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Join Joseph Pearce on a journey into the real Shire—a voyage into the mysterious presence of an England which is more real than the one you are accustomed to seeing, the one which seems to be in terminal decline. The England Pearce wants us to know is an enchanted and unchanging place, full of ghosts who are as alive as the saints. It is an England that is rural, sacramental, liturgical, local, beautiful . . . a place “charged with the grandeur of God”. In this wonder-filled journey, Joseph Pearce shows us the true England through the splendor of the Good, the True, and the Beautiful. He shows us an England that can never die, not because it lingers like a fading coal in the memory of mortal men, but because it exists as a beautiful flower in the Gardens of Eternity.
Highly readable and entertaining, Ronald Hutton's acclaimed work is the first comprehensive account of the religious and secular rituals of late medieval and early modern England.
In the fall of 1357, a Flemish weaver travels around the countryside in England, at the request of the king, seeking apprentices to learn his trade. During this time, however, many Englishmen prefer the easy wealth gained from war and pillaging to learning to work diligently with their hands. Along the way the weaver meets a prosperous wool merchant with two sons-big, strong, sixteen-year-old Roger and small, crippled, thirteen-year-old Tom. The merchant is eager to advance his elder son but the weaver feels drawn to the intelligence of young Tom who is seen only as a burden and a curse. When Roger suddenly disappears one evening, the weaver sees his opportunity to help Tom, but Tom's father is not at all sure he should agree to the weaver's startling plan. Through many unexpected events, Tom must learn how even a crippled boy can serve God and be a true help to his family and his country.
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Young Smith was a pickpocket - a very accomplished one. But one day his pick-pocketing was to lead him into a sinister and dangerous web of murder, intrigue and betrayal.
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
By skillfully weaving his own prose with Shakespeare's language, Leon Garfield has refashioned twelve of the Elizabethan playwright's most memorable dramas into stories, capturing all the richness of the characters, plot, mood, and setting. This format will delight both those who know the great dramatist's works and those who are new to them. Michael Foreman's dramatic color illustrations and varied black-and-white line drawings are the perfect complement to this celebration of Shakespeare's genius.