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A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture between September 2016 and February 2017 on the invitation of the Third Istanbul Design Biennial. Probing the idea that we are and always have been continuously reshaped by the artifacts we shape, this book asks: Who designed the lives we live today? What are the forms of life we inhabit, and what new forms are currently being designed? Where are the sites, and what are the techniques, to design others? This vital and far-reaching collection of essays and images seeks to explore and reflect on the ways in which both the concept and practice of design are operative well beyond tangible objects, expanding into the depths of self and forms of life. Contributors: Zeynep Çelik Alexander, Lucia Allais, Shumon Basar, Ruha Benjamin, Franco “Bifo” Berardi, Daniel Birnbaum, Ina Blom, Benjamin H. Bratton, Giuliana Bruno, Tony Chakar, Mark Cousins, Simon Denny, Keller Easterling, Hu Fang, Rubén Gallo, Liam Gillick, Boris Groys, Rupali Gupte, Andrew Herscher, Tom Holert, Brooke Holmes, Francesca Hughes, Andrés Jaque, Lydia Kallipoliti, Thomas Keenan, Sylvia Lavin, Yongwoo Lee, Lesley Lokko, MAP Office, Chus Martínez, Ingo Niermann, Ahmet Ögüt, Trevor Paglen, Spyros Papapetros, Raqs Media Collective, Juliane Rebentisch, Sophia Roosth, Felicity D. Scott, Jack Self, Prasad Shetty, Hito Steyerl, Kali Stull, Pelin Tan, Alexander Tarakhovsky, Paulo Tavares, Stephan Trüby, Etienne Turpin, Sven-Olov Wallenstein, Eyal Weizman, Mabel O. Wilson, Brian Kuan Wood, Liam Young, and Arseny Zhilyaev.
The publication outlines the current developments in South Korean architecture, urban development and landscape architecture by examining 32 projects in detail. An in-depth view of contemporary South Korean architecture is given by five essays that address topics such as the fusion of tradition and the modern, the re-defining of so-called "social spaces" and the country's special topographical situation.
JavaScript is the first language to bring Functional Programming to the mainstream. At the same time, it offers a new way of doing Object Oriented Programming without classes and prototypes. Programming in a functional style means to use concepts such as first-class functions, closures, higher-order functions, partial application, currying, immutability or pure functions. Pure Functional Programming promises to make code easier to read, understand, test, debug or compose. Can it deliver its promise? If it can, can we build an application using only pure functions? Decorators are a tool for reusing common logic and creating variations of existing functions. Closure can encapsulate state. Multiple closures sharing the same private state can create flexible and encapsulated objects. "One of the best new Functional Programming books" - BookAuthority
Learn to build powerful and scalable applications with Flux, the architecture that serves billions of Facebook users every day About This Book This the first resource dedicated to the new architectural pattern that powers Facebook You'll learn all the tips and tricks you need to get the most out of Flux Filled with practical, hands-on samples, you'll not only understand how Flux works, but will be able to start building Flux-powered applications straight away Written by Adam Boduch, software architect at Virtustream (EMC), and author of JavaScript at Scale, JavaScript Concurrency, and jQuery UI Cookbook for Packt Publishing Who This Book Is For Are you trying to use React, but are struggling to get your head around Flux? Maybe you're tired of MV* spaghetti code at scale? Do you find yourself asking what the Flux?! Flux Architecture will guide you through everything you need to understand the Flux pattern, and design and build powerful web applications that rely on the Flux architecture. You don't need to know what Flux is or how it works to read along with the book. No knowledge of Flux's partner technology, ReactJS, is necessary to follow along, but it is recommended that you have a good working knowledge of JavaScript. What You Will Learn Understand the Flux pattern and how it will impact your React applications Build real-world applications that rely on Flux Handle asynchronous actions in your application Implement immutable stores with Immutable.js Replace React.js with alternate View components such as jQuery and Handlebars Test and benchmark your Flux architecture using Jest—Facebook's enhancement of the Jasmine library In Detail Whilst React has become Facebook's poster-child for clean, complex, and modern web development, it has quietly been underpinned by its simplicity. It's just a view. The real beauty in React is actually the architectural pattern that handles data in and out of React applications: Flux. With Flux, you're able to build data-rich applications that engage your users, and scale to meet every demand. It is a key part of the Facebook technology stack that serves billions of users every day. This book will start by introducing the Flux pattern and help you get an understanding of what it is and how it works. After this, we'll build real-world React applications that highlight the power and simplicity of Flux in action. Finally, we look at the landscape of Flux and explore the Alt and Redux libraries that make React and Flux developments easier. Filled with fully-worked examples and code-first explanations, by the end of the book, you'll not only have a rock solid understanding of the architecture, but will be ready to implement Flux architecture in anger. Style and approach This book is filled with practical, hands-on examples. You'll not only understand how Flux works, but will be able to start building Flux-powered applications straight away.
