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Men form East Central Georgia form a regiment to the glorious struggles and triumphs in Virginia, Maryland, and Pennsylvania.
Nina Revoyr brings us a compelling story of race, love, murder, and history against the backdrop of Los Angeles. —Winner of a 2004 American Library Association Stonewall Honor Award in Literature —Winner of the 2003 Lambda Literary Award —Nominated for an Edgar Award The plot line of Southland is the stuff of a James Ellroy or a Walter Mosley novel . . . But the climax fairly glows with the good-heartedness that Revoyr displays from the very first page. —Los Angeles Times Jackie Ishida’s grandfather had a store in Watts where four boys were killed during the riots in 1965, a mystery she attempts to solve. —New York Times Book Review, included in “Where Noir Lives in the City of Angels” Nina Revoyr brings us a compelling story of race, love, murder, and history against the backdrop of Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four black teenagers were killed in the store he ran during the Watts Riots of 1965—and that the murders were never solved or reported. Along with James Lanier, a cousin of one of the victims, she tries to piece together the story of the boys’ deaths. In the process, Jackie unearths the long-held secrets of her family’s history—and her own. Moving in and out of the past, from the shipping yards and internment camps of World War II; to the barley fields of the Crenshaw District in the 1930s; to the means streets of Watts in the 1960s; to the night spots and garment factories of the 1990s, Southland weaves a tale of Los Angeles in all of its faces and forms.
This is a reproduction of a home catalog from 1947. It contains exterior images as well as floor plans for various types of homes. It's a fantastic look back at popular home designs of the past.
"Lux creates a series of remarkable portraits of contemporary Americans engaged in peculiar and sometimes hilarious trades: fire-eaters, bridge-workers, bug photographers, hypnotherapists, crime lab cops, master taxidermists, inveterate weepers and denizens of the night. A delicious mix of captivating science writing and colorful studies of contemporary Americana"--Cover, p. [4].
In 1864 Alida and Calvin Clark, two abolitionist members of the Religious Society of Friends from Indiana, went on a mission trip to Helena, Arkansas. The Clarks had come to render temporary relief to displaced war orphans but instead found a lifelong calling. During their time in Arkansas, they started the school that became Southland College, which was the first institution of higher education for blacks west of the Mississippi, and they set up the first predominately black monthly meeting of the Religious Society of Friends in North America. Their progressive racial vision was continued by a succession of midwestern Quakers willing to endure the primitive conditions and social isolation of their work and to overcome the persistent challenges of economic adversity, social strife, and natural disaster. Southland’s survival through six difficult and sometimes dangerous decades reflects both the continuing missionary zeal of the Clarks and their successors as well as the dedication of the black Arkansans who sought dignity and hope at a time when these were rare commodities for African Americans in Arkansas.
Excerpt from A Series of Original Poems on Love, Home, and the Southland These poems, mainly lyrics on love, home and the Southland, were composed for the most part during the author's early life, when and wherever occasion permitted, but seldom with any thought of publication. They were in most instances letters to friends and loved ones, setting forth his experiences in life, at the same time his love for the beautiful. Not one was written to order nor for pay, nor was one ever sold in manuscript. They are lyrics of the heart rather than of the head, and the author does not claim for them any great erudition. The great majority was written when he was but sixteen to twenty-one years old. He wrote verses as early as fourteen, but those are not in cluded in this volume. In January, 1880, the author published a volume of poems under the title of Roving Footsteps, selling copies with his own hands. In July, 1887, he published another volume entitled Songs of the Cum hetlands. Then he bade his Muse farewell, and for twenty years wrote scarcely a line, going out of poesy to engage in other vocations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
THE SOUTHLAND tells the story of three unauthorized Mexican immigrants living in Los Angeles: Luz works multiple jobs to provide for herself and her teenage son Eliseo. Nadia, a former journalist with PTSD, fled Mexico and tries to stay hidden from the dangerous men that she exposed in Sinaloa. Ostelinda works as a laborer in a garment factory, having been deceived by coyotes and imprisoned in the same building since her arrival. Their lives intersect through terrifying circumstance that clarify and contrast the horrors of existence. When Eliseo goes missing, Luz is lost. She doesn’t trust the authorities to help. One wrong move could get her deported. Luz has no option but to investigate her son’s disappearance on her own. Engaging Nadia and her roommate, they navigate an increasingly hostile American environment in an effort to reunite Luz’s small family. When Luz and Nadia uncover a link to the people that run the garment factory, the two women become determined to save more than just Luz’s son. THE SOUTHLAND is a crime story, but more than that, it’s a story of America and the dangers that migrants face when being forced to live in the shadows.