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Folk Dances of Jamaica is a detailed practical and theoretical discussion of five Jamaican folk dances - the Kumina, Dinkie Minie, Quadrille, Bruckin's, and Revival. The book's strength and appeal lies in the care taken to introduce, describe and illuminate in detail these dances. The book is invaluable for the student of dance, providing as it does practical information on both technique and performance, and is illustrated with bold drawings by "H" Patten. The author herself trained as a dancer and her book was researched in traditional settings in Jamaica and at the Jamaica School of Dance, where she studied after graduating in Performing Arts from Leicester Polytechnic. She has maintained a strong interest in dance, becoming Dance and Mime Officer for East Midlands Arts in the late 1980s and then General Manager for Adzido Dance Ensemble. As Arts Council England's Director of Dance from 1994 - 2003, Hilary championed the policy, development and promotion of all forms of dance nationally and internationally, before widening her expertise through leadership roles in the arts and broader cultural and creative industries.
Discusses the land, history, government, people, and economy of Jamaica.
This volume describes the music and lore of Jamaica from the early 16th century through emancipation in 1838 to the mid-20th century. Olive Lewin explores the role of music in the lives of slaves and explores the life and beliefs of the Kumina cult queen, Imogene Queenie Kennedy.
Jamaican Song and Story is an anthology that celebrates the vibrant tapestry of Jamaican folklore, weaving together an array of Annancy stories, digging sings, ring tunes, and dancing tunes. This collection embodies the rich cultural heritage and literary diversity of the island, presenting a wide range of literary styles from oral traditions to written narratives. The inclusion of standout pieces within this compilation underscores the anthology's significant role in highlighting the folklore's intricate dynamics and its influence on the literary context of Jamaican culture. The diverse literary forms included serve to illuminate the myriad ways in which Jamaican folklore continues to enrich the global literary landscape. The anthology brings together works by various contributors, including notable editors such as Alice Werner, Lucy Etheldred Broadwood, and Charles S. Myers. These editors and contributing authors, with their diverse backgrounds, collectively weave a narrative that aligns with significant historical, cultural, and literary movements. Their collective contributions are pivotal in presenting a cohesive exploration of Jamaican folklore, showcasing how these stories, songs, and tunes have shaped, and been shaped by, the cultural and historical contexts of Jamaica. The melding of these varied voices offers readers a nuanced understanding of the themes explored within the anthology. Jamaican Song and Story invites readers to immerse themselves in the richness of Jamaican folklore, providing a unique opportunity to explore the island's cultural heritage through its songs and stories. This anthology is recommended for those interested in the educational value of folk traditions, the breadth of insights these traditions offer into Jamaican culture, and the dialogue fostered between the different authors' works. Readers will find this collection a treasure trove of cultural wisdom, narrative ingenuity, and musical vibrancy, offering a profound understanding of Jamaica's literary and cultural landscapes.
This overview of folk dancing in the United States showcases an important historical movement and explains how folk dance communities evolved to fulfill the needs of specific groups of people over time. While the general term "folk dance" encompasses a surprising variety of specific dances, there are three major recreational communities or forms: international folk dance, modern western square dance, and contra dance. Throughout the last century, millions of people have enjoyed folk dancing as an educational and recreational activity, regardless of the particular style. Folk Dancing explains the reasons for the folk dance movement that exploded in Europe and North America in the late 19th century. It describes the clubs, camps, festivals, and communities that sprang up, and examines the culture of the movement—the music, key individuals and events, types of clothing, and influences of technologies and popular culture. The book contains authoritative, original information gleaned from the author's own research conducted with hundreds of folk dance enthusiasts across America.