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An epic collection of spellbinding poetry, focusing on folk horror, life, death and the eeriness of the landscape by many creative talents both living and departed. Accompanied throughout with atmospheric imagery by an impressive collection of contemporary photographers. 100% of sales profits from this book are charitably donated to The Wildlife Trusts
From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.
"On a rainy Sunday in October 2016 almost 400 people gathered at The British Museum to be a part of a momentous occasion-- the very first Folk Horror Revival event. The day promised to be a packed and varied one with gallery tours, poetry recitals, films screenings, talks, music, Q & As and maybe a surprise guest or two. The volumed you have in your hand serves to record that day, by offering transcriptions of the talks and the Q & As, photographs of all those who took part and even some artwork produced on the day."--Page 5
A new and revised edition of the seminal tome Folk Horror Revival: Field Studies. A collection of essays, interviews and artwork by a host of talents exploring the weird fields of folk horror, urban wyrd and other strange edges. Contributors include Robin Hardy, Ronald Hutton, Alan Lee, Philip Pullman, Thomas Ligotti, Kim Newman, Adam Scovell, Gary Lachman, Susan Cooper and a whole host of other intriguing and vastly talented souls. An indispensable companion for all explorers of the strange cinematic, televisual, literary and folkloric realms. This edition contains numerous extra interviews and essays as well as updating some information and presented with improved design. 100% of all sales profits of this book are charitably donated at quarterly intervals to The Wildlife Trusts.
The Twisted Roots of Folk Horror music. An exploration of the artists and their music who laid the foundations for future generations of Folk Horror musicians. Taking in Murder Ballads, Acid Folk, Occult Rock, The Blues and Traditional Folk Music as well as Film Soundtracks Twisted Roots is a collection of articles, interviews and album reviews from the likes of Maddy Prior, Jonny Trunk, Sharron Kraus, John Cameron and Candia McKormack and many more.
Harvest Hymns - the twisted roots and sweet fruits of folk horror music '. Volume Two Sweet Fruits' focuses on music that has been inspired and influenced by those artists, composers and albums covered in Vol.1 (Twisted Roots') to create the music that we now would consider to be `Folk Horror' - or that at least grazes in the same pastures as those artists. A mixture of interviews, articles and reviews from, about and with the likes of Adam Scovell, Moon Wiring Club, Drew Mullholland, Broadcast, The Devil & The Universe, Jim Jupp, Inkubus Sukkubus and A Year in the Country. Keep your eyes peeled for Scarecrows, Horn Dancers and Corn Rigs, Hamlets, Fetes and Villages, Black Eyed Dogs, Hanging Trees and the mist rising in Fields of Blackberries, Weeping Willows, the Rolling of the Stones, and the Great God Pan sat upon his throne... and beware of all that goes on Beyond the Wych Elm for there 'tis the Season of the Witch
Like a bird in a gilded cage, Saurimonde is trapped between a brutally abusive husband, Gilles, who treats her like a possession, and a lover whose name she doesn't even know. The only thing she longs for is an escape. But to where? She should have been more careful in what she wished for because the day Gilles spies her and her lover together is her last mortal one. With the aid of the local wise woman, Elazki, Gilles gets his hands on a dangerous ancient potion. He figures out the perfect way to serve it to her - cooked into her lover's heart. One bite has dire consequences. Left for dead by her husband at the river's edge, Saurimonde awakens to a whole new existence. Now she has become a part of the river itself. Days are spent in erotic encounters with unwary passers-by. Nights are spent in predatory pleasure, feasting on those she has seduced. As the body count begins to rise in the village, Gilles starts to suspect his wife is still alive. He enlists the help of Elazki, who has secrets of her own, and her darkly handsome nephew, Sordel. Newly returned after being banished by his magus master in the black lands, Sordel unknowingly holds the key to all their fates. One will die, one will wish they were dead, and the other will fulfill their destiny. Danger awaits them at every turn as they enter a realm where nothing is as it seems. Each will be forced to make terrible sacrifices. Will they be able to break the spell and stop the beautiful demonic creature Saurimonde has become? Can they possibly save her? Or will they too find a brutal death beneath the deep dark waters...
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
A deadly epidemic threatens the lives and sanity of a Civil War veteran and his family in this “new masterpiece of American literature” (Dennis Lehane). Set in Friendship, Wisconsin, just after the Civil War, A Prayer for the Dying tells of a horrible epidemic that is suddenly and gruesomely killing the town’s residents and setting off a terrifying paranoia. Jacob Hansen, Friendship’s sheriff, undertaker, and pastor, is soon overwhelmed by the fear and anguish around him, and his sanity begins to fray. Dark, poetic, and chilling, Stewart O’Nan’s A Prayer for the Dying examines the effect of madness and violence on the morality of a once-decent man. Praise for A Prayer for the Dying New York Times Book Review Notable Book of the Year “A Prayer for the Dying reads like the amazing, unrelenting love child of Shirley Jackson and Cormac McCarthy. It’s twisted proof that God will do worse to test a faithful man than the devil would ever do to punish a sinner.”―Chuck Palahniuk “O’Nan again proves himself a writer of dazzling virtuosity and imagination. . . . A mesmerizing story and a brilliant tour de force.” —Publishers Weekly (starred review)