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Aus dem Inhalt: Die transzendentallogische Funktion des Ich (Klaus Hammacher). - Du formel au transcendental: remarques sur l'itineraire de Husserl et de Fichte (Therese Pentzopoulou-Valalas). - Fichte und das Problem des intelligiblen Fatalismus (Georg Wallwitz). - Die Philosophie in Freiheit setzen: Freiheitsbegriff und Freiheit des Begriffs bei Schelling (Felix Duque).
These essays span a period of fourteen years. The earliest was written in 1960, the latest in 1983. They all represent various attempts to understand the motives and the central concepts of Husserl's transcen dental phenomenology, and to locate the latter in the background of other varieties of transcendental philosophy. Implicitly, they also con tain a defense of transcendental philosophy, and make attempts to respond to the more familiar criticisms against it. It is hoped that they will contribute to a better understanding not only of Husserl's transcen dental phenomenology but also of transcendental philosophy in gener al. The ordering of the essays is not chronological. They are rather divided thematically into three groups. The first group of six essays is concerned with relating Husserlian phenomenology to more contem porary analytic concerns: in fact, the opening essay on Husserl and Frege establishes a certain continuity of concern with my last published book with that title. Of these, Essay 2 was written for an American Philosophical Association, Eastern Division symposium in which the other symposiast was John Searle. The discussion in that symposium concentrated chiefly on the relation between intentionality and causali ty - which led me to write Essay 6, later read as the Gurwitsch Memo rial Lecture at the Society for Phenomenology and Existential Philos ophy meetings in 1982 at Penn State.
In a critical dialogue with the metaphysical tradition from Plato to Hegel to contemporary schools of thought, the author convincingly argues that traditional rationalist metaphysics has failed to accomplish its goal of demonstrating the existence of a divine cause and moral purpose of the world. To replace the defective rationalist metaphysics, the author builds a new metaphysics on the idea that moods and affects make manifest the world's felt meanings; he argues that each feature of the world is a felt meaning in the sense that each feature is a source of a feeling-response, if and when it appears. The author asserts that we must synthesize our two ways of knowing - poetic evocations and exact analyses - in order to decide which mood or affect is the appropriate appreciation of any given feature of the world. Smith gives evocative and exact explications of such features as the world's temporality, appearance, and mind-independency, as these features appear in the appropriate recitations.