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Shakespeare is as much a figure of the 20th and 21st centuries as he is of the 16th and 17th, and Shakespeare in Love stands as evidence of our fascination. Written by a recognized expert, this book addresses two significant factors behind this continuing relevance. Firstly, there is the play's investigation of the most fundamental and timeless aspects of human nature. Play after play confronts what is immutable in man: our capacity for good and evil, our subservience to emotion. Each chapter examines themes recurrent in Shakespeare's dramas: love and hate; jealousy and revenge; and death and retribution among others. Secondly, there are the interpretation of the plays, many of which are films now lauded in their own right. Soul of the Age is illustrated with stills from the most famous adaptations: from the Olivier-starring Hamlet to 1996's William Shakespeare's Romeo and Juliet and Leonardo Di Caprio.
Read Nancy Redd's blogs and other content on the Penguin Community. The New York Times bestselling author of Body Drama addresses anxieties young women face about weight, diet, exercise, and body image. At a time when both obesity and eating disorders are on the rise, Harvard graduate and former Miss Virginia Nancy Redd provides a much- needed resource for millions of young women and concerned parents. In her uniquely reassuring "big sister" voice and with a fresh, fun, and frank attitude that has made her the nation's go-to girl for body issues, Nancy addresses the common, painful, and shameful "diet dramas" that most mainstream diet and nutrition books miss, including: "I think I'm healthy, but medical charts say I'm not"; "I can't afford a gym so I can't exercise properly"; and "I just want to have weight loss surgery and be done with it." Nancy's advice is vetted by a leading adolescent medicine expert and the book is packed with informative "fast facts," moving personal anecdotes of Nancy's own diet experiences, and revolutionary real-deal four-color photographs of young women sized 2 to 22. Finally, a food and fitness book that doesn't condescend or blame, Diet Drama begins with body image and shows readers that health comes in all shapes and sizes. Watch a Video
From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile and Sisters! Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!
Can you resist the depths of the human heart? It is 1958 and seventeen-year-old Landon is revelling in his youth: dating girls and even claiming to have been in love. He is a world apart from shy, reclusive Jamie Sullivan, a Baptist's daughter who carries a bible with her school books, cares for her widowed father and volunteers at the orphanage. But fate will intervene. Forced to partner up at the school dance, Landon and Jamie embark on a journey of earth-shattering love and agonising loss far beyond their years. In the months that follow, Landon discovers the true depths of the human heart, and takes a decision that is so stunning it will lead him irrevocably down the road to manhood . . .
Summer has been working at her dad's restaurant as a chef since her mom's demise. Enduring her step mom's verbal abuse and unthankful dad seemed to be the only thing each day brought. One day, she sees a man at her deceased mom's old house, and he strangely magnetizes her mind since then. But on the same day, her stepmom stomps out of their restaurant, her boyfriend sends her a breakup text, and her dad fires her. If there was any good news, it was that she had time, a few cash, and her mom's old photo. Yet, the Korean address at the back of the picture that she came across seemed to mean something. Summer hopes that a trip to Korea would uncover her mom's past, but she never expected to see the mysterious man who was at her mother's house on the other side of the world. The title includes the unfamiliar words, 'Korean Drama'; however, it is just the background for a love story that transcends culture, language, and other incredible obstacles.
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
Containing translations of three major plays, in his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance.
Despite the recent turn to affects and emotions in the humanities and despite the unceasing popularity of romantic and erotic love as a motif in fictional works of all genres, the subject has received surprisingly little attention in academic studies of contemporary drama. Love in Contemporary British Drama reflects the appeal of love as a topic and driving force in dramatic works with in-depth analyses of eight pivotal plays from the past three decades. Following an interdisciplinary and historical approach, the study collects and condenses theories of love from philosophy and sociology to derive persisting discourses and to examine their reoccurrence and transformation in contemporary plays. Special emphasis is put on narratives of love’s compensatory function and precariousness and on how modifications of these narratives epitomise the peculiarities of emotional life in the social and cultural context of the present. Based on the assumption that drama is especially inclined to draw on shared narratives for representations of love, the book demonstrates that love is both a window to remnants of the past in the present and a proper subject matter for drama in times in which the suitability of the dramatic form has been questioned.