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The late eighteenth century was one of the most exciting and unsettling periods in European history, with the shock-waves of the French Revolution rippling around the world. As this collection of essays by leading scholars shows, Wales was no exception. From political pamphlets to a Denbighshire folk-play, from bardic poetry to the remodelling of the Welsh landscape itself, responses to the revolutionary ferment of ideas took many forms. We see how Welsh poets and preachers negotiated complex London–Wales networks of patronage and even more complex issues of national and cultural loyalty; and how the landscape itself is reimagined in fiction, remodelled à la Rousseau, while it rapidly emptied as impoverished farming families emigrated to the New World. Drawing on a wealth of vibrant material in both Welsh and English, much of it unpublished, this collection marks another important contribution to ‘four nations’ criticism, and offers new insights into the tensions and flashpoints of Romantic-period Wales.
A collection of essays exploring the impact on Welsh culture of one of the most exciting periods in history, the decades surrounding the French Revolution of 1789.
This new selection of Anglophone Welsh poetry presents a range of literary responses to the French Revolution and the ensuing wars with France, a period in which Wales and its history became prime imaginative territory for poets of all political sympathies.
Pamphleteering was a vital component of the popular political discussion opened up by the French Revolution of 1789, but while the English pamphlet wars have been exhaustively explored, Welsh pamphlet literature has been ignored. During the fifteen years following the French Revolution of 1789, over 100 Welsh pamphlets and sermons engaged in a public discourse which discussed the larger issues raised by the Revolution and the war against the French Republic. This pioneering volume seeks to capture the excitement of the period by demonstrating how radicals and loyalists, Dissenters, Methodists and Churchmen, pacifists and warmongers engaged in a lively argument in their published works. An in-depth essay reviews and interprets texts written by artisans, Dissenting ministers, country curates and Anglican bishops, who all used religion as politics; promoted war or peace; argued over republicanism and loyalism, and utilized the law as a stage for political ideas. All texts are fully translated and thus made accessible to an English-speaking audience for the first time.
This anthology of Welsh poetry and English translations presents some of Wales's radical and reactionary responses to the French Revolution and its cultural legacy, 1789-1805.
It introduces readers to a man largely unknown outside academia but who was considered by his contemporaries to be one of the greatest thinkers of the Enlightenment and who championed, against powerful opposition, many of the rights and liberty’s we take for granted today. As a chronological account it covers and discusses Price’s writing on all the issues which interested him. Among them are political and civil liberty, parliamentary reform, life assurance, mathematics, moral philosophy and the American and French Revolutions. His comments on all these are as important today, and as enlightening, as they were in his time. The book is the first to make extensive use of Price’s correspondence with the likes of Joseph Priestley, Benjamin Franklin, Thomas Jefferson and newly discovered letters from Price’s nephew in Paris during the July 1789 Revolution. This coupled with the chronological approach gives the reader an insight into his thinking and political developments during crucial periods of the eighteenth century Enlightenment and provides a high readable narrative for the general reader.
In July 1789 George Cadogan Morgan, born in Bridgend, Wales, and the nephew of the celebrated radical dissenter Richard Price (1723-91), found himself caught up in the opening events of the French Revolution and its consequences. In 1808, his family left Britain for America where his son, Richard Price Morgan, travelled extensively, made a descent of the Ohio and Mississippi Rivers by raft and helped build some of the early American railroads. The adventures of both men are related here via letters George sent home to his family from France and through the autobiography written by his son in America.
Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present. The subject matter includes notions of ancient deities, Druids, Celticity, the archaeological remains of pagan religions, traditional folk tales, racial and religious myths and ethnic politics, and the different types of returns and hauntings that can recycle these ideas in culture. Innovative and interdisciplinary, the scholarship in Mysticism, Myth and Celtic Identity is mainly literary but also geographical and historical and draws on religious studies, politics and the social sciences. Thus the collection offers a stimulatingly broad number of new viewpoints on a matter of great topical relevance: national identity and the politicization of its myths.
This collection of essays addresses the role of literature in radical politics. Topics covered include the legacy of Robert Burns, broadside literature in Munster and radical literature in Wales.
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.