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Griselda the friendly witch lives in the middle of an enchanted forest, and today she could use every child's help. She'd love a delicious mushroom omelet, but which type from the woods is good to eat? And how can she attend the Witches' Dance with her party dress burned? Lead her to the person who can fix things up. Every maze is magical, challenging fun.
Fun-filled book allows youngsters to help 30 forest creatures find their way through mazes — introducing animals at the same time as it develops problem-solving skills. After completing the mazes, children can color the large, clearly drawn pictures.
"From squirrels and sculpture trails to jungles and gingerbread houses, discover all kinds of worlds among the trees as you find your way through this selection of forest mazes."--Back cover.
Show Prince Charming where Sleeping Beauty lies; lead Jason and the brave Argonauts to the magical golden fleece; search for the Mad Hatter with Alice in Wonderland; and more. Twenty-three stories and mazes.
As a dweller in the Forgotten Forest, the reader makes decisions determining the course of the story after his pet beast becomes trapped in the manor house of the Master of Mazes.
Filled with bright ideas for "green" living, 46 mazes show children how to conserve water, plant trees, recycle, carpool, and other methods of reducing carbon emissions. Solutions included.
Go on a big puzzle journey around the world with this amazing maze book! Children are taken on a whirlwind journey around the globe, solving puzzles along the way.
From the text adventures of Zork, to the arcade game of Pac-Man, to the corridors of Doom, and on to the city streets of Grand Theft Auto IV, the maze has often been used as a space to trap and confuse players in their navigation of gameworlds. However, the maze as a construction on the landscape has a long history before the invention of the videogame. By examining the change in the maze from the landscapes of open spaces and closed gardens through to the screen of the videogame, both mazes and labyrinths are discussed in terms of historical reference, alongside the author's personal experiences of walking and playing these structures. This book shows how our cultural experiences of real world maze landscapes may have changed, and how we negotiate videogame worlds along the various paths and meanings they so often create for us.
A collection of mazes that lead to a treasure hidden in a castle fortress many years ago by Baron Von Maze. Includes solutions.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.