Architectural theory went through an academic renaissance in the 1970s and 1980s, with scholars forging new links with groundbreaking theoretical movements of the time, from feminism and postcolonialism to semiotics, phenomenology, and deconstructivism. During these years, theory became one of the most central ingredients of architecture as a synthetic disciplinary manifestation connecting history, criticism, and practice. Yet architectural theory has become stagnant and disoriented in recent decades. It has been caught in the institutional inertia of pedagogical reproduction, handtied by the neoliberalization of intellectual labor, and overwhelmed by the disorientations of media-technical change and its impact upon the attention economy. In an age of global integration and world culture, theory's debt to a Western tradition of philosophical, historical, and critical reason has been brought into question. Theory's Curriculum catalyzes an emerging discourse upon the fate and future of architectural theory in our time. It gathers philosophical reflections, historical diagnoses, and polemical arguments from a younger generation of teachers, writers, academics, historians, and theorists who are each charged with teaching architectural theory to new generations of students in the classroom. Together they reassess the standard ways in which architectural theory has been taught, either through a history of theoretical concerns, a tabulation of theoretical frameworks, or a roster of authors. They address themselves to the conditions that frame theoretical labors; and reflect on who constructs architecture's theoretical canon, who speaks as a theorist, who theory speaks about, who theory addresses, and about what, why, how, and for what purpose.
Redefining the boundaries of what we call craft Contemporary art and craft presents a profusion of paradoxes. It bridges ancient traditions and state-of-the-art technologies, cutting-edge concepts and enduring tenets about skilled making and beauty, and in so doing blurs the lines between art, craft, architecture and design. This pioneering publication brings together work by nearly 40 international artists, whose varied approaches are not only pushing but redefining the boundaries of what we call craft today. Author Emily Zilber investigates the role of new tools and materials, the connection between craft and performance, and the power of craft's interactions with space. Along the way, readers encounter a diverse group of works across a wide range of materials and practices, including 3-D printed ceramics, a dancelike performance with molten glass and a piano deconstructed to form jewelry that can surround or adorn the body. Enhanced with approachable text and abundant illustrations, Crafted invites readers to explore these stunning and surprising objects in flux.
"By bridging histories of technology, media studies, and aesthetics, Electrographic Architecture: New York Color, Las Vegas Light, and America's White Imaginary weaves a critical narrative of the ways in which illuminated light and color play key roles in the formation of America's white imaginary over the course of the last century. The book sheds light on the central question to which media scholars, architects, and historians of technology repeatedly turn: how can we use and speak about light and color in ways that are productive and commemorative, while remaining critical of the systems of white power undergirding them? Electrographic Architecture: New York Color, Las Vegas Light, and America's White Imaginary analyzes the history of electric light technologies in the aesthetic development of Times Square and Las Vegas. The book charts the rise of America's white walls, light empires, and neoclassical buildings in the early twentieth century, through the construction of polychromatic electrographic spectacles by midcentury, and their eclipse by informatically intense, invisible algorithms at the beginning of the new millennium. Drawing from histories of technology, media, and aesthetics, the book shows how the formation of America's electrographic surround runs isomorphic to a new world ethos of power, property, and possession. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture's introduction, six core chapters, and conclusion illustrate how Times Square's polychromatic surround serves as a complex symbol of America's deep-seated dreams of utopic transcendence on the one hand, coupled with fears of loss and obsolescence on the other. In America's twentieth-century imaginary, whiteness aims to become everything but itself: colorful, lit, vibrant, and vital"--
»Building Institution« chronicles the expansion of architecture as a profession and discipline in the postmodern era. Kim Förster traces the compelling history of the Institute for Architecture and Urban Studies, which was active in New York from 1967 to 1985. Drawing on extensive archival research and oral histories, he constructs a collective biography that details the Institute's diverse roles and the dynamic interplay between research and design, education, culture, and publishing. By exploring the transformation of cultural production into a practice as well as the culturalization and global postmodernization of architecture, the volume contributes significantly to the institutional history of architecture.
Introduction to React teaches you React, the JavaScript framework created by developers at Facebook, to solve the problem of building complex user interfaces in a consistent and maintainable way. React.js shrugs away common front-end conventions in an effort to make things more efficient - use Introduction to React to learn about this framework and more today. Get to know the React API and it’s specific JavaScript extension, JSX, which makes authoring React components easier and maintainable. You will also learn how to test your React applications and about the tools you can use while building. Once you understand these core concepts, you can build applications with React. This will help you cement the ideas and fundamentals of React and prepare you to utilize React in your own use case. What You'll Learn: How to use React to maintain complex user interfaces in an efficient way How to integrate existing user interfaces and move forward with React How to manage application architecture using Flux How to easily utilize JSX, React's JavaScript extension
In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.