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This book is a collection of 90 traditional Maritime folksongs selected by Kaye Pottie and Vernon Ellis, two of Nova Scotia's most respected music educators. The authors have made extensive use of the famous Helen Creighton collection, and most of the songs included in this book are published for the first time. Each song includes a brief historical introduction, complete chording information, melodic lines and the words to all verses. Songs are illustrated with images inspired by authentic folk arts. Folksongs of the Maritimes reflects the region's rich musical traditions, including examples from Scottish, Irish, English, French, German and African-Canadian cultures.
Features 150 authentic songs of love, the sea, of battle; humorous songs, nursery songs, Irish songs, many more. Unlike other collections, it includes both the words and music for every song.
White-winged schooners once dominated commerce and culture on the Great Lakes, and songs relieved the hours on board, but that way of life and its music ended when steam-driven mechanical boats swept schooners from the inland seas. Recognizing in the late 1930s, almost too late, that this rich oral tradition was going to the grave along with the last generation of schoonermen, Ivan H. Walton undertook a quest to save the songs of the Great Lakes sailors. Racing time and its ravages, he searched out ancient mariners in lakefront hospitals, hangouts, and watering holes. Walton reconstructed songs from one of the most colorful periods in American history, discovering melodies and lyrics to more than a hundred songs. With its stories, lyrics, musical scores by folksinger/historian Lee Murdock, and accompanying CD, Windjammers ensures that sailing chanteys that have not been heard for over one hundred years can be heard again and again far into the future.
18 traditional and contemporary songs of Great Lakes history, primarily nautical history, including songs about the building of the Erie Canal in NY and the I&M Canal in IL, sea chanteys, tall tales, anthems, ballads and shipwreck songs and stories. Includes an 18-song, 72 minute Compact Disc of all songs, recorded by author, Lee Murdock; plus musical scores for all 18 songs; historical background; vocabulary; 82 photos, maps and illustrations; teacher guide including study questions, suggested activities, and exercise worksheets.
Ghosts guarding buried treasure, phantom ships, haunted houses and supernatural warnings of death. These unexplained mysteries are all the more chilling because they are based on personal experiences of ordinary people, told to Helen Creighton, one of Canada's most respected and renowned folklorists.
A rousing collection of the most memorable and feel-good shanties in maritime history.
Over 425 reels, jigs, set-tunes, waltzes, marches, strathspeys, and airs transcribed from the playing of traditional fiddlers make this a must have title
This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.
While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labor and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the complex cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact during the 1930s and beyond. Covering myriad musical styles and performers, Cohen narrates a singular history that begins in nineteenth-century labor politics and popular music culture, following the rise of unions and Communism to the subsequent Red Scare and increasing power of the Conservative movement in American politics--with American folk and vernacular music centered throughout. Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times. Becoming entangled with the ascending American left wing, folk music became synonymous with protest and sharing the troubles of real people through song.