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Forgotten Futures, Colonized Pasts traces the existence of forgotten histories of inter-American alliance-making, transnational community formation, and intercultural collaboration between Mexican and Anglo American elites. Using close readings of literary texts, including novels, diaries, letters, newspapers, political essays, and travel narratives produced by nineteenth-century writers throughout Greater Mexico, Kinnally brings to light how elite Mexicans and Mexican Americans defined themselves and their relationship with Spain, Mexico, the United States, and Anglo America in the nineteenth century.
The first collection of essays published on trailblazing nineteenth-century Black feminist, activist, journal, and educator, Mary Ann Shadd Cary Mary Ann Shadd Cary (1823–1893) was a trailblazing Black feminist, activist, journalist, and educator whose achievements can be traced across Canada and the United States. Born in a border state in the antebellum era, Shadd Cary taught in schools in New York, New Jersey, and Pennsylvania before becoming a strong advocate for immigration to Canada in her early adulthood. Once she moved to Ontario in the mid-1850s, she dove headfirst into early Black Canadian debates. She fought to integrate schools in the States and Canada and became, as the editor of the Provincial Freeman, the first Black woman to edit a newspaper in North America. Despite her achievements and impact on Black life in North America, Shadd Cary is a relatively little-known figure outside of the continent. Insensible of Boundaries is the first collection of essays published on this thinker. With this volume, editor Kristin Moriah brings together eleven essays from a broad range of perspectives, including historical, literary, gender, ecological, bibliographical, visual, sound, and performance studies, on nineteenth-century Black feminist inquiry in North America. The volume focuses particularly on three main topics: Shadd Cary’s relationship to immigration, nation, and colonization; the Black creative and nation-building work that Shadd Cary has inspired; and contemporary research methodologies like digital humanities as they can be used to better understand Shadd Cary’s moment, impacts, and life. Through a multi- and interdisciplinary lens, the collection celebrates Shadd Cary’s cultural significance and intellectual contributions, as well as their reverberations in her time and in ours. Contributors: R. J. Boutelle , Jim Casey, Rosalyn Green, Lauren Klein, Kirsten Lee, Brandi Locke, Demetra McBrayer, A. T. Moffett, Kristin Moriah, Dianna Ruberto, Lynnette Young Overby, Eunice Toh, Rinaldo Walcott, Marlas Yvonne Whitley, Jewon Woo.
The tenth volume in the Recovering the US Hispanic Literary Heritage Series, this collection of essays reflects on the twenty-fifth anniversary of the project’s efforts to locate, identify, preserve and disseminate the literary contributions of US Latinos from the Spanish Colonial Period to contemporary times. Essays by scholars recalling the beginnings of the project cover a wide range of topics: origins, identity, archival research, institutional politics and pedagogy. From recollections about funding to personal reminiscences, the recovery of Jewish Hispanic heritage and the intellectual project of reframing American history and literature, these articles provide a fascinating look at twenty-five years of recovering the written legacy of the Hispanic population in what has become the United States. An additional nineteen scholarly essays speak to specific efforts to recover an extremely diverse Latino literary heritage. Historians and literary critics who research Spanish, English and Sephardic texts examine a broad array of subjects, including colonialism, historical populations, exile and immigration. This far-reaching book is required reading for those studying US Latino history and literature.
