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New York Times Bestseller: An “enthralling,” prize-winning novel of a love triangle among three young archaeologists in 1930s New Guinea (Vogue). Winner of the Kirkus Prize Winner of the New England Book Award for Fiction Finalist for the National Book Critics Circle Award Named a Best Book of the Year by: The New York Times Book Review, Time, NPR, Washington Post, Entertainment Weekly, Newsday, Vogue, New York Magazine, Seattle Times, San Francisco Chronicle, Wall Street Journal, Boston Globe, Kirkus Reviews, Publishers Weekly, Oprah.com, Salon From the author of Writers & Lovers and Five Tuesdays in Winter, Euphoria follows three young, gifted anthropologists caught in a passionate love triangle that threatens their bonds, their careers, and, ultimately, their lives. Inspired by events in the life of revolutionary anthropologist Margaret Mead, Euphoria is “dazzling . . . suspenseful . . . brilliant . . . an exhilarating novel” (The Boston Globe). “A thrilling read.” —Publishers Weekly (starred review) “Atmospheric and sensual.” —NPR “A taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace. . . . Exquisite.” —The New York Times Book Review
Chelsea Duvay is so many things. SheÍs an avid musical lover, sheÍs a gifted singer, and she has the most perfect, beautiful feet. But no one ever notices that. All they notice is ChelseaÍs weight. Daily, Chelsea endures endless comments about her appearance from well-meaning adults and cruel classmates. So she keeps to herself and just tries to make it through. DonÍt make waves. DonÍt draw attention. ThatÍs how life is for Chelsea„until a special class project pushes the energetic and incessantly social Melody into ChelseaÍs world. As their unlikely friendship grows, Chelsea emerges from her isolated existence, and she begins to find the confidence to enjoy life. But bullies are bullies, and they remain as vicious as ever. One terrible encounter threatens to destroy everything Chelsea has worked so hard to achieve. Readers will be captivated by ChelseaÍs journey as she discovers the courage to declare her own beauty and self-worth, no matter what others might think. A must-read for anyone who loves to explore the personal but powerful territory of everyday life.
In the magical town of Broomstick there is the Hidden Quiddity Potion Shop owned by two sisters, Agnes and Harriet. Most of the time, Agnes and Harriet are well aware of unusual happenings in the magical world. Not this time. And to make things worse, Harriet didn’t know what her teenage daughter Kizee was up with a knotem boy by the name of George Düben until it was too late. No one knew of the map or the plan to find Zweig’s magic wand. Strangely enough, this had been the best kept secret in Broomstick. Agnes and Harriet were helping customers when the storm passed through Broomstick. Harriet didn’t have any idea what Kizee and George were really up to. Suddenly, Harriet fell to her knees. “Kizee, No!” Agnes felt the high power of magic vibrate through her. She saw her sister fall to her knees. “I felt it too,” said Agnes as she helped Harriet up.
From Allen Ginsberg's 'angel-headed hipsters' to angelic outlaws in Essex Hemphill's Conditions, angelic imagery is pervasive in queer American art and culture. This book examines how the period after 1945 expanded a unique mixture of sacred and profane angelic imagery in American literature and culture to fashion queer characters, primarily gay men, as embodiments of 'bad beatitudes'. Deutsch explores how authors across diverse ethnic and religious backgrounds, including John Rechy, Richard Bruce Nugent, Allen Ginsberg, and Rabih Alameddine, sought to find the sacred in the profane and the profane in the sacred. Exploring how these writers used the trope of angelic outlaws to celebrate men who rebelled wilfully and nobly against religious, medical, legal and social repression in American society, this book sheds new light on dissent and queer identities in postmodern American literature.
This book describes the depressive in his or her natural habitat, studies the everyday problems that cause one's depression, and develops treatment approaches directed to the depressive's real-world plight. It explores the borderland between the sacred and the profane, the academic and the popular, the scientific but impractical, and the practical but unscientific. It relies as much on common sense, anecdote, and individual insight as it does on case histories and psychological test protocol. The book is divided into four sections: description, cause, prevention, and treatment. The descriptive section presents the mental-status abnormalities in depression, includes a differential diagnosis of classic depressive symptoms, indicates when so-called classic symptoms of another disorder are in fact depressive, lists the physical complaints that are the product of depression, discusses normal depression, and touches briefly on hypomania. The section on cause recognizes that real troubles are common and chemical troubles rare. It suggests that people do not get depressed because they are under stress or they have suffered loss, but, in simple language, because their boss has threatened to fire them, their wife has threatened to leave, the cat has died, and other similar real-life difficulties. It faces the problems that therapists and patients alike find unpalatable, shameful, and threatening--the things that cause patients to close their eyes or speak in remote euphemisms. The sections on prevention and therapy are not attached to any one school of thought. They are formulated and expressed simply and humanistically, and offer common-sense solutions to the depressives's everyday problems with themselves and their world.
Amorous jealousy is not a monster, as Shakespeare's venomous Iago claims. It is neither prickly and bitter fancy nor a cruel and mean passion, nor yet a symptom of feeble self-esteem. All those who have experienced its wounds are well aware that it is not callous, nasty, delusional and ridiculous. It is just painful. Yet for centuries moralists have poured scorn and contempt on a feeling that, in their view, we should fight in every possible way. It is allegedly a disease to be treated, a moral vice to be eradicated, an ugly, pre-modern, illiberal, proprietary emotion to be overcome. Above all, no one should ever admit to being jealous. So should we silence this embarrassing sentiment? Or should we, like the heroines of Greek tragedy, see it as a fundamental human demand for reciprocity in love? By examining its cultural history from the ancient Greeks to La Rochefoucauld, Hobbes, Kant, Stendhal, Freud, Beauvoir, Sartre and Lacan, this book demonstrates how jealousy, far from being a 'green-eyed' fiend, reveals the intense and apprehensive nature of all erotic love, which is the desire to be desired. We should never be ashamed to love.
The second instalment in the Colonial Legacy in,Caribbean Literature series.,.
SHE WAS A WOMAN WITH IDEAS…AND THAT WAS TROUBLE! All the same, James Garrow found himself wildly attracted to Lady Susanna Childers. True, their wedded union arose from mutual need—with no mention of love. Yet the longer he knew his firebrand bride—the greater grew his desire…! She was deep in the Highlands, a long way from London Society. Still, Susanna Childers vowed to make the best of the bargain she had struck with the enigmatic laird who was now her husband. Besides, he had saved her life once and would again, if need be. So love didn't matter—or did it?
In this beguiling tale with a historical twist, Kate Holliday's stagecoach is forced off a cliff by an Apache raid. When she comes to, Kate finds herself staring into the midnight blue eyes of the man who would rescue her, then capture her heart.