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These essays span a period of fourteen years. The earliest was written in 1960, the latest in 1983. They all represent various attempts to understand the motives and the central concepts of Husserl's transcen dental phenomenology, and to locate the latter in the background of other varieties of transcendental philosophy. Implicitly, they also con tain a defense of transcendental philosophy, and make attempts to respond to the more familiar criticisms against it. It is hoped that they will contribute to a better understanding not only of Husserl's transcen dental phenomenology but also of transcendental philosophy in gener al. The ordering of the essays is not chronological. They are rather divided thematically into three groups. The first group of six essays is concerned with relating Husserlian phenomenology to more contem porary analytic concerns: in fact, the opening essay on Husserl and Frege establishes a certain continuity of concern with my last published book with that title. Of these, Essay 2 was written for an American Philosophical Association, Eastern Division symposium in which the other symposiast was John Searle. The discussion in that symposium concentrated chiefly on the relation between intentionality and causali ty - which led me to write Essay 6, later read as the Gurwitsch Memo rial Lecture at the Society for Phenomenology and Existential Philos ophy meetings in 1982 at Penn State.
Aus dem Inhalt: Die transzendentallogische Funktion des Ich (Klaus Hammacher). - Du formel au transcendental: remarques sur l'itineraire de Husserl et de Fichte (Therese Pentzopoulou-Valalas). - Fichte und das Problem des intelligiblen Fatalismus (Georg Wallwitz). - Die Philosophie in Freiheit setzen: Freiheitsbegriff und Freiheit des Begriffs bei Schelling (Felix Duque).
Originally published in French under the title La Logique de Husserl: Étude sur Logique Formelle et logique transcendentale.
To become fully aware of the original and radical character of his transcendental phenomenology Edmund Husserl must be located within the historical tradition of Western philosophy. Although he was not a historian of philosophy, Husserl's his torical reflections convinced him that phenomenology is the necessary culmination of a centuries-old endeavor and the solution to the contemporary crisis in European science and European humanity itself.l This teleological viewpoint re quires the commentator to consider the tradition of Western philosophy from Husserl's own perspective. Husserl maintained that the Cartesian tum to the "Cogito" represents the crucial breakthrough in the historical advance of Western thought toward philosophy as rigorous science. Hence 2 he concentrated almost exclusively on the modem era. Much has been written of Husserl's relationship to Descartes, Kant, and the neo-Kantians. His connections with Locke, Berkeley, and Hume have not been examined as closely despite his fre quent allusions to these British empiricists. Among these thinkers David Hume gained from Husserl the more extensive considera tion. Commentators have pointed out correctly that Husserl always criticized unsparingly Hume's sheer empiricistic approach to the problem of cognition. Such an approach, in Husserl's view, can only result in the "naturalization of consciousness" from which stem that "psychologism" and "sensualism" which lead Hume inevitably into the contradictory impasse of solipsism 3 and skepticism.
In a critical dialogue with the metaphysical tradition from Plato to Hegel to contemporary schools of thought, the author convincingly argues that traditional rationalist metaphysics has failed to accomplish its goal of demonstrating the existence of a divine cause and moral purpose of the world. To replace the defective rationalist metaphysics, the author builds a new metaphysics on the idea that moods and affects make manifest the world's felt meanings; he argues that each feature of the world is a felt meaning in the sense that each feature is a source of a feeling-response, if and when it appears. The author asserts that we must synthesize our two ways of knowing - poetic evocations and exact analyses - in order to decide which mood or affect is the appropriate appreciation of any given feature of the world. Smith gives evocative and exact explications of such features as the world's temporality, appearance, and mind-independency, as these features appear in the appropriate recitations.