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NO ONE TAKES WHAT’S MINE. The lovely attorney kept a secret from me. A baby she’s been carrying since Valentine’s night. The night we were thrown together by the roulette wheel. She never contacted me. Meant to keep me in the dark. She’s about to find out what happens when you cross a bratva boss. Punishment is in order. Sequestering until the birth. And I’ll use that time to win her surrender. Because I don’t just plan to keep the baby— I plan to make his mother my bride. And it would be much better for both of us if she were willing. The Director is the explosive first book in the USA Today Bestselling Chicago Bratva series. It’s a stand-alone dark mafia enemies-to-lovers romance, complete with HEA and no cliff-hangers. It contains steamy bedroom scenes and a dangerous and possessive hero who falls hard for the woman he wants to claim for life.
In "You're the Director!" you'll discover guidance from more than a dozen experienced financial aid professionals on topics such as directing a financial aid office, long-term planning, change management, budgeting, finding new resources, working efficiently, assessment and evaluation, positioning yourself on campus, and more. This book is a must-have for new and aspiring financial aid directors, as well as for seasoned financial aid directors who are constantly seeking to improve their leadership skills.
Written by one of the UK’s most respected working directors, this book is a practical guide to directing in theatre and includes specific advice on every aspect of working with actors, designers, and the text.
The collaboration of director and actor is the cornerstone of narrative filmmaking. This book provides the director with a concrete step-by-step guide to preparation that connects the fundamentals of film-script analysis with the actor’s process of preparation. This book starts with how to identify the overall scope of a project from the creative perspective of the director as it relates to guiding an actor, before providing a blueprint for preparation that includes script analysis, previsualization, and procedures for rehearsal and capture. This methodology allows the director to uncover the similarities and differences between actor and director in their preparation to facilitate the development of a collaborative dialogue. Featuring chapter-by-chapter exercises and assignments throughout, this book provides a method that enables the director to be present during every stage of production and seamlessly move from prep to filming, while guiding the actor to their best performances. Written in a clear and concise manner, it is ideal for students of directing, early career, and self-taught directors, as well as cinematographers, producers, or screenwriters looking to turn their hand to directing for the first time.
Chock-full of fascinating photographs and colorful directives, GIRL DIRECTOR is an instruction manual, history lesson, scrapbook, and celebration of women and film rolled into one. Director and cinephile Andrea Richards all but hands the reader a camera as she raucously paves the way for young women to make their own films. Sharing tales of the coolest femme filmmakers from history and recounting advice from the best women directors now in the business, Richards explains step by step how anyone can make a film using a standard video camera. Covering such topics as screenwriting, storyboards, set design, editing, distribution, Claymation, music videos, film festivals, and the digital revolution, GIRL DIRECTOR is a must-have handbook for the aspiring auteur of any age.A guide to do-it-yourself filmmaking from a female perspective, featuring accessible expert advice and a hip history of women in film.A must-have reference (and an excellent gift) for tweens, teens, adults, or anyone interested in making movies.Includes specifics on the who, what, where, and how of making low-budget videos and films.
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theatre productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production, including actors, designers, stage managers and technical staff. Leadership does not preclude collaboration; in theatre, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises.
"Concise and engaging, Michael Bloom's book is for anyone who has ever uttered the phrase, "But what I really want to do is direct.""--BOOK JACKET.
Mandy Rees and John Staniunas offer a set of strategies to help directors and actors work together more effectively, from starting the first rehearsals to maintaining a long-running show.
Theory meets practical tips in this guide for leaders of early childhood programs
A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.