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These laugh-out-loud stories from New Hampshire and Vermont are set during the four seasons of the year. The storyteller in his appealing dialect tells little-known tales, among them ?Mothah Skunk? and the night she had to move out with her kits because Sherman Curtis smelled so bad; the escapades of Big Gertie Benson, the lumberjacks? cook and a cousin of the Bunyans in the Midwest; and George Petty, who delivered the mail even during mud season by standing on the back of his horse with only his head sticking out. Interspersed throughout are comic style episodes as an unsuspecting tourist tries to get information from the ?locals.? A delightful preface about living in New Hampshire for the past thirty-five years and visiting the North Country since he was a boy, explains why Tomie dePaola has perfect pitch for the dialect and a genuine appreciation for these unforgettable characters and their understated humor. Perfect for reading aloud to the family or in the classroom with a glossary to help with the pronunciations, these tales are sure to be a hit with Tomie?s fans, young and old.
These folk tales reflect the wild and secret character of between two countries and two worlds. The book other magical characters such as the Netherwitton worm who guards a secret well and the Hedley Kow that plays audacious tricks on humans. Accompanying these, there is the sound of human feet; saints seek refuge, ancient kings fight for land and salvation, and border folk pit themselves against one another with both wit and sword. Illustrated with thirty beautiful and evocative drawings by Rachel Edwards, this panoply of characters, together with ghosts, witches and the land itself, is brought to life by professional storyteller Malcolm Green. Northumberland, a borderland abounds with stories of the mysterious fairy folk, along with.
In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures. In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types. Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information. Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography. Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful—and sometimes astonishing—21st-century artistic interpretations of them.
Storyteller and author Adam Bushnell brings together stories from the rugged coastlines, limestone cliffs, remote moorland, pastoral dales and settled coalfields of County Durham. In this treasure trove of tales you will meet the evil fairies of Weardale, the shape-changing witch from Easington, the Bishop Auckland boar, the Dun Cow from Durham City and many other characters – all as fantastical and powerful as the landscape they inhabit. Retold in an engaging style, and richly illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.
“The idea is inspired and the treatment piercingly beautiful . . . Two formidable artists have shown respect for the integrity of each other’s work here and the result is magnificent.” —Independent “Bob Dylan’s back catalogue is used to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering . . . It is the constant dialogue between the drama and the songs that makes this show exceptional.” —Guardian “Beguiling and soulful and quietly, exquisitely, heartbreaking. A very special piece of theatre.” —Evening Standard “A populous, otherworldly play that combines the hard grit of the Great Depression with something numinous and mysterious.” —Telegraph Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return . . . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at the Old Vic, London, in July 2017, in a production directed by the author. Conor McPherson is an award-winning Irish playwright. His best-known works include The Weir (Royal Court; winner of the 1999 Olivier Award for Best New Play), Dublin Carol (Atlantic Theater Company) and The Seafarer (National Theatre). Bob Dylan, born in Duluth, Minnesota, in 1941, is one of the most important songwriters of our time. Dylan was awarded the Nobel Prize for Literature in 2016. He released his thirty-ninth studio album, Triplicate, in April 2017, and continues to tour worldwide.
A spine-tingling collection of real and surreal tales of northern New Hampshire
This collection of over two hundred folk and fairy tales from all over the world is the only edition that encompasses all cultures. Arranged geographically by region—West and East Europe, British Isles, Scandinavia, and Northern Europe, Middle East, Asia, the Pacific, Africa, North America, the Carribean and West Indies, and Central and South America—and lovingly selected from the personal favorites of folklorists and writers, this book is a major anthology in its field. Gathered together in this wide-ranging collection are familiar classics like "Snow-White" and "Sleeping Beauty," and stories that equal them from all major cultures. Together they offer magic, adventure, laughter, reflection, vivid images, and a throng of colorful characters. More important, they offer insight into the oral traditions of different cultures and deal with universal human dilemmas that span differences of age, culture, and geography. Animal fables, proverbs, ghost stories, funny tales, and tales of enchantment provide a unique reading experience for all ages. A category index groups the tales by plot and character, e.g., humorous, supernatural, and "pourquoi" tales, married couples, enchanted sweethearts, etc. Like all great literature, these tales can be read with fascination on many levels, making Best-Loved Folktales of the World a classic and enduring collection.