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Searching for a Thief accused of stealing something precious, Chal acknowledges it's the Thief that he wants and is unwilling to give him up. Being a Tramp on Beasor means Chal spends most of his time transporting items from other universes for his clients. Since Tramps are unaffected by the draining symptoms of flashing, they are perfect for retrieval missions as well. He's watched two of his friends fall in love, and longs to find his own lover. When he accepts a mission to flash to Earth, and retrieve a Thief who has stolen something important, Chal had no way of knowing his target might steal his heart as well. Palmer wants to be left alone. He's been used by the man who was supposed to be his friend, and forced to do things he didn't want to do. When he flashes to Earth, Palmer hopes he can remain hidden and safe. Yet the moment a Tramp walks into the diner Palmer works at, he knows his life has taken a radical turn. For better or worse, the Tramp and the Thief have to find out where the truth lies in the tangle of lies they've been given.
Jesters and fools have existed as important and consistent figures in nearly all cultures. Sometimes referred to as clowns, they are typological characters who have conventional roles in the arts, often using nonsense to subvert existing order. But fools are also a part of social and religious history, and they frequently play key roles in the rituals that support and shape a society's system of beliefs. This reference book includes alphabetically arranged entries for approximately 60 fools and jesters from a wide range of cultures. Included are entries for performers from American popular culture, such as Woody Allen, Mae West, Charlie Chaplin, and the Marx Brothers; literary characters, such as Shakespeare's Falstaff, Rabelais' Gargantua and Pantagruel, and Singer's Gimpel; and cultural and mythological figures, such as India's Birbal, the American circus clown, the Native American Coyote, Taishu Engeki of Japan, Hephaestus, Loki the Norse fool, schlimiels and schlimazels, and the drag queen. The entries, written by expert contributors, are critical as well as informative. Each begins with a biographical, artistic, religious, or historical background section, which places the subject within a larger cultural and historical context. A description and analysis follow. This section may include a discussion of the fool's appearance, gender role, ethical and moral roles, social function, and relationship to such themes as nature, time, and mortality. The entry then discusses the critical reception of the subject and concludes with an extensive bibliography of general works.
In this lively work, Beatrice K. Otto takes us on a journey around the world in search of one of the most colorful characters in history—the court jester. Though not always clad in cap and bells, these witty, quirky characters crop up everywhere, from the courts of ancient China and the Mogul emperors of India to those of medieval Europe, Africa, the Middle East, and the Americas. With a wealth of anecdotes, jokes, quotations, epigraphs, and illustrations (including flip art), Otto brings to light little-known jesters, highlighting their humanizing influence on people with power and position and placing otherwise remote historical figures in a more idiosyncratic, intimate light. Most of the work on the court jester has concentrated on Europe; Otto draws on previously untranslated classical Chinese writings and other sources to correct this bias and also looks at jesters in literature, mythology, and drama. Written with wit and humor, Fools Are Everywhere is the most comprehensive look at these roguish characters who risked their necks not only to mock and entertain but also to fulfill a deep and widespread human and social need.
Penniless, homeless and virtually lifeless, the vagrant “Doughface” Jack is about to discover that where medical marvels meet the mysteries of the human mind, amazing things happen. The Tramp acquires a capability beyond his imagination and without equal on Earth. Riding the rails, Jack runs afoul of a local sheriff and ends up with a crushed skull. He’s as good as dead until a savvy country doctor performs a bit of medical magic. Jack wakes up to find that his brain has been drastically altered. He has the power to save lives—and destroy them—with a single glance. Will Jack use his astounding power for good ... or for evil? His journey of discovery takes him to New York and into the arms of a woman, who has a plan of her own. Together they’re bound for Washington, DC, and a psychic adventure that could change the shape of history. “...a series not to be missed by any true pulp-fiction fan.” —Comics Buyers Guide