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Hey! Remember me? Sam. Ex-Key Grip turned screenwriter. Do all my own stunts. Even the life-threatening ones that involve the deep state and loaded weapons. Well, as my daughter Hildy says, I’m up to the same old shit. Again. Or as I prefer to call it— Samson Agonistes: The Sequel What’s it this time, Sam, you’re asking? This time, I’m holed up in the pitch-dark desert, looking at the wrong end of a gun, wondering if all the roads in my life are dead ends. This time it’s kids—undocumented ones taken from their parents at the border. This time there’s no way to deny it. This time it isn’t an accident that I’m in over my head. Because this time I fell right into their trap.
For the third time, Samson Agonistes is in over his head. And as if things couldn’t be worse, this time he’s blind. Literally, as in, if you-don’t-stop-that, blind. Meanwhile his arch nemesis Milton J. Milton hasn’t lost a step. He’s got a new bag of evil-civilization-destroying tricks. But Samson’s hot on his trail even if he can’t see where he’s going. His girlfriend Achu, his partner Una, and his daughter Hildy, all think that Samson’s crossed the line. But soulless villains, mad scientists, they can’t be allowed to determine our future, can they? Samson won’t let that happen. The line must be crossed.
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Go Hollywood—with a complete, insightful look at the biggest jobs on the movie set. What I Really Want to Do on Set in Hollywood is one-stop shopping for anyone who wants to work in film. It's the only behind-the-scenes title that offers a detailed look at the industry explores more than 35 jobs from around the film industry. A must-have for anyone interested in Hollywood.
Historian Michael Dawson digs deep into the written and pictorial record to reveal how the RCMP, since its inception, has constructed and zealously guarded its public image. Drawing on previously untapped sources, Dawson documents how consultants and entrepreneurs deliberately transformed and modernized the traditional symbolism of the Mountie. His trenchant analysis extends to the ironies of the recent licensing of the hallowed Mountie image to the ultimate dream-merchants-Disney.
Vols. 41, no. 11-v. 42, no. 5 include Space digest, v. 1-2, no. 5, Nov. 1958-May 1959.