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For Home and Empire is the first book to compare voluntary wartime mobilization across the Australian, Canadian, and New Zealand home fronts. As communities organized to raise recruits or donate funds, their efforts strengthened communal bonds, but they also reinforced class, race, and gender boundaries. Which jurisdiction should provide for a soldier’s wife if she moved from Hobart to northern Tasmania? Should Welsh women in Vancouver purchase comforts for local soldiers or for Welsh soldiers in the British Army? Should Māori volunteers enlist with their home regiment or with a separate battalion? Voluntary efforts reflected how community members understood their relationship to one another, to their dominion, and to the Empire. Steve Marti examines the motives and actions of those involved in the voluntary war effort, applying the framework of settler colonialism to reveal the geographical and social divides that separated communities as they organized for war.
How did South Africans become black? How did the idea of blackness influence conceptions of disadvantaged groups in England such as women and the poor, and vice versa? Bringing the Empire Home tracks colonial images of blackness from South Africa to England and back again to answer questions such as these. Before the mid-1800s, black Africans were considered savage to the extent that their plight mirrored England's internal Others—women, the poor, and the Irish. By the 1900s, England's minority groups were being defined in relation to stereotypes of black South Africans. These stereotypes, in turn, were used to justify both new capitalist class and gender hierarchies in England and the subhuman treatment of blacks in South Africa. Bearing this in mind, Zine Magubane considers how marginalized groups in both countries responded to these racialized representations. Revealing the often overlooked links among ideologies of race, class, and gender, Bringing the Empire Home demonstrates how much black Africans taught the English about what it meant to be white, poor, or female.
This pioneering 2006 volume addresses the question of how Britain's empire was lived through everyday practices - in church and chapel, by readers at home, as embodied in sexualities or forms of citizenship, as narrated in histories - from the eighteenth century to the present. Leading historians explore the imperial experience and legacy for those located, physically or imaginatively, 'at home,' from the impact of empire on constructions of womanhood, masculinity and class to its influence in shaping literature, sexuality, visual culture, consumption and history-writing. They assess how people thought imperially, not in the sense of political affiliations for or against empire, but simply assuming it was there, part of the given world that had made them who they were. They also show how empire became a contentious focus of attention at certain moments and in particular ways. This will be essential reading for scholars and students of modern Britain and its empire.
"Following the end of World War II in Asia, the Allied powers repatriated over six million Japanese nationals from colonies and battlefields throughout Asia and deported more than a million colonial subjects from Japan to their countries of origin.Depicted at the time as a postwar measure related to the demobilization of defeated Japanese soldiers, this population transfer was a central element in the human dismantling of the Japanese empire that resonates with other post-colonial and post-imperial migrations in the twentieth century.Lori Watt analyzes how the human remnants of empire, those who were moved and those who were left behind, served as sites of negotiation in the process of the jettisoning of the colonial project and in the creation of new national identities in Japan. Through an exploration of the creation and uses of the figure of the repatriate, in political, social, and cultural realms, this study addresses the question of what happens when empire comes home."
How is Britain enacting colonialism at home?
Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal’s study of the narratives and discourses of travel reveals the ways in which the colonial encounter created linked yet distinct constructs of nation and gender and explores the impact of this encounter on both English and Indian men and women. Reworking colonial discourse studies to include both sides of the colonial divide, this work is also the first to discuss Indian women traveling West as well as English women touring the East. In her look at England, Grewal draws on nineteenth-century aesthetics, landscape art, and debates about women’s suffrage and working-class education to show how all social classes, not only the privileged, were educated and influenced by imperialist travel narratives. By examining diverse forms of Indian travel to the West and its colonies and focusing on forms of modernity offered by colonial notions of travel, she explores how Indian men and women adopted and appropriated aspects of European travel discourse, particularly the set of oppositions between self and other, East and West, home and abroad. Rather than being simply comparative, Home and Harem is a transnational cultural study of the interaction of ideas between two cultures. Addressing theoretical and methodological developments across a wide range of fields, this highly interdisciplinary work will interest scholars in the fields of postcolonial and cultural studies, feminist studies, English literature, South Asian studies, and comparative literature.
In 1945, Britain emerged as one of the 'Big Three' victors of the Second World War. Most people, in Britain and elsewhere, seem to have assumed that the British Empire would endure for a very long time to come. Yet within twenty years British power and influence had been enormously reduced. This book studies the causes and course of the process.
The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English MONTH & YEAR OF PUBLICATION: 07/01/1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. I, No. 2 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS):88-121, 123-126 ARTICLES: 1. The King Emperor Speaks To His People 2. Mr Verrier Elwin's Christmas Day Broadcast from the Bombay Studio 3. Indian Dancing 4. Recepion Overseas 5. The Development Of Civil Aviation In India 6. Taverns In India In The Olden Times 7. Rural And National Planning Author of Articles: 1. Unknown 2. Unknown 3. Unknown 4. Peter Goss 5. F. Tymms 6. Major H. Hobbs 7. Sir Daniel Hamilton Keywords: 1. Loyalty, Love, Message of Hope 2. Karanjia village, Christmas, London listeners 3. Dancer Uday Shankar, Shiva, gesture, Hindu Dancing 4. Local Listeners, Relay Service, wireless exchange 5. Civil Aviation, Imperial Airways, Indian National Airways, Rangoon 6. Statesman, Great Britain, India, Asia Minor and Persia, Calcutta, taverns 7. British India steamer Dorunda, Gosaba, Mahajan, Panchayat Document ID:INL-1935-36 (D-D) Vol-I (02)