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This text evaluates Keating's role as both historian and theologian. It provides an analysis of the entire range of Keating's writing and of the social circumstances and intellectual influences that moulded his world.
There was something about the form and substance of the Annals of the Four Masters, compiled in the 1630s, that allowed them to become accepted as an authentic, reliable and comprehensive record of Gaelic society. Drawing on a rich heritage of manuscript sources on Irish history, these annals have long been regarded as an essential element of the cultural capital of a community that valued its Gaelic past. The Four Masters' approach to making their own annals conveys their regard for the older written records that had preserved for them, in manuscript, the history of their ancestors. This study surveys the scholarly and political context, both Irish and European, that inspired the annalists, reconstructing the networks of professional expertise and patronage that contributed to the pursuit of scholarship about the Irish past. The original manuscripts of these annals are used to illuminate how the annalists collaborated in the production and revision of their magnum opus, while comparison with the extant source texts consulted by the annalists reveals their priorities and their understanding of the world in which they lived.
This engaging and provocative work consists of 29 chapters and discusses over 50 books that have been instrumental in the development of Irish social and political thought since the early seventeenth century. Steering clear of traditionally canonical Irish literature, Bryan Fanning and Tom Garvin debate the significance of their chosen texts and explore the impact, reception, controversy, debates and arguments that followed publication. Fanning and Garvin present these seminal books in an impelling dialogue with one another, highlighting the manner in which individual writers informed each other s opinions at the same time as they were being amassed within the public consciousness. From Jonathan Swift s savage indignation to Flann O'Brien s disintegrative satire, this book provides a fascinating discussion of how key Irish writers affected the life of their country by upholding or tearing down those matters held close to the heart, identity and habits of the Irish nation.
In charting previously unexplored patterns of communicative practice, these essays by leading experts examine the interchange between written and verbal cultures in Ireland from the 17th century to the beginning of the 19th century. Contents include: Gaelic Texts and English Script * Print and Oral Tradition in Charlotte Brooke's "Reliques of Irish Poetry" (1789) * Print, Penmen, and Public in Gaelic Ireland, 1700-1850 * The Case of Geoffrey Keating's "Foras Feasa ar Eirinn" * 'James Cleland His Book': The Library of a Small Farming Family in Early 19th-Century County Down * The Geography of 19th Century Irish Song Books * Orality, Authenticity, and the 1641 Depositions * Reading and Orality in 18th-Century Ulster Poetry.