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Folk Music: TheBasics gives a brief introduction to British and American folk music. It is an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style.
Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it will focus on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the so-called "folk revival." The two sides of the folk tradition will be examined--both as popular and commercial expressions. Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.
This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.
Focusing on American folk music and roots music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. In recent years, both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. Tracing the histories of these organizations, Michael F. Scully explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without "selling out." He combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music.
For music lovers who've always wanted to play guitar but have been put off by traditional guitar methods, these books get you playing right away without having to pick through heavy theory and music-reading lessons first. Every book in the For Beginners series progresses from the very basics of buying your first instrument through the fundamentals of playing your favorite style of music. 48 pages each with enhanced CD.
This is a great collection of folk songs for beginning guitarists that correlates to Books 1 and 2 of Alfred's Basic Guitar Method, or may be used with any other method. It is perfect for both individual or class instruction. The CD provides duet accompaniments and performances of each song performed by live guitarists.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
A collection of 25 solos and duets using only six notes.
Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation, by David Kaminsky, examines the struggle of present-day Swedish folk musicians and dancers to maintain the cultural currency of their genre while simultaneously challenging the historical fallacies and nineteenth-century romantic nationalism upon which that currency was originally based.
This delightful book is designed to develop sight reading skills by presenting musical ideas and technical problems in a logical and systematic manner. Along with the music, additional activities are provided such as rhythm drills, theory, keyboard drills and ensemble experience.