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Subtitled: A Pictorial History from 1893. The complete and colorful story of Ford: the people, the times, and the products that together molded Ford Motor Company into one of the industrial giants of the world. Filled with all the greats, from the Model T
The complete history of the world's best-loved trucks. Concentrates on the familiar--and collectible--pickup-truck models, but also includes Ford's medium-duty workhorses and big-rig 18-wheelers. » Popular picture-caption format. Hundreds of vintage and modern photos, period ads, informative text. » Features the most-famous and collected Ford trucks, including the classic 1948-52 F1, 1956 F-100, and modern high-performance Lightening.
Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, the volume shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events.
"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.
Engaging and energetic, this biography of Ford Madox Ford presents the modernist writer in a previously unexplored way. Other biographies have approached Ford as an author; indeed, his memoirs give almost no indication that the women in his life were of any importance or, in fact, that they ever existed. Literary scholar Joseph Wiesenfarth revises this approach by tracing Ford's relationships with four women central to his life. Wiesenfarth shows how these four women--Violet Hunt, Jean Rhys, Stella Bowen, and Janice Biala--established themselves as artists in their own right and depicted Ford in their works as more than the "proper man" he thought himself to be. For the women, he was both a lover and a leaver, a collaborator and a companion. With an eye to original paintings and manuscripts, Wiesenfarth examines the artistic and romantic interplay among these writers, painters, and lovers. This book features a beautifully illustrated color and black-and-white gallery of Bowen and Biala paintings.
Taking Albert Murray’s South to a Very Old Place as a starting point, contributors to this exciting collection continue the work of critically and creatively remapping the South through their freewheeling studies of southern literature and culture. Appraising representations of the South within a context that is postmodern, diverse, widely inclusive, and international, the essays present multiple ways of imagining the South and examine both new places and old landscapes in an attempt to tie the mythic southern balloon down to earth. In his foreword, an insightful discussion of numerous Souths and the ways they are perceived, Richard Gray explains one of the key goals of the book: to open up to scrutiny the literary and cultural practice that has come to be known as “regionalism.” Part I, “Surveying the Territory,” theorizes definitions of place and region, and includes an analysis of southern literary regionalism from the 1930s to the present and an exploration of southern popular culture. In “Mapping the Region,” essayists examine different representations of rural landscapes and small towns, cities and suburbs, as well as liminal zones in which new immigrants make their homes. Reflecting the contributors’ transatlantic perspective, “Making Global Connections” challenges notions of southern distinctiveness by reading the region through the comparative frameworks of Southern Italy, East Germany, Latin America, and the United Kingdom and via a range of texts and contexts—from early reconciliation romances to Faulkner’s fictions about race to the more recent parody of southern mythmaking, Alice Randall’s The Wind Done Gone. Together, these essays explore the roles that economic, racial, and ideological tensions have played in the formation of southern identity through varying representations of locality, moving regionalism toward a “new place” in southern studies.