Finalist for the Pulitzer Prize in History A New York Times Notable Book A New York Times Book Review Editors’ Choice Selection A Providence Journal Best Book of the Year Winner of the Organization of American Historians Merle Curti Award for Social History Finalist for the Harriet Tubman Prize Finalist for the Berkshire Conference of Women Historians Book Prize "This book is an original achievement, the kind of history that chastens our historical memory as it makes us wiser." —David W. Blight, author of Frederick Douglass: Prophet of Freedom Finalist for the Pulitzer Prize Widely hailed as a “powerfully written” history about America’s beginnings (Annette Gordon-Reed), New England Bound fundamentally changes the story of America’s seventeenth-century origins. Building on the works of giants like Bernard Bailyn and Edmund S. Morgan, Wendy Warren has not only “mastered that scholarship” but has now rendered it in “an original way, and deepened the story” (New York Times Book Review). While earlier histories of slavery largely confine themselves to the South, Warren’s “panoptical exploration” (Christian Science Monitor) links the growth of the northern colonies to the slave trade and examines the complicity of New England’s leading families, demonstrating how the region’s economy derived its vitality from the slave trading ships coursing through its ports. And even while New England Bound explains the way in which the Atlantic slave trade drove the colonization of New England, it also brings to light, in many cases for the first time ever, the lives of the thousands of reluctant Indian and African slaves who found themselves forced into the project of building that city on a hill. We encounter enslaved Africans working side jobs as con artists, enslaved Indians who protested their banishment to sugar islands, enslaved Africans who set fire to their owners’ homes and goods, and enslaved Africans who saved their owners’ lives. In Warren’s meticulous, compelling, and hard-won recovery of such forgotten lives, the true variety of chattel slavery in the Americas comes to light, and New England Bound becomes the new standard for understanding colonial America.
This book belongs to a long tradition of thought on Native identity. However, in a more or less explicit manner, it intends to break away from other studies in the field. Instead of viewing identity in reference to a phantasmagorical past, it aims at setting up the framework within which identity can express and project itself into the future. The collection of essays shows that this future can evolve equally between the continuity of Natives' identity and their ability to innovate and to invent. In that respect, tradition appears as a technique of adjustment and adaptation to new conditions. The book explores the notion of tradition by both anthropologists and native peoples. The first part consists of three theoretical texts that discuss a number of general issues: the mechanisms of retroactive legitimation of tradition, the cognitive aspects of cultural transmission and the relationships between tradition and history. The second part is composed of case studies dealing for the most part with Native North Americans. One essay adds a comparative dimension being dedicated to the Maoris of New Zealand. Several contributions deal with aspects of expressive culture, native art and ceremonialism. In all these cases, identities that are being constructed have a twofold nature: one that is specific to the cultural groups concerned; the other that distinguishes these groups from the encompassing Euro-American world.
Written in 1957, when North African independence movements were gaining momentum, The Colonizer and the Colonized studies the enduring legacy, political as much as psychological, of colonisation throughout the world. Albert Memmi depicts colonialism as a disease of the European but crucially he demonstrates that colonialism destroys both the colonizer and the colonized, providing penetrating insights into colonial inheritance and resistance that remain as relevant today. One of the great works of twentieth-century political thought, The Colonizer and the Colonized speaks to experiences in the Global South as well as European countries such as Britain and France, who are still struggling with their imperial pasts. In revealing the mechanisms of colonial oppression, it also highlights the origins of all oppression of one group by another. This edition includes introductions by two of the greatest writers of the twentieth-century: South African novelist and Nobel laureate Nadine Gordimer, and Jean-Paul Sartre.
Named one of the ten best books of the year by the Chicago Tribune A Publishers Weekly best book of 2019 | A 2019 NPR Staff Pick A pathbreaking history of the United States’ overseas possessions and the true meaning of its empire We are familiar with maps that outline all fifty states. And we are also familiar with the idea that the United States is an “empire,” exercising power around the world. But what about the actual territories—the islands, atolls, and archipelagos—this country has governed and inhabited? In How to Hide an Empire, Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light. We travel to the Guano Islands, where prospectors collected one of the nineteenth century’s most valuable commodities, and the Philippines, site of the most destructive event on U.S. soil. In Puerto Rico, Immerwahr shows how U.S. doctors conducted grisly experiments they would never have conducted on the mainland and charts the emergence of independence fighters who would shoot up the U.S. Congress. In the years after World War II, Immerwahr notes, the United States moved away from colonialism. Instead, it put innovations in electronics, transportation, and culture to use, devising a new sort of influence that did not require the control of colonies. Rich with absorbing vignettes, full of surprises, and driven by an original conception of what empire and globalization mean today, How to Hide an Empire is a major and compulsively readable work of history.