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"The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector."—Mariana Enriquez, LitHub Delicately crafted, intensely visual, deeply personal stories explore the nature of memory, family ties, and the difficult imbalances of love. "Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction."—Lily Meyer, NPR "Silvina Ocampo is one of our best writers. Her stories have no equal in our literature."––Jorge Luis Borges "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers."—John Freeman, Executive Editor, LitHub " . . . it is for the precise and terrible beauty of her sentences that this book should be read.A masterpiece of midcentury modernist literature triumphantly translated into our times."—Publishers Weekly * Starred Review "Ocampo is beyond great—she is necessary."—Hernan Diaz, author of In the Distance and Associate Director of the Hispanic Institute at Columbia University "Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it."—Helen Oyeyemi, author of Gingerbread "Ocampo is a legend of Argentinian literature, and this collection of her short stories brings some of her most recondite and mysterious works to the English-speaking world. . . . This collection is an ideal introduction to a beguiling body of work."—Publishers Weekly This collection of 28 short stories, first published in 1937 and now in English translation for the first time, introduced readers to one of Argentina's most original and iconic authors. With this, her fiction debut, poet Silvina Ocampo initiated a personal, idiosyncratic exploration of the politics of memory, a theme to which she would return again and again over the course of her unconventional life and productive career. Praise for Forgotten Journey: "Ocampo is one of those rare writers who seems to write fiction almost offhandedly, but to still somehow do more in four or five pages than most writers do in twenty. Before you know it, the seemingly mundane has bared its surreal teeth and has you cornered."—Brian Evenson, author of Song for the Unraveling of the World: Stories "The Southern Cone queen of the short-story, Ocampo displays all her mastery in Forgotten Journey. After finishing the book, you only want more."—Gabriela Alemán, author of Poso Wells "Silvina Ocampo's fiction is wondrous, heart-piercing, and fiercely strange. Her fabulism is as charming as Borges’s. Her restless sense of invention foregrounds the brilliant feminist work of writers like Clarice Lispector and Samanta Schweblin. It’s thrilling to have work of this magnitude finally translated into English, head spinning and thrilling."—Alyson Hagy, author of Scribe
Kirkus Reviews calls The Promise one of the Best Books of Fiction, and of Literature in Translation, of the year! * Voted one of the Big Fall Books from Indies by Publishers Weekly & LitHub's Most Anticipated Books of 2019 "The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector."—Mariana Enriquez, LitHub "Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction."—Lily Meyer, NPR A dying woman's attempt to recount the story of her life reveals the fragility of memory and the illusion of identity. "Of all the words that could define her, the most accurate is, I think, ingenious."—Jorge Luis Borges "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "Few writers have an eye for the small horrors of everyday life; fewer still see the everyday marvelous. Other than Silvina Ocampo, I cannot think of a single writer who, at any time in any language, has chronicled both with such wise and elegant humor."—Alberto Manguel "Art is the cure for death. A seminal work by an underread master. Required for all students of the human condition."—Starred Review, Kirkus Reviews "This haunting and vital final work from Ocampo, her only novel, is about a woman's life flashing before her eyes when she's stranded in the ocean. . . . the book’s true power is its depiction of the strength of the mind and the necessity of storytelling, which for the narrator is literally staving off death. Ocampo’s portrait of one woman’s interior life is forceful and full of hope."—Gabe Habash, Starred Review, Publishers Weekly "Ocampo is beyond great—she is necessary."—Hernan Diaz, author of In the Distance "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers."—John Freeman, Executive Editor, LitHub "Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it."—Helen Oyeyemi, author of Gingerbread A woman traveling on a transatlantic ship has fallen overboard. Adrift at sea, she makes a promise to Saint Rita, "arbiter of the impossible," that if she survives, she will write her life story. As she drifts, she wonders what she might include in the story of her life—a repertoire of miracles, threats, and people parade tumultuously through her mind. Little by little, her imagination begins to commandeer her memories, escaping the strictures of realism. Translated into English for the very first time, The Promise showcases Silvina Ocampo at her most feminist, idiosyncratic and subversive. Ocampo worked quietly to perfect this novella over the course of twenty-five years, nearly up until the time of her death in 1993.
The fate of the universe hangs in the balance when two Beings from different worlds, fall in love. A child was conceived and hidden from the Creators who banished their love to the Outer Realm. Daina's mysterious life slowly unravels when she is forced to face the darkness that follows her. The truth about her life is written in ancient books guarded by the Protectors of Athela. The Plain of her birth right. Working together with Mother Nature and Father Time, Zack and Daina discover the Creators weakness. A child that will possess a power so great, not known to any Being. They must fulfill their destiny, and defeat the darkness or the entire universe will be destroyed. But will they be able to keep their discovery a secret long enough to complete their mission? Or will The Creators wake and destroy them all?
