been irrevocably changed by war, yet remains unchanged. At the heart of the trilogy are newlyweds Guy and Harriet Pringle, who arrive in Bucharest—the so-called Paris of the East—in the fall of 1939, just weeks after the German invasion of Poland. Guy, an Englishman teaching at the university, is as wantonly gregarious as his wife is introverted, and Harriet is shocked to discover that she must share her adored husband with a wide circle of friends and acquaintances. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own, as great in its way as the still-expanding theater of war.
Jerusalem in 1945 is a city in flux: refugees from the war in Europe fill its streets and cafés, the British colonial mandate is coming to an end, and tensions are on the rise between the Arab and Jewish populations. Felix Latimer, a recently orphaned teenager, arrives in Jerusalem from Baghdad, biding time until he can secure passage to England. Adrift and deeply lonely, Felix has no choice but to room in a boardinghouse run by Miss Bohun, a relative he has never met. Miss Bohun is a holy terror, a cheerless miser who proclaims the ideals of a fundamentalist group known as the Ever-Readies—joy, charity, and love—even as she makes life a misery for her boarders. Then Mrs. Ellis, a fascinating young widow, moves into the house and disrupts its dreary routine for good. Olivia Manning’s great subject is the lives of ordinary people caught up in history. Here, as in her panoramic depiction of World War II, The Balkan Trilogy, she offers a rich and psychologically nuanced story of life on the precipice, and she tells it with equal parts compassion, skepticism, and humor.
'Her gallery of personages is huge, her scene painting superb, her pathos controlled, her humour quiet and civilised' Anthony Burgess 'So glittering is the overall parade - and so entertaining the surface - that the trilogy remains excitingly vivid; it amuses, it diverts and it informs, and to do these things so elegantly is no small achievement' Sunday Times 'A fantastically tart and readable account of life in eastern Europe at the start of the war' Sarah Waters The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. At the heart of the trilogy are newly-weds Guy and Harriet Pringle, who arrive in Bucharest - the so-called Paris of the East - in the autumn of 1939, just weeks after the German invasion of Poland. Guy's lecturing job awaits, alongside friends and the ever-ardent Sophie - but for Harriet, alone and naive, it's a strange new life. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own...
The third vol. of her Levant trilogy; the 1st is The danger tree, and the 2d is The battle lost and won.
This is an account of life, attitudes and events in Cairo during World War II. It describes the historical background of the events of the Desert War, as well as stories and descriptions of personalities gleaned from the Ambassador's diaries and those of her grandparents, Duff and Diana Cooper.
An old Italian woman seeks a reunion with her son, fathered by an SS officer and taken away by German authorities sixty-two years ago, while she remembers and discusses the atrocities committed in Northern Italy during World War II.
From one of the classic writers of post-war English literature comes a stunning novel of love, betrayal and redemption. Married but obstinately set in their separate ways, Hugh and Kristy Foster know nothing of Al-Bustan, a far-flung island in the Indian Ocean. Too late they discover how it seethes with unrest and intrigue. Yet now when they need each other, the sullen, muttering forest seems only to intensify their differences.
History tells us that Napoleon Bonaparte died in exile on the desolate island of St. Helena in 1821. Or did he? This film supposes a more fanciful tale. A secret network of loyalists hatch an ingenious plot: the Emporer (Ian Holm in a double role) will return to Paris, while a double takes his place in exile. Trading identities with a dissolute sailor (Holm), Napoleon is spirited back to France to reclaim his throne. Yet, early on in the scheme, the plan goes awry. The double refuses to give up playing Napoleon thereby stranding the former Emperor in Paris.
Latin American Identities After 1980 takes an interdisciplinary approach to Latin American social and cultural identities. With broad regional coverage, and an emphasis on Canadian perspectives, it focuses on Latin American contact with other cultures and nations. Its sound scholarship combines evidence-based case studies with the Latin American tradition of the essay, particularly in areas where the discourse of the establishment does not match political, social, and cultural realities and where it is difficult to uncover the purposely covert. This study of the cultural and social Latin America begins with an interpretation of the new Pax Americana, designed in the 1980s by the North in agreement with the Southern elites. As the agreement ties the hands of national governments and establishes new regional and global strategies, a pan–Latin American identity is emphasized over individual national identities. The multi-faceted impacts and effects of globalization in Bolivia, Ecuador, Mexico, Cuba, Brazil, Chile, Argentina, and the Caribbean are examined, with an emphasis on social change, the transnationalization and commodification of Latin American and Caribbean arts and the adaptation of cultural identities in a globalized context as understood by Latin American authors writing from transnational perspectives.