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Lajos Vargyas's work summarizes the achievements of Hungarian research into the Hungarian material, discusses folk music on the basis of the musical aspects of the tunes (e.g. melody, tone set, rhythm, form, variation, types, styles), the point of view of its social role in tradition, and as an aesthetical phenomenon. Each chapter approaches the material from a different angle. The theoretical discussion sheds new light on the same tunes. This survey is a valuable contribution to the development of ethnomusicology research, abounding in musical examples both written and sound (433 pieces on the CD-ROM).
In 1900, Zoltán Kodály was studying modern languages at the University of Sciences in Budapest, when the call of music eventually proved too strong. He enrolled at the Academy of Music where he developed an interest in Hungarian folk music beggining with his thesis on the strophic form of Hungarian folk songs based, in part, on the early recordings of Béla Vikár. He visited remote villages to collect songs recording them on phonograph cylinders. In 1906 he wrote the thesis on Hungarian folk song ("Strophic Construction in Hungarian Folksong"). Around this time Kodály met fellow composer Béla Bartók, whom he took under his wing and introduced him to some of the methods involved in folk song collecting. The two became lifelong friends and champions of each other's music. Kodály later founded the Institute for Folk Music Research of the Hungarian Academy of Sciences. That institution has collected, transcribed, categorized, and systematized over 100,000 folk songs of the people of Hungary and of surrounding and related countries.
Since 1990, thousands of Hungarians have vacationed at summer camps devoted to Hungarian folk dance in the Transylvanian villages of neighboring Romania. This folk tourism and connected everyday practices of folk dance revival take place against the backdrop of an increasingly nationalist political environment in Hungary. In Movement of the People, Mary N. Taylor takes readers inside the folk revival movement known as dancehouse (táncház) that sustains myriad events where folk dance is central and championed by international enthusiasts and UNESCO. Contextualizing táncház in a deeper history of populism and nationalism, Taylor examines the movement's emergence in 1970s socialist institutions, its transformation through the postsocialist period, and its recent recognition by UNESCO as a best practice of heritage preservation. Approaching the populist and popular practices of folk revival as a form of national cultivation, Movement of the People interrogates the everyday practices, relationships, institutional contexts, and ideologies that contribute to the making of Hungary's future, as well as its past.
A collection of 3 classic Hungarian folk songs originally published in 1908. Songs include: 1. The Peacock, 2. At the Jánoshida Fairground, 3. White Lily. Classic Folk Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of folk music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.