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Three rough stories filled with hard men and the women they desire so much that they just can't stop themselves! Stories included: Forced in the Prison Forced by my Mom's Boyfriend Forced by Daddy's Lawyer Best Friend dubcon, dubious consent, taboo, taboo sex, forbidden, forbidden desires, hardcore, rough sex, rough, forced sex, forced, forced submission, forced seduction, erotica short stories, erotica short story
A bestsellig romance author suffers a paralyzing stroke and her philandering husband wonders how this will affect his gambling and whoring budget; two young lovers must come to terms with their chemically induced deformity; Lloyd from Leith transfigures his passion for an unhappily married woman. These three tales confirm Irvine Welsh's position as a master of the "chemical" romance genre.
The authors have produced the first “on the ground” study (not just clinical or chemical) of MDMA (3, 4-methylenedioxymethamphetamine), or “ecstasy” as it is frequently designated. A psychoactive substance related to both the amphetamines and mescaline, MDMA has become popular in recent years as one of the new “designer” drugs. First used in therapeutic treatment, its recreational or street use has increased in recent years. The authors track the efforts (with psychiatrists and researchers in opposition) of the DEA to ban the drug.
Honorable Mention, Barnard Hewitt Award from the American Society for Theater Research Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.
New York Times bestselling sensation Gena Showalter enthralls with a dark, tantalizing world of humans, otherworlders, powers beyond imagining, and a seductive vampire undone by his insatiable hunger for one woman. Growing up poor on New Chicago’s meanest streets, Ava Sans had two options: be the predator or be the prey. No contest. Now, working for Alien Investigation and Removal, she’s been ordered to capture the biggest, baddest warrior of all—a vampire too beautiful to be real, with the abilityto manipulate time. Once the leader of the entire vampire army, McKell has been deemed savage and unstable, spurned even by his own kind. To McKell, humans should be nothing more than sustenance. Yet the petite, golden-skinned Ava is a fascinating contradiction—vicious yet witty, strong yet vulnerable, lethal but fiercely loyal. Against his better judgment, McKell craves that loyalty, and much more. When the chase leads to seduction, McKell and Ava will race to discover the truth about his past. But the answers will come at a price, even for a woman who thought she had nothing left to lose...
The highly acclaimed and provocatively rendered story of a young postulant's claim to divine possession and religious ecstasy.
"Ecstasy is a force to be reckoned with--sometimes creative, sometimes destructive. Eigen argues that there is an ecstasy that comes through the ever-necessary confrontation of our psychic cores with suffering and degradation and he shows that when we can learn to be present with these feelings, they add to the tone and texture of our lives, and help us to feel real."--Page 4 of cover.
In 1995, after receiving a tip from an informant that a new drug called Ecstasy was being pushed in Manhattan’s nightclubs, DEA agent Robert Gagne embarked on a mission to unravel one of the world’s most lucrative drug-trafficking networks. Chemical Cowboys tracks Gagne as he infiltrates New York’s club scene, uncovering a multimillion-dollar criminal empire that spans continents. At its helm is Oded “Fat Man” Tuito, an Israeli fugitive and elusive drug kingpin who combines Wall Street business savvy with old-fashioned street smarts and a taste for violence. A taut behind-the-scenes glimpse into an international criminal enterprise, Chemical Cowboys is a riveting tale of one man’s obsessive pursuit of justice—and the personal cost of that obsession.