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Fly in the Ointment is a collection of poems written by American author Michelle Wyatt. Michelle's writings are often political and spiritual using nature as the metaphor for what she sees happening in the world.
This entertaining examination of everyday science from the fanciful to the factual covers topics ranging from pesticides and environmental estrogens to lipsticks and garlic. Readers are alerted to the shenanigans of quacks and are offered glimpses into the fascinating history of science. The science of aphrodisiacs, DDT, bottled waters, vitamins, barbiturates, plastic wraps, and smoked meat is investigated. Worries about acrylamide, preservatives, and waxed fruits are put into perspective, and the mysteries of bulletproof vests, weight loss diets, green-haired Swedes, laughing gas, and “mad honey” are unraveled. Even those with very little knowledge of science will come away informed and delighted at those humorous and accessible explanations.
In the suspenseful and darkly funny sequel to Don’t Point that Thing at Me, married life only compounds the danger facing art dealer Charlie Mortdecai. Art dealer and degenerate aristocrat Charlie Mortdecai has gotten himself into a spot of trouble over a certain stolen Goya. In order to save himself, he must marry the beautiful, sex-crazed and very, very rich Johanna Krampf. The fly in the ointment is that Johanna thinks nothing of involving poor Charlie in her life-threatening schemes such as monarch-assassination, heroin smuggling and - worst of all - survival training at a college for feminist spies. In After You with the Pistol, British author and art dealer Kyril Bonfiglioli continues the exploits of his immortal, amoral art dealer Charlie Mortdecai. Picking up where the previous novel, Don’t Point that Thing at Me, leaves off, this sequel offers twice the twists, quips, and hair-raising schemes.
First Published in 2018. The Generality of Deviance advances the idea that all forms of deviant, criminal, reckless, and sinful behavior have one thing in common: the tendency to pursue immediate benefits without concern for long-term costs. The editors argue, and the contributors confirm, that such disparate behaviors as smoking, auto accidents, burglary, and rape are similar in that they all involve disregard for their inevitable consequences: poor health, injury, loss of freedom, shame, or disrepute. The chapters here show how various forms of deviance relate to one another and can be explained by a common theory involving self-management.The editors illustrate how the idea of self-control challenges the psychological concept of aggression and provides a more useful alternative for understanding deviant behavior. They also apply the theory to the family, showing how this institution is central to crime control. Other contributors bring fresh perspectives to a variety of topics: the uncanny similarities between victims of car accidents and perpetrators of crime; the connection between drugs and crime; feminist explanations of rape; gender differences in crime rates; drunk drivers among high school students; and the progression of a delinquent's life from adolescence to adulthood.In short, this book makes a convincing case that it is a waste of intellectual effort and public funds to treat different forms of crime and deviant behavior as distinct problems. Studied collectively, various crimes may be seen to have the same causes and, hence, one cure. The Generality of Deviance will be a significant and provocative addition to the libraries of criminolegists, psychologists, and sociologists, those attempting to solve as well as to identify problems.
An exploration of the historical origins of the “witches’ ointment” and medieval hallucinogenic drug practices based on the earliest sources • Details how early modern theologians demonized psychedelic folk magic into “witches’ ointments” • Shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections all over the world as well as the practices and magical incantations necessary for their preparation • Examines the practices of medieval witches like Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations In the medieval period preparations with hallucinogenic herbs were part of the practice of veneficium, or poison magic. This collection of magical arts used poisons, herbs, and rituals to bewitch, heal, prophesy, infect, and murder. In the form of psyche-magical ointments, poison magic could trigger powerful hallucinations and surrealistic dreams that enabled direct experience of the Divine. Smeared on the skin, these entheogenic ointments were said to enable witches to commune with various local goddesses, bastardized by the Church as trips to the Sabbat--clandestine meetings with Satan to learn magic and participate in demonic orgies. Examining trial records and the pharmacopoeia of witches, alchemists, folk healers, and heretics of the 15th century, Thomas Hatsis details how a range of ideas from folk drugs to ecclesiastical fears over medicine women merged to form the classical “witch” stereotype and what history has called the “witches’ ointment.” He shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections from all over the world as well as the practices and magical incantations necessary for their preparation. He explores the connections between witches’ ointments and spells for shape shifting, spirit travel, and bewitching magic. He examines the practices of some Renaissance magicians, who inhaled powerful drugs to communicate with spirits, and of Italian folk-witches, such as Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations, and Finicella, who used drug ointments to imagine herself transformed into a cat. Exploring the untold history of the witches’ ointment and medieval hallucinogen use, Hatsis reveals how the Church transformed folk drug practices, specifically entheogenic ones, into satanic experiences.
The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.
The bestselling author of the Septimus Heap series, Angie Sage, delivers a gripping and darkly humorous tale of Maximillian Fly—a human with cockroach features—whose quiet life is upended when he aids two human children in their escape from an oppressive governing power. Perfect for fans of Lemony Snicket and Adam Gidwitz. Maximillian Fly wants no trouble. Yet because he stands at six feet two, with beautiful indigo wings, long antennae, and more arms than you or me, many are frightened of him. He is a gentle creature who looks like a giant cockroach. This extraordinary human wants to prove his goodness, so he opens his door to two SilverSeed children in search of a place to hide. Instantly, Maximillian’s quiet, solitary life changes. There are dangerous powers after them and they have eyes everywhere. But in this gray city of Hope trapped under the Orb, is escape even possible? Maximillian Fly is a masterful story brimming with suspense, plot twists, and phenomenal world building. This compelling novel delves into family dynamics and themes of prejudice, making the case for tolerance, empathy, and understanding. * Junior Library Guild Selection * Kids' Indie Next List * New York Public Library Best Books of 2019 Selection * 2020 LITA Excellence in Children’s and Young Adult Science Fiction Notable Book: The Eleanor Cameron Notable Middle Grade Books List *
Two fifth-grade girls, one of whom is the first black child in a middle-income suburb, play at being apprentice witches.
A searching examination of the moral limits of political compromise When is political compromise acceptable--and when is it fundamentally rotten, something we should never accept, come what may? What if a rotten compromise is politically necessary? Compromise is a great political virtue, especially for the sake of peace. But, as Avishai Margalit argues, there are moral limits to acceptable compromise even for peace. But just what are those limits? At what point does peace secured with compromise become unjust? Focusing attention on vitally important questions that have received surprisingly little attention, Margalit argues that we should be concerned not only with what makes a just war, but also with what kind of compromise allows for a just peace. Examining a wide range of examples, including the Munich Agreement, the Yalta Conference, and Arab-Israeli peace negotiations, Margalit provides a searching examination of the nature of political compromise in its various forms. Combining philosophy, politics, and history, and written in a vivid and accessible style, On Compromise and Rotten Compromises is full of surprising new insights about war, peace, justice, and sectarianism.