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Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context. The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre. Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.
First published in 1977, this book provides a clear and well-illustrated analysis of modern verse drama. It studies the work of its chief exponents, T. S. Eliot and Christopher Fry, as well as the genre’s place in the development of modern theatre. It particular focuses on the effect that verse drama has had on an audience’s awareness of language in the theatre, paving the way for dramatists like Pinter, Beckett and Wesker. This book will be of particular interest to those studying modern poetry and drama.
This work explores the emergence of verse drama at the turn of the century and its development into the twenty-first, offering key case studies of well-known verse dramatists alongside explorations of less-discussed but equally influential writers within the form.