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First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.
Analyses texts drawn from the Bleek and Lloyd Archive, arguably one of the most important collections for the understanding of South African cultural heritage and in particular the traditions of the /Xam, South Africas first people. Initially appearing in a now rare 1986 edition and here re-issued for the first time, the doctoral thesis on which the book is based became the catalyst for much scholarly research. The book offers an analysis of the entire corpus of /Xam narratives found in the Bleek and Lloyd collection, focusing particularly on the cycle of narratives concerning the trickster /Kaggen (Mantis). These are examined on three levels from the 'deep structures' with resonances in other areas of /Xam culture and supernatural belief, through the recurring patterns of narrative composition apparent across the cycle and finally touching on the observable differences in the performances by the various /Xam collaborators. Hewitt's text remains the only comprehensive and detailed study of /Xam narrative, and it has become itself the object of study by researchers and PhD candidates in South Africa, the United Kingdom, Canada and elsewhere. This new edition at last makes Hewitt's important work more widely available. It will be a welcome addition to the recently burgeoning literature on the place of the /Xam hunter-gatherers in the complex history of South African culture and society.
This book provides students, instructors, and lay-readers with a cross-cultural understanding of storytelling as an art form that has existed for centuries, from the first spoken and sung stories to those that are drawn and performed today. This book serves as an indispensable resource for students and scholars interested in storytelling and in multicultural approaches to the arts. By taking an evolutionary approach, this book begins with a discussion of origin stories and continues through history to stories of the 21st century. The text not only engages the stories themselves, it also explains how individuals from all disciplines, from doctors and lawyers to priests and journalists, use stories to focus their readers' and listeners' attention and influence them. This text addresses stories and storytelling across both time (thousands of years) and geography, including in-depth descriptions of storytelling practices occurring in more than 40 different cultures around the world. Part I consists of thematic essays, exploring such topics as the history of storytelling, common elements across cultures, different media, lessons stories teach us, and storytelling today. Part II looks at more than 40 different cultures, with entries following the same outline: Overview, Storytellers: Who Tell the Stories, and When, Creation Mythologies, Teaching Tales and Values, and Cultural Preservation. Several tales/tale excerpts accompany each entry.
A detailed and compelling volume that contributes significantly to current trends in post-apartheid scholarship.
South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the major regions and language groups of South Africa. It will provide a complete portrait of South Africa's literary production, organised as a chronological history from the oral traditions existing before colonial settlement, to the post-apartheid revision of the past. In a field marked by controversy, this volume is more fully representative than any existing account of South Africa's literary history. It will make a unique contribution to Commonwealth, international and postcolonial studies and serve as a definitive reference work for decades to come.
Although African literatures in English and French are widely known outside Africa, those in the African languages themselves have not received comparable attention. In this book a number have been selected for survey by fourteen specialist writers, providing the reader with an introduction to this very wide field and a body of reference material which includes extensive bibliographies and biographical information on African authors. Theoretical issues such as genre divisions are discussed in the essays and the historical, social and political forces at work in the creation and reception of African literature are examined. Literature is treated as an art whose medium is language, so that both the oral and written forms are encompassed. This book will be of value not only to readers concerned with the cultures of Africa but to all those with an interest in the literary phenomena of the world in general.