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Flying Lightness paints a picture of a heroic century of aircraft development against the background of steadily increasing travel speeds. Since the Wright brothers made their first brief flight over 100 years ago, aircraft construction seems to have become stuck in a rut. Today, rapid advances in the field of composites are opening up new possibilities for optimizing aircraft configurations and revising structural principles. Composites are combinations of two or more physically distinct materials that enhance each other's properties. The new modes of system integration and improved structural quality they offer may even produce a 30 percent more efficient 'blended wing' passenger plane. Flying wings, once just a footnote in the history of air transport, could well become the aircraft of the 21st century. Best Dutch Book Design 2005.
The story of 'Lightness' is not just about airplanes, or composite materials, although they play an important role. It really deals with the building structure of all things made and grown. It is essentially, a book on technology, it will you to look at structures more inensley and see them in a different light.
The mission of the publication Delft Science in Design is to promote and advance the exchange of lessons learned on design between university and industry. Also, it aims to amplify the visibility of the results of academic effort in design at Delft University. The questions “What is design?”, “What is engineering?”, “What is science?” can be fiercely debated. Between the extremes of artistic design and pure science, the transitions are like in fluid: they are smooth and gradual. An approach focusing on how the university deals with knowledge may provide a better entry to the debate. The mutual understanding between scientists from different disciplines may get lost. It is one of the two major objectives of the Delft Science in Design congress to offer a kaleidoscope of the activities of the various faculties to all university colleagues and students, so that staff and students can be made aware of activities in other laboratories, and have the opportunity to be informed on details. Being informed is the first step to understanding.
Renowned Hopkins expert Joseph J. Feeney, SJ, offers a fresh take on Gerard Manley Hopkins which shakes our understanding of his poetry and his life and points towards the next phase in Hopkins studies. While affirming the received view of Hopkins as a major poet of nature, religion, and psychology, Feeney finds a pervasive, rarely noticed playfulness by employing both the theory of play and close reading of his texts. This new Hopkins lived a playful life from childhood till death as a student who loved puns and jokes and wrote parodies, comic verse, and satires; as a Jesuit who played and organized games and had "a gift for mimicry;" and most significantly, as a poet and prose stylist who rewards readers with unexpected displays of whimsy and incongruity, even, strikingly, in "The Wreck of the Deutschland," "The Windhover," and the "Terrible Sonnets." Feeney convincingly argues that Hopkins's distinctive playfulness is inextricably bound to his sense of fun, his creativity, his style, and his competitiveness with other poets. In unexpected images, quirky metaphors, strange perspectives, puns, coinages, twisted syntax, wordmusic, and sprung rhythm, we see his playful streak burst forth to adorn those works critics consider his most brilliant. No one who absorbs this book's radical readings will ever see and hear Hopkins's poetry and prose quite the way they used to.