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The stories narrate the tricks, deceit and greed of hyena in all his relationships. These traits come out strongly in the tales entitled: 'the cow, hyena, lion and hare share a home', 'hyena and hare go in search of food' and 'the hyena and the hare'. Hare, however, shows his ingenuity to always outsmart hyena. Cat's pilgrimage to Mecca and his self righteous attitude on his return was challenged by the eldest member of the clan of rats. He was reminded of his old ways before his transformation. Gambian folk tales carry moral lessons and even though they are not all spelt out in this collection, they are evident.
This selection of ten stories was gathered from the Wollof, Mandingo and Jola people. The story of 'Boppi Jerreh' has been much narrated by the Wollof people of Banjul, the fisher folk of Barra, and its neighbourhood from time immemorial. The Wollof story, 'Kumba Ndaba marries Jeggan Touray' shows how the institution of marriage fosters kinship ties while the the stories gathered from the Jola people are all based on the occupational lives of women, a deep appreciation of nature, and the traditional practice of consulting soothsayers before embarking on any major initiative.
The stories were gathered from the Serahulay, Wollof, Mandingo and Fula people of Gambia. The the themes in the nine stories contained in this Volume surround arranged marriages, polygamy and the lives of young girls in general.
The fight between Massaneh Ceesay & Bakary Niuminko for the hand of the beautiful Banjulian girl, Fatou, has been a popular legend in The Gambia. The two men used marabouts notable in their mystic powers to win the young lady. Who did she choose? This second volume of Folk tales and Fables includes myths as well as fables. Koochi Barama is a story that transcends all the Gambian tribes. He was a close childhood friend of the king of Sabach. Koochi lived with his two wives. This story shows how lies and betrayal can affect close relationships. In the olden days, rulers used to forge alliances and exchange experiences. The close bond between the kings of Niamanty and Burawulay was well respected. Thus when the king of Niamanty died, his friend was consulted in the administration of his estate. The fables in this collection continue to teach the moral lessons and our cultural values.
In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana’s remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state’s folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana’s major ethnic groups—slavery, the grand dérangement, linguistic discrimination—resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero’s ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana’s folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state’s cultural landscape, apparent in humor, popular culture, regional branding, and children’s books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
This comprehensive collection of folk hero tales builds on the success of the first edition by providing readers with expanded contextual information on story characters from the Americas to Zanzibar. Despite the tremendous differences between cultures and ethnicities across the world, all of them have folk heroes and heroines—real and imagined—that have been represented in tales, legends, songs, and verse. These stories persist through time and space, over generations, even through migrations to new countries and languages. This encyclopedia is a one-stop source for broad coverage of the world's folk hero tales. Geared toward high school and early college readers, the book opens with an overview of folk heroes and heroines that provides invaluable context and then presents a chronology. The book is divided into two main sections: the first provides entries on the major types and themes; the second addresses specific folk tale characters organized by continent with folk hero entries organized alphabetically. Each entry provides cross references as well as a list of further readings. Continent sections include a bibliography for additional research. The book concludes with an alphabetical list of heroes and an index of hero types.
In the olden days, after a day's work in the farms, children and parents returned home feeling worn out. As a sort of evening entertainment, children of the same family, compound or village then gathered round a story-teller to listen to folk tales and riddles. This was common in every African home. The listeners participate with joy by joining in the songs and choruses. Sometimes the children were given the opportunity to tell stories that they had known while the adult story-teller listened attentively in order to add more details where necessary. In telling these stories and riddles, children were expected to learn something through all those activities connected with the customs, environment, language and religious practices of their people. This book provides children with stories, riddles and some proverbs that parents ought to have told their children at home but have failed because of their present-day busy schedules. Teachers will fill that vacuum at school as they guide the children in reading the stories, riddles and proverbs in their second language - English. As an instructional tool, this collection will foster literacy, promote cultural awareness and create situations where learners share with one another their personal experiences and traditions.