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Forbidden Narratives: Critical Autobiography as Social Science explores overlapping layers of voices and stories that convey the social relations of psychiatric survivor participation within a community mental health service system. It is written from the perspective of a woman who, in the course of working with the survivor movement, had a physical and emotional breakdown. Ironically, the author found herself personally confronted with issues she typically dealt with only from a distance: as a mental health professional, a researcher, and an activist. The author of this volume writes herself into her work as a major character. Narratives such as this have traditionally been forbidden as outside proper professional standards. Now they are claiming and receiving attention. Forbidden Narratives has the power to speak to a broad audience not only of mental health professionals but also policy makers, sociologists and feminists. It is about the breaking up of professional discourse. It demonstrates and signals profound changes in the social sciences.
Marta Veneranda, a Latina neoyorkina, finds that she inspires the confessional in people. In fact, when people come to her, they feel the need to reveal their most embarrassing and shameful stories. And through these reluctantly told tales, where characters enter and leave each other's narrations, Rivera-Valdes revisits and questions our most basic behavioral assumptions. In "Little Poisons," the narrator shares with Marta the minutiae of her self-help book–assisted liberation from her philandering husband, whom she will eventually poison to death, and whose mistress she will befriend: "In the fifteen years of marriage he would tell me everything, even about his sexual escapades-if he couldn't share them with me, who would he share them with? Besides, that way no one could come running to me spreading rumors." Beneath the humor is a dead-serious scrutiny of the commingling of Anglo and Latino cultures. At heart, the stories are an exposé of the comforts and discomforts of that cohabitation.
A PEN Translates Award-winning collection of short stories about life in North Korea under Kim Jong-Il, written in secret by a dissident author. The Accusation is a revelatory work of fiction that exposes the truth of the North Korean regime. Set during the period of Kim Jong-Il’s leadership, the seven stories that make up The Accusation throw light on different aspects of life in this most bizarre and horrifying of dictatorships. One story, “Life of a Swift Seed,” tells of a war hero and former ardent Communist who plants an elm tree in his back garden to commemorate one of his brothers-in-arms. When the tree is to be cut down to make way for a power line, the man is ready to defend it with his life, leaving a family friend to decide whether to intercede. In another story, “City of Specters,” a Pyongyang mother’s young son misbehaves during a party rally, crying out when he sees a portrait of Karl Marx, whom he thinks is a monster of Korean myth known as the Eobi. In one other story, a mother attempts to feed her husband during the worst years of North Korea’s famine, and in another, a woman in a perilous situation meets the Dear Leader himself. As a whole, The Accusation is a vivid and frightening portrait of what it means to live in a completely closed-off society, and a heartbreaking yet hopeful portrayal of the humanity that persists even in such dire circumstances. “Searing fiction by an anonymous dissident . . . A fierce indictment of life in the totalitarian North.”—New York Times
Forbidden Tears was written with a goal to combat student trauma in the classroom. Students from the heart of Detroit have contributed their once silenced voices to this project in hopes of turning their pain into power. Unedited and raw, students share their compelling stories of trauma in the form of essays, poems and written narratives. This book serves as the gift in the wound as a lot of tears were shed in the production of this publication but it will sure be impactful to anyone who opens the cover. Here is the inception of a movement of youth that will no longer suffer in silence. This is Forbidden Tears.
Winner of the ECPA Book Award Journey alongside Persecuted Christians Take a 40-day journey to meet brothers and sisters who share in the sufferings of Christ. When Faith Is Forbidden takes you to meet a Chinese Christian woman who called six months in prison "a wonderful time," an Iraqi pastor and his wife just eight days after assassins' bullets ripped into his flesh, and others from our spiritual family who've suffered greatly for wearing the name of Christ. Each stop on this 40-day journey includes inspiration and encouragement through the story of a persecuted believer. You’ll also find space for reflection and a suggested prayer as you grow to understand the realities of living under persecution—and learn from the examples of the bold believers you'll meet. For more than 20 years, Todd Nettleton (host of The Voice of the Martyrs Radio) has traveled the world to interview hundreds of Christians who’ve been persecuted for the name of Christ. Now he opens his memory bank—and even his personal journals—to take you along to meet bold believers who will inspire you to a deeper walk with Christ.
Growth of Christianity in Iran Why is the church in Iran one of the fastest growing in the world? Despite the limitations of its national religion, many Iranians are going through an amazing spiritual journey leading them to the basic message of love, which was lived to its purest form by Jesus Christ. However in the region facing so much turmoil, stories of change, love, acceptance and tolerance may not always be welcome by the officials. Many want to know the stories-the forbidden stories-not talked about by the media. Stories that invoke hope and real life change. Despite the popular notion that Iran is a terrorist nation-Iran's young people are bright, savvy, better educated and less religiously zealous compared to the surrounding Arab nations. They are more advanced than any previous generation. There is supportive evidence that Iranian migrants help contribute to the academic and financial infra-structure of the host country. Dr. Mike Ansari knows because he is one of them. Each one of the three hundred stories paired with a beatitude from Matthew 5:3-11 has the power to change your heart-and your worldview. These stories are the actual accounts of real people inside Iran, captured in their own words. Join Mike in exploring Heart4Iran: The Forbidden Stories, to get a close and personal view of the rapidly changing landscape of Farsi speaking people living in Iran, Afghanistan, and Europe. "Blessed are the poor in spirit; for theirs is the kingdom of heaven" (Matthew 5:3). Dr. Mike Ansari is the President of Heart4Iran, a partnership of multi-national organizations whose number one aim is to serve and bless the people of Iran. A gifted leader and speaker, Mike and his team are available to conduct TV and radio interviews, and speak at churches, youth groups and ministry events. Connect at Heart4Iran.com.
Forbidden Passages is the first book to document and evaluate the impact of Moriscos—Christian converts from Islam—in the early modern Americas, and how their presence challenged notions of what it meant to be Spanish as the Atlantic empire expanded.
Fresh from both "Best Gay Erotica" 1997 and 1998, and the National Small Press Book Award to his third collection, "Rainbow County and 11 Other Stories, Titanic" is a novella anchoring 11 very diverse and quite literate short stories of erotic themes.
This is the story of a dynasty founded by Sheikh Mujibur Rahman, a Max Weberian Charismatic leader but unfortunately not a statesman who established a one-party rule, which led to a rebellion and his predictable death. Mujib died of his self-inflicted wound called BAKSAL Dictatorship. Mujib is not frozen in time; his daughter, Sheikh Hasina (the “digital dictator”), and her Awami cadres (followers) continue Mujib’s brutal BAKSAL tradition. On the parliament floor, Mujib boasted about his government’s extrajudicial killing and exclaimed, “Sheraj Shikder, where are you now?” These and other remarks by Mujib show his problems with self-discipline. Pinaki Bhattacharya, a researcher on Bangladesh politics, says, “Mujib was a great trickster.”
Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world.