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Established in 1869, Fort Sill initially hosted cavalry regiments, including buffalo soldiers, charged with pacifying native tribes in portions of Texas, Kansas, and Colorado. Replete with old West sagas, heroes, and villains, accounts from the post fascinate enthusiasts even today. Its namesake was chosen by Maj. Gen. "Little Phil" Sheridan to memorialize Brig. Gen. Joshua Sill, who gave his life in the Civil War. Similarly, the lasting impressions of great Americans are commemorated within the fort at Henry Post Army Airfield, "Flipper's Ditch," "Ambrosia Springs," "Sherman House," and of course, "Geronimo's Guardhouse." Even the city of Lawton was named after the "Prince of Quartermasters," Gen. Henry W. Lawton. Fort Sill's reputation as the premier artillery training and development center for the US Armed Forces has endured, preparing servicemen for every significant American conflict since its inception.
Fort Sill, located in the heart of the old Kiowa-Comanche Indian country in southwestern Oklahoma, is known to a modern generation as the Field Artillery School of the United States Army. To students of American frontier history, it is known as the focal point of one of the most interesting, dramatic, and sustained series of conflicts in the records of western warfare. From 1833 to 1875, in a theater of action extending from Kansas to Mexico, the strife was almost uninterrupted. The U.S. Army, Kansas militia, Texas Rangers, and white pioneers and traders were arrayed against the fierce and heroic bands of the Kiowas, Comanches, Cheyennes, Arapahoes, and Kiowa-Apaches. The savage skirmishes with the southwestern Indians before the Civil War provided many army officers with a kind of training that proved indispensable to them in that later, prolonged conflict. When hostilities ceased, Sherman, Sheridan, Dodge, Custer, Grierson, and other commanders again resumed the harsh field of guerrilla warfare against their Indian foes—tough, hard fighters. With the inauguration of the so-called Quaker Peace Policy during President Grant’s first administration, the hands of the army were tied. The Fort Sill reservation became a place of refuge for the marauding bands that went forth unmolested to raid in Texas, Oklahoma, and Mexico. The toll in human life reached such proportions that the government finally turned the southwestern Indians over to the army for discipline, and a permanent settlement of the bands was achieved by 1875. From extensive research, conversations with both Indian and white eyewitnesses, and his familiarity with Indian life and army affairs, Captain Nye has written an unforgettable account of these stirring times. The delineation of character and the reconstruction of colorful scenes, so often absent in historical writing, are to be found here in abundance. His Indians are made to live again: his scenes of post life could have been written only by an army man.
Contemporary Christian musiccommonly referred to by the acronym CCMis a catchall term that describes a wide range of types of music, encompassing work produced in the late 1960s to the 21st century, and incorporating rock and folk music influences. Contemporary Christian music enjoys widespread popularity, despite being unfamiliar to many modern music listeners; in recent years, sales of CCM have exceeded other more mainstream categories like jazz, Latin, and classical. This book tells the story of contemporary Christian music over the course of more than half a century--a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Music is organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2. Bob Gersztyn has been a freelance photojournalist and writer since 1994. He was previously an ordained minister who became involved in the Jesus movement in Los Angeles, CA, in 1971.Publisher's note.
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"The following pages were written by request. They claim to give an accurate and impartial narrative of my four years' life while a cadet at West Point, as well as a general idea of the institution there. They are almost an exact transcription of notes taken at various times during those four years."
A guidebook of information and activities on post at Fort Sill, Oklahoma.