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Tobias knows that women are a lot of trouble, and one in particular is more trouble than most. Yet even with the knowledge that she's a pain in the ass, he doesn't stop himself from doing the one thing he knows that he shouldn't do-fall in love with her. It's supposed to be simple. Get in, get the girl, and get out. What Tobias isn't supposed to do is fall for the woman he's supposed to rescue. But he can't help being intrigued-and amused-by the defiance rolling off Audrey every time he so much as speaks to her. This fascination only intensifies with every single word from her delectable mouth. *** It's been six years since her assault, yet it feels like it happened just yesterday. Audrey's sick and tired of feeling so useless. She's had enough of being scared, she doesn't want to be all alone for the rest of her life. All of that boils down to a woman who's had enough of not doing anything to reclaim her life. She's at a loss as to how to move on, and every attempt she makes results in failure. Just when she's ready to quit, a sexy biker is there to push her out of her comfort zone. Under Tobias' patient guidance, Audrey slowly makes her way back to herself. She lands a job that she adores, and she thinks she's finally found her place in this world. Most surprisingly, though, she finds herself falling in love with a man that honestly scares her to death. Just when she vows to take that final step that'll put her past in her past forever, the life she wants to live is yanked away. Leaving her with nothing to pick up the pieces.
A wearable board book with die-cut holes invites the reader to try out the six bearded masks.
Beards—they’re all the rage these days. Take a look around: from hip urbanites to rustic outdoorsmen, well-groomed metrosexuals to post-season hockey players, facial hair is everywhere. The New York Times traces this hairy trend to Big Apple hipsters circa 2005 and reports that today some New Yorkers pay thousands of dollars for facial hair transplants to disguise patchy, juvenile beards. And in 2014, blogger Nicki Daniels excoriated bearded hipsters for turning a symbol of manliness and power into a flimsy fashion statement. The beard, she said, has turned into the padded bra of masculinity. Of Beards and Men makes the case that today’s bearded renaissance is part of a centuries-long cycle in which facial hairstyles have varied in response to changing ideals of masculinity. Christopher Oldstone-Moore explains that the clean-shaven face has been the default style throughout Western history—see Alexander the Great’s beardless face, for example, as the Greek heroic ideal. But the primacy of razors has been challenged over the years by four great bearded movements, beginning with Hadrian in the second century and stretching to today’s bristled resurgence. The clean-shaven face today, Oldstone-Moore says, has come to signify a virtuous and sociable man, whereas the beard marks someone as self-reliant and unconventional. History, then, has established specific meanings for facial hair, which both inspire and constrain a man’s choices in how he presents himself to the world. This fascinating and erudite history of facial hair cracks the masculine hair code, shedding light on the choices men make as they shape the hair on their faces. Oldstone-Moore adeptly lays to rest common misperceptions about beards and vividly illustrates the connection between grooming, identity, culture, and masculinity. To a surprising degree, we find, the history of men is written on their faces.
This hilarious father-son romp is perfect for fans of Don’t Push the Button! and Mustache Baby! A young boy longs for a beard like Dad’s, and when he discovers a hair-growth product called Beard in a Box, he must have it! He rips open the package, plants the beard seeds, and waits . . . And waits . . . And waits. Hilarious art and a feel-good ending make this the perfect Father’s Day gift for bearded and clean-shaven readers alike! "From the boy's imaginings of what his beard will look like (and each beard's accompanying attribute) to the hysterical vignettes showing him waiting for the mail, exercising his face, and expressing his frustration, the facial expressions are spot-on. Yes, dads are awesome, and if you hang out with them, they'll teach you to be awesome too." —Kirkus, starred review
The story of a young rebel. He is Jasper John, 23, of Colorado who gives up college to go to California on his motorcycle. In San Diego, he becomes involved with a group of literary eccentrics who hang out in a diner, which leads to a writing career of sorts.
Every man has the capacity to grow facial hair, but the decision to do so has always come with layers of meaning. Facial hair has traditionally marked a passage into manhood, but its manifestations have been determined by class, religion, history and occupational status. In the end, the act of displaying facial hair is still regarded as a form of ultimate cool. With wit and insight, One Thousand Beards delves into the historical, contemporary and cultural meaning of facial hair in all of its forms, complete with numerous photographs and illustrations.
Pogonophile: Admirer of Beards Journal. A funny beard lover notebook gift for a girl or guy with a facial hair fetish. 100 page blank lined book.
Every day, Jim Hickory the lumberjack heads into the forest with his trusty axe and chops down trees. Unfortunately, all sorts of creatures lose their homes in the process, so Jim gives them a home in his beard - until one day it all just gets too much. Time for Jim to come up with a better solution! A story with a green message.
DON'T MISS THE MAJOR MOTION PICTURE STARRING SADIE SINK OF STRANGER THINGS! Dear Zoe is a remarkable study of grief, adolescence, and healing with a pitch-perfect narrator who is at once sharp and naive, world-worried and self-centered, funny and heartbreakingly honest. Fifteen-year-old Tess DeNunzio hasn't been the same since she lost her sister Zoe to a hit-and-run accident on September 11th—when it seemed like nothing mattered except the tragedies playing out in New York and Washington. Dear Zoe is Tess's letter to her sister, written as a means of figuring out her own life and her place in the world—and the result is a novel of rare power and grace that tells us much about ours.
A searing and exhilarating new collection from the award-winning author of The Boys of My Youth and In Zanesville,who “honors the beautiful, the sacred, and the comic in life” (Sigrid Nunez, National Book Award winner for The Friend). A New York Times Notable Book A New York Times Book Review Editors’ Choice A Boston Globe and LitHub Best Book of the Year When “The Fourth State of Matter,” her now famous piece about a workplace massacre at the University of Iowa was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work. In these nine pieces, she captures both the small, luminous moments of daily existence and those instants when life and death hang in the balance, ranging from the death of a beloved dog to a relentlessly readable account of a New York artist trapped inside a burning building, as well as two triumphant, celebrated pieces of short fiction. Here is an unforgettable collection destined to be embraced and debated by readers and writers, teachers and students. Anchored by the title piece––a searing journey through India that brings into focus questions of mortality and love—Festival Days presents Beard at the height of her powers, using her flawless prose to reveal all that is tender and timeless beneath the way we live now.