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This is an account of life in the foreign communities and former Foreign Settlements or Concessions in Japan that flourished after Japan was opened to foreign trade in 1859. It tells of the imposters, the eccentrics, and the scandals, no less than the achievements of the scholars, the merchants, and the diplomats who contributed so much to the development of modern Japan. Here you will meet Townsend Harris, the first U.S. Consul General to Japan, the Grand Duke Alexander, and many other less well known, but just as interesting figures such as the energetic Rev. Bailey, the remarkable Mr. McLeod, and the Misses Butterfly and Chrysanthemum. All these events are portrayed in a series of chapters, arranged as nearly as possible in chronological order, each woven around some of the happenings of those times. Carefully researched, all of these events are historically accurate in every detail, and are written in Mr. Williams' highly enjoyable style.
The book reveals how a man on the way to being a misfit in the United States became the heroic American samurai." It discusses Janes as one of the few Westerners allowed to live in the interior and as the "father" of the Kumamoto Band, which became the dominant wing of Japanese Protestantism and a significant modernizing force. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This volume of essays by Japanese and Western scholars sheds light on the process of modernization in nineteenth-century Japan, focusing on two significant aspects of Japan's .transition to a modern society: the decision to live for a time with the necessary evil of relying on the skill and advice of foreign employees (oyatio gaikokujin) and the decision to dispatch Japanese students overseas (Pyugakusei). The. essays make clear that the success of both these programs went beyond aiding Japan's modernization goals; their indirect effects often extended much further than planned, influencing even today the fields of education, science, and history and affecting other countries' knowledge about Japan
This unique book portrays the evolution of Meiji Japan through the life of crusading journalist Edward H. House (1836-1901). In chapters that alternate between history and biography, James Huffman, shows how one man bridged continents--shaping American attitudes, influencing Japan's movement toward modernity, and providing a contemporary critique of imperialism. Huffman also captures the human drama of House's life: his early bohemianism, the mystical way Japan drew him, the painful struggle with gout, the joy and torment of adopting a Japanese girl, his fight for women's education, and the vicissitudes of friendship with Mark Twain. Meticulously researched, the book draws on House's voluminous writings and on hundreds of letters between House and major figures in both America and Japan, including Mark Twain, U.S. Grant, John Russell Young, Edmund Clarence Stedman, Okuma Shigenobu, and Inoue Kaoru. With its lively, accessible prose and seamless interweaving of the life of House with the history of the Meiji era, this book will be welcomed by students, scholars, and general readers interested in modern Japanese history and in America's nineteenth-century foreign relations.
Explores the interactions of 19th century American merchants with the Japanese in the treaty port system, how the Japanese leadership manipulated them, and how the merchants themselves defined the limitations of American business in Japan.
Examines post-colonial issues in Madama Butterfly, the historical background, conflicted representation of the heroine, and controversial reception in Japan.
A 2023 Choice Reviews Outstanding Academic Title This book is an annotated collection of English-language documents by foreigners writing about Japan’s kabuki theatre in the half-century after the country was opened to the West in 1853. Using memoirs, travelogues, diaries, letters, and reference books, it contains all significant writing about kabuki by foreigners—resident or transient—during the Meiji period (1868–1912), well before the first substantial non-Japanese book on the subject was published. Its chronologically organized chapters contain detailed introductions. Twenty-seven authors, represented by edited versions of their essays, are supplemented by detailed summaries of thirty-five others. The author provides insights into how Western visitors—missionaries, scholars, diplomats, military officers, adventurers, globetrotters, and even a precocious teenage girl—responded to a world-class theatre that, apart from a tiny number of pre-Meiji encounters, had been hidden from the world at large for over two centuries. It reveals prejudices and misunderstandings, but also demonstrates the power of great theatre to bring together people of differing cultural backgrounds despite the barriers of language, artistic convention, and the very practice of theatergoing. And, in Ichikawa Danjuro IX, it presents an actor knowledgeable foreigners considered one of the finest in the world.
An examination of the first 11 US ministers to Japan, exploring the information, expectations and values they took with them and how they shaped US diplomacy with Japan in the late 19th century. It shows that the issue of trade was an ongoing 19th-century problem.
Transcultural Japan provides a critical examination of being Other in Japan. Portraying the multiple intersections of race, ethnicity, class, and gender, the book suggests ways in which the transcultural borderlands of Japan reflect globalization in this island nation. The authors show the diversity of Japan from the inside, revealing an extraordinarily complex new society in sharp contrast to the persistent stereotypical images held of a regimented, homogeneous Japan. Unsettling as it may be, there are powerful arguments here for looking at the meanings of globalization in Japan through these diverse communities and individuals. These are not harmonious, utopian communities by any means, as they are formed in contexts, both global and local, of unequal power relations. Yet it is also clear that the multiple processes associated with globalization lead to larger hybridizations, a global mélange of socio-cultural, political, and economic forces and the emergence of what could be called trans-local Creolized cultures. Transcultural Japan reports regional, national, and cosmopolitan movements. Characterized by global flows, hybridity, and networks, this book documents Japan’s new lived experiences and rapid metamorphosis. Accessible and engaging, this broad-based volume is an attractive and useful resource for students of Japanese culture and society, as well as being a timely and revealing contribution to research scholars and for those interested in race, ethnicity, cultural identities and transformations.