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Zena McGrath is a detective working for an International Police Organisation at their Dublin Office. A routine day is turned upside down when she receives a call from her boss in the New York office. A number of Catholic Priests have died in mysterious circumstances, the latest being an Irish Priest based at the Vatican. The Vatican authorities claim the deaths are due to natural causes. Brian Evens; Zena’s Superior officer based in New York tells Zena she must fly to Rome and meet a high-ranking Vatican Priest to discuss the case. When Zena arrives at the Vatican she is greeted by Cardinal Donatello, a mysterious figure who has responsibility for training priests in the secretive and highly dangerous art of Exorcism. He reveals to Zena that the Priests who have died were all Exorcists and takes her on a shocking visit to see a Priest who is possessed by evil spirits. Cardinal Donatello reluctantly reveals the seriousness of the problems the Vatican is facing in the eternal battle between good and evil and Zena herself has a chilling encounter with a demonic presence. Although shocked and disturbed by what she has seen at the Vatican, Zena is persuaded by Cardinal Donatello to allow the Vatican Authorities to fight the evil in their own way and not pursue her investigation. Zena convinces Brian Evens that there is nothing to investigate at the Vatican and prepares to return to Dublin, only to be summoned to New York when another Catholic Priest is discovered brutally murdered. Zena flies to New York with a Bible given to her by cardinal Donatello and an evil presence following her every move. During the course of the murder investigation in New York Zena is persuaded to take part in a Satanic Ritual in order to let her see into the past and reveal the murderer of the Priest. Whilst in a trance she sees the people responsible for the crime and the shocking truth leads her back to Rome and the culprit. Cardinal Donatello is deported to New York to stand trial for his part in the crime and during the course of the trial the whole shocking truth of the Catholic Church’s battle against evil and the extent of satanic worship is revealed to the incredulous world. Cardinal Donatello is found guilty of his crimes and the revelations spark worldwide revulsion against all forms of religion, something that Zena with her insights into the world of Satan had warned of. Zena returns to Ireland as the overthrow of world religions gathers pace to find peace and to try and rid herself of the evil spirits that are haunting her. Her quest leads her to the Holy Land in an attempt to find God and inner peace. The events in the Holy Land lead to a climactic and shocking finale to this tale of good against evil; the second coming of Jesus Christ.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD
NEW YORK TIMES BESTSELLER “It’s undeniably thrilling to find words for our strangest feelings…Koenig casts light into lonely corners of human experience…An enchanting book. “ —The Washington Post A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don’t have the words to express—until now. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: “sonder.” Or maybe you’ve watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That’s called “lachesism.” Or you were looking through old photos and felt a pang of nostalgia for a time you’ve never actually experienced. That’s “anemoia.” If you’ve never heard of these terms before, that’s because they didn’t exist until John Koenig set out to fill the gaps in our language of emotion. The Dictionary of Obscure Sorrows “creates beautiful new words that we need but do not yet have,” says John Green, bestselling author of The Fault in Our Stars. By turns poignant, relatable, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition—from “astrophe,” the longing to explore beyond the planet Earth, to “zenosyne,” the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives. With a gorgeous package and beautiful illustrations throughout, this is the perfect gift for creatives, word nerds, and human beings everywhere.
Reproduction of the original.
ENTER A GALLERY OF WIT AND WHIMSY As the largest and most dynamic collection of words ever assembled, the English language continues to expand. But as hundreds of new words are added annually, older ones are sacrificed. Now from the author of Forgotten English comes a collection of fascinating archaic words and phrases, providing an enticing glimpse into the past. With beguiling period illustrations, The Word Museum offers up the marvelous oddities and peculiar enchantments of old and unusual words.
Philip Howard's legendary 'Lost Words' column has been appearing weekly in The Times for many years, wittily illuminating a raft of the most obscure, esoteric words the English language has to offer. At the same time, his 'Word Watching' puzzles have provided readers with the chance to pit their lexicographical skill against his tongue-in-cheek multiple-choice conundrums. This unique collection, bringing together the very best of all these, is a feast for word lovers. Here we can lament the disappearance of words like 'accismus' (an insincere and feigned refusal of something that is earnestly desired), and wonder why we ever thought we could do without 'zoilus' (a censorious, malignant or envious critic). And, once we have completed our journey through the dictionary entries time has forgotten, there's more fun to be had, as we ponder whether having a 'tirrit' means one is in possession of a trumpet, throwing a fit or the proud owner of a type of bird, and if the charge of being 'spissid' is a comment on one's girth, sobriety or resemblance to a javelin, either literal or metaphorical. Endlessly fascinating, Lost Words continues Philip Howard's amusing and informative tour of words that enrich the English language and would otherwise have been lost forever.
FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE ETYMOLOGICON. ‘Reading The Horologicon in one sitting is very tempting’ Roland White, Sunday Times. Mark Forsyth presents a delightfully eccentric day in the life of unusual, beautiful and forgotten English words. From uhtceare in the hours before dawn through to dream drumbles at bedtime, The Horologicon gives you the extraordinary lost words you never knew you needed. Wake up feeling rough? Then you’re philogrobolized. Pretending to work? That’s fudgelling (which may lead to rizzling if you feel sleepy after lunch). A Radio 4 Book of the Week, The Horologicon is an eye-opening, page-turning celebration of the English language at its most endearingly arcane.
Here's an irresistible invitation to discover a treasure trove of exceptional words you can use to add sophistication to your vocabulary and charm to your repartee. Consider that without realizing it you may have engaged in acokoinonia (sex without passion or desire), been bored to tears by the company of a philodox (someone in love with his or her opinions), or suffered from recurrent matutolypea (getting up on the wrong side of the bed). Presented with panache by the language connoisseur whom William Safire calls "ek-STROR-di-ner-ee," There's a Word for It will add a dash of wit to your daily life -- lest anyone mistake you for a sumph (stupid oaf) or fritlag (a good-for-nothing).
Sigmund Freud's 'SIGMUND FREUD Ultimate Collection: Psychoanalytic Studies, Theoretical Essays & Articles' is a comprehensive compilation of the pioneering psychiatrist's most significant works, encapsulating the essence of psychoanalysis in a single volume. Freud's literary style is characterized by a blend of clinical observations, theoretical discussions, and case studies, making it a foundational text in the field of psychology. This collection features key concepts such as the unconscious mind, defense mechanisms, and the Oedipus complex, providing readers with a deep insight into Freud's revolutionary theories. The book is a must-read for anyone interested in the development of psychoanalytic thought and its impact on modern psychology. Freud's contributions to the understanding of human behavior and mental processes are unparalleled, making this collection an essential addition to any scholarly library.