Despite its reputation for religious intolerance, the Middle East has long sheltered many distinctive and strange faiths: one regards the Greek prophets as incarnations of God, another reveres Lucifer in the form of a peacock, and yet another believes that their followers are reincarnated beings who have existed in various forms for thousands of years. These religions represent the last vestiges of the magnificent civilizations in ancient history: Persia, Babylon, Egypt in the time of the Pharaohs. Their followers have learned how to survive foreign attacks and the perils of assimilation. But today, with the Middle East in turmoil, they face greater challenges than ever before. In Heirs to Forgotten Kingdoms, former diplomat Gerard Russell ventures to the distant, nearly impassable regions where these mysterious religions still cling to survival. He lives alongside the Mandaeans and Ezidis of Iraq, the Zoroastrians of Iran, the Copts of Egypt, and others. He learns their histories, participates in their rituals, and comes to understand the threats to their communities. Historically a tolerant faith, Islam has, since the early 20th century, witnessed the rise of militant, extremist sects. This development, along with the rippling effects of Western invasion, now pose existential threats to these minority faiths. And as more and more of their youth flee to the West in search of greater freedoms and job prospects, these religions face the dire possibility of extinction. Drawing on his extensive travels and archival research, Russell provides an essential record of the past, present, and perilous future of these remarkable religions.
Katherine Dimancescu's narrative offers readers a window into the lives of some of her well-known and also little known maternal ancestors who helped shape the New England communities they called home. These discoveries include Mayflower passengers John Alden and his future wife Priscilla Mullins, ancestral homesteads from the 1600s, veterans of The Pequot War (1637) and King Philip's War (1675-76), slave-owning ancestors in New England, 17th and 18th century diary keepers whose original diaries are in archives, persecuted Quakers including Mary (Barrett) Dyer who was hanged on Boston Common, and signers of The Flushing Remonstrance.
Until the end of World War II, East Prussia was the German empire's farthest eastern redoubt, a thriving and beautiful land on the southeastern coast of the Baltic Sea. Now it lives only in history and in myth. Since 1945, the territory has been divided between Poland and Russia, stretching from the border between Russia and Lithuania in the east and south, and through Poland in the west. In Forgotten Land, Max Egremont offers a vivid account of this region and its people through the stories of individuals who were intimately involved in and transformed by its tumultuous history, as well as accounts of his own travels and interviews he conducted along the way. Forgotten Land is a story of historical identity and character, told through intimate portraits of people and places. It is a unique examination of the layers of history, of the changing perceptions and myths of homeland, of virtue and of wickedness, and of how a place can still overwhelm those who left it years before.
“Romantic, urgent, valuable and appealing as hell.” —Andrew McCarthy, New York Times Book Review Writer Porter Fox spent three years exploring 4,000 miles of the border between Maine and Washington, traveling by canoe, freighter, car, and foot. In Northland, he blends a deeply reported and beautifully written story of the region’s history with a riveting account of his travels. Setting out from the easternmost point in the mainland United States, Fox follows explorer Samuel de Champlain’s adventures across the Northeast; recounts the rise and fall of the timber, iron, and rail industries; crosses the Great Lakes on a freighter; and traces the forty-ninth parallel from Minnesota to the Pacific Ocean. He weaves in his encounters with residents, border guards, Indian activists, and militia leaders to give a dynamic portrait of the northland today, wracked by climate change, water wars, oil booms, and border security.
The story of the world's largest, longest, and best financed scientific expedition of all time, triumphantly successful, gruesomely tragic, and never before fully told The immense 18th-century scientific journey, variously known as the Second Kamchatka Expedition or the Great Northern Expedition, from St. Petersburg across Siberia to the coast of North America, involved over 3,000 people and cost Peter the Great over one-sixth of his empire's annual revenue. Until now recorded only in academic works, this 10-year venture, led by the legendary Danish captain Vitus Bering and including scientists, artists, mariners, soldiers, and laborers, discovered Alaska, opened the Pacific fur trade, and led to fame, shipwreck, and "one of the most tragic and ghastly trials of suffering in the annals of maritime and arctic history.
Trsor Yenyi was born in Eastern Congo in 1983 at the peak of Mobutus reign. Not realizing he was witnessing history in the making, he was helpless as he observed the country slide first into chaos, then into its gravethe victim of looting, war, and corruption. It was only after he immigrated to the United States that he realized the depth of the destruction that had occurred and began nurturing a strong desire to return to his native country to search for a cure for the disease from which Congo suffers. In his compelling travel narrative, Yenyi details his return trips to Congo, his subsequent charitable work, and the heartbreaking stories of the countrys victims of war. While providing the voiceless a chance to speak through him, Yenyi reveals the humanitarian challenges of Congo and combines his life experiences with journal entriescreating an introspective glimpse into a world where child soldiers, rape victims, street children, and AIDS orphans are the realities of life. Trsor Yenyi has a dreamthat the troubled land of his ancestors will find peace once again. It is with this great hope for the future of his homeland that Yenyi remembers Congos forgotten.