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LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.
For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war's cultural battle.
At Home with Country celebrates the romance of Cabbages & Roses and shows how Christina Strutt's evocative vintage style is equally at home in city apartments, rural retreats and seaside cottages. From urban high-rises to coastal hideaways, the great manor homes of England to the smallest beach house on the other side of the Atlantic, the beauty of the Cabbages & Roses brand is the gentle but highly visible vintage design. This lavish book embodies all locations—country, city and coast. Chapters encompass Classic Country, Modern City, Island Country and Outdoor Country. Homes that bring together the old and the new, evoking the atmosphere of each season, sit beside city spaces where urban living combines with vintage style—think faded florals and ticking fabrics softening an industrial space, splashes of colour to enliven it and contrasting textures to add interest. Coastal dwellings are fresh, breezy and dreamy—beautifully suited for beach living. The book shows that the country can come to the city, that the city can benefit from coastal settings and that the Cabbages & Roses style is a gentle, unassuming and, above all, beautiful asset to any home as it easily complements all environments.
Vietnam was often called a “teenager’s war.” The average age was 19.2, so in the main, the War was fought by 17, 18, 19 and 20 year olds barely out of high school and often without the income, intelligence, inclination, or focus to attend college. For everyone, the draft loomed large in our futures, so you could choose your branch of service or let the draft decide for you. This was the 60’s. Fresh from sock hops and college freshman mixers, young men found themselves in a fight for their lives, from the Delta to the DMZ, on animal trails, numbered hills and in remote jungle outposts. Teenagers witnessed the unspeakable carnage of war while trying to understand the collision of emotions and insult to the senses that is combat. Thousands died there and many thousands more were wounded and maimed. So the hell of combat was replaced by the painful recovery in a military hospital. For me and thousands of others it was Great Lakes Naval Hospital at Great Lakes, Illinois. For Self and Country follows my many months of recovery along with the stories of the brave young men who surrounded me and sustained me with friendship, uncommon humor, and courage. This is a story of family, young love, and the magnificent care administered by the Navy doctors, nurses and revered Corpsmen. Great Lakes was a place of great pain but also recovery, not just from the physical damage we sustained but also the unseen emotional injuries everyone endured but rarely talked about. We helped each other in our recovery by talking to each other about our wartime experiences and how we would need to cope outside the insulated and protected hospital. Most of us had no expectation of surviving Vietnam; now that we had we were unsure what place we would have in civilian life.
Nora Murphy has turned her passion for country house style and its embodiment--her own home in Newtown, Connecticut--into a multimedia juggernaut. Her blog, website, e-magazine, strong presence on social media, and increasing visibility in print media and on TV have earned her a devoted following all over the country. Now she has distilled the essence of her knowledge about country house style and how to achieve it in this irresistible volume. The first part of the book lays out the universal elements of the style; the second reveals how she has incorporated these elements into her own home; and the third shows how the elements of this comfortable, comforting, easy aesthetic and approach to life can be applied in different ways and in different locations to striking, individual effect. Five homes, each of which expresses a unique take on the style, are featured. Part primer, part wish book, Nora Murphy's Country House Style is all inspiration.
A demonstration of how a specific ideal of national heritage was consciously nurtured by England's elementary school system at the turn of the century. Implicit within this ideal was an ideology that reinforced gender, class, and race distinctions.
Ong Soon Keong explores the unique position of the treaty port Xiamen (Amoy) within the China-Southeast Asia migrant circuit and examines its role in the creation of Chinese diasporas. Coming Home to a Foreign Country addresses how migration affected those who moved out of China and later returned to participate in the city's economic revitalization, educational advancement, and urban reconstruction. Ong shows how the mobility of overseas Chinese allowed them to shape their personal and community identities for pragmatic and political gains. This resulted in migrants who returned with new money, knowledge, and visions acquired abroad, which changed the landscape of their homeland and the lives of those who stayed. Placing late Qing and Republican China in a transnational context, Coming Home to a Foreign Country explores the multilayered social and cultural interactions between China and Southeast Asia. Ong investigates the role of Xiamen in the creation of a China-Southeast Asia migrant circuit; the activities of aspiring and returned migrants in Xiamen; the accumulation and manipulation of multiple identities by Southeast Asian Chinese as political conditions changed; and the motivations behind the return of Southeast Asian Chinese and their continual involvement in mainland Chinese affairs. For Chinese migrants, Ong argues, the idea of "home" was something consciously constructed. Ong complicates familiar narratives of Chinese history to show how the emigration and return of overseas Chinese helped transform Xiamen from a marginal trading outpost at the edge of the Chinese empire to a modern, prosperous city and one of the most important migration hubs by the 1930s.
Since 2008, foreign land acquisitions have attracted international attention under the term »land grabbing.« Illustrated by rich and nuanced empirical accounts of forty Chinese and British investment projects in Sub-Saharan Africa, Ariane Goetz explains the phenomenon of »land grabbing« from the perspective of two investor countries. She reflects on Chinese and British public policy, state-society relations, national developmental contexts, ideologies, and international relations and thereby gives insights into the political economies that enable these investments as well as the development ambitions and institutionalized paradigms of which they form a part.