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Wonderfully written and beautifully presented , The Outlaws of Medieval Legend brings the popular heroes of the Middle-Ages to life. Featuring both famous - Robin Hood and William Wallace - and now forgotten rogues such as Gamelyn and Fulke Fitzwarin, this book explains the popularity of these semi-mythical figures, and how their stories appealed to the common people of the Middle Ages. Long unavailable, and now featuring a new introduction from the author, this is the perfect book for anyone with a fondness for medieval history and folklore.
The Newbery Medal–winning author of The Hero and the Crown brings the Robin Hood legend to vivid life. Young Robin Longbow, subapprentice forester in the King’s Forest of Nottingham, must contend with the dislike of the Chief Forester, who bullies Robin in memory of his popular father. But Robin does not want to leave Nottingham or lose the title to his father’s small tenancy, because he is in love with a young lady named Marian—and keeps remembering that his mother too was gentry and married a common forester. Robin has been granted a rare holiday to go to the Nottingham Fair, where he will spend the day with his friends Much and Marian. But he is ambushed by a group of the Chief Forester’s cronies, who challenge him to an archery contest . . . and he accidentally kills one of them in self-defense. He knows his own life is forfeit. But Much and Marian convince him that perhaps his personal catastrophe is also an opportunity: an opportunity for a few stubborn Saxons to gather together in the secret heart of Sherwood Forest and strike back against the arrogance and injustice of the Norman overlords.
Recounts the life and adventures of Robin Hood, who, with his band of followers, lived in Sherwood Forest as an outlaw dedicated to fighting tyranny. Presented in comic book format.
Where and what was Robin Hood? Why is an outlaw from fourteenth century England still a hero today, with films, festivals and songs dedicated to his living memory? This book explores the mysteries, the historical evidence, and the trajectory that led to centuries of village festivals around Mayday and the green space of nature unconquered by the forces in power. Great revolutionaries including William Morris adopted Robin as hero, children’s books offered many versions, and Robin entered modern popular culture with cheap novels, silent films and comics. There, in the world of popular culture, Robin Hood continues to holds unique and secure place. The “bad-good” hero of pulp urban fiction of the 1840s–50s, and more important, the Western outlaw who thwarts the bankers in pulps, films, and comics, is essentially Robin Hood. So are Zorro, the Cisco Kid, and countless Robin Hood knockoff characters in various media. Robin Hood has a special resonance for leftwing influences on American popular culture in Hollywood, film and television. During the 1930s–50s, future blacklist victims devised radical plots of “people’s outlaws,” including anti-fascist guerilla fighters, climaxing in The Adventures of Robin Hood, network television 1955–58, written under cover by victims of the Blacklist, seen by more viewers than any other version of Robin Hood. Robin Hood: People’s Outlaw and Forest Hero also features 30 pages of collages and comic art, recuperating the artistic interpretations of Robin from seven centuries, and offering new comic art as a comic-within-a book. With text by Paul Buhle, comics and assorted drawings by Christopher Hutchinson, Gary Dumm, and Sharon Rudahl; Robin Hood: People’s Outlaw and Forest Hero adds another dimension to the history and meaning of rebellion.
This title recounts the life and adventures of Robin Hood who, with his band of followers, lived in Sherwood Forest as an outlaw dedicated to fighting tyranny.
Description Billy the Kid, Jesse James, John Dillinger, and Al Capone were all are criminals who robbed and killed, yet they were considered good outlaws, celebrated in sensational newspapers, newsreels, and dime novels of the day, and later in film and television, for their daring, courage, loyalty, and even chivalry. Our fascination with criminal heroes has a long history, extending back to legendary accounts in medieval chronicle, romance, and ballad. Although their names may not be familiar-Earl Godwin, Hereward, Eustache the Monk, Fouke Fitz Waryn, n Bow-Bender, Gamelyn, Owain Glyndwr, William of Cloudesley, and William Wallace-these outlaws, in addition to Robin Hood, were all driven to lives of crime as victims of political intrigue or legal injustice. They committed capital crimes punishable by death, but, paradoxically, they were loved, encouraged, and supported by their communities. This revised and expanded edition of Medieval Outlaws gathers twelve outlaw tales, introduced and freshly translated into Modern English by a team of specialists, including Timothy S. Jones, Michael Swanton, Thomas E. Kelly, Mica Gould, Stephen Knight, Shaun F. D. Hughes, Alexander L. Kaufman, Thomas H. Ohlgren, Thomas Hahn, and Walter Scheps. The tales range in date from the Norman Conquest to the sixteenth century. Introductions precede each selection and notes identify all of the significant names, places, and historical events mentioned in the texts. Accessible and entertaining, these tales will be of interest to the general reader and student alike. About the Editor Thomas H. Ohlgren is Professor of English and Medieval Studies at Purdue University and is the author of numerous books and articles on medieval manuscripts and literature.
Outlaws are Optional As CEO of the world's most successful outlaw band, Don Orlando should be laughing all the way to the bank, but he's not laughing today. An exiled duke, complete with toadies, minstrels and huntsmen has set up camp in the forest, just a short ride from outlaw headquarters, and that's the sort of thing that plays hell with the asset-redistribution business. And the busy season's just about to begin. In desperation, Orlando turns to Mission Implausible, Albion's premier adventure team. It's true that their appetite for beer and gratuitous violence is notoriously insatiable and it's also true that Andrew Cruickshank, their mage, combines the efficiency of the postal service, the predictability of the weather and the destructive potential of a strategic nuclear weapon, but hell, what have you got to lose? Quite a bit, actually. While Cruickshank studies the Shakespeare play As You Like It for clues on how to get rid of exiled dukes, his Designated Opposite, the black mage Montmorency arrives on the scene and begins to start stirring things up. As if that were not enough, Titus Handcarte, the First Speaker of East Castellian, wants to put Don Orlando out of business by establishing a Rural Roistering Experience in the outlaws' forest and has persuaded usurping Duke Roger to spearhead this operation. Things do not look good for Don Orlando, caught between an exiled duke on one side, and a usurping duke backed by East Castellian's army on the other. But Mission Implausible is up to the challenge. They can, and do, call upon gratuitous violence, improbable disguises, forgery, blackmail, dubious transvestite rituals, shameless piracy of Shakespearean plots and occult incompetence. Handcarte, usurping Duke Roger and exiled Duke Frederick don't stand a chance, especially when Montmorency is persuaded to lend his formidable occult and diplomatic skills.