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Experience the lively and spirited charm of Johann Strauss II's "Tritsch-Tratsch Polka" Op. 214 with this versatile arrangement for flexible Flute Quintet/Choir by Francesco Leone. Designed for intermediate-level musicians, this arrangement brings the exuberant and joyful nature of Strauss's famous polka to your flute ensemble, offering flexibility in instrumentation. About the Composition: Composed in 1858, "Tritsch-Tratsch Polka" by Johann Strauss II is one of the most beloved pieces in the classical dance repertoire. Its brisk tempo and playful character make it a favorite in concert halls around the world, reflecting the vivacity and elegance of Viennese dance music. Arrangement Details: Arranged by: Francesco Leone Instrumentation: Flexible Flute Quintet/Choir Flute 1 or C Piccolo Flute 2 Flute 3 Flute 4 or G Alto Flute Bass Flute or G Alto Flute or Bb Clarinet or Bassoon Optional Piano Included Level: Intermediate Included: Full Score and Parts (11) Features: Authentic Classical Feel: Francesco Leone's arrangement captures the energetic and majestic quality of Strauss's original composition, ensuring an engaging performance for both musicians and audiences. Intermediate Level: This arrangement is tailored for intermediate-level flutists, providing a balanced challenge that is both rewarding and accessible, making it ideal for educational settings and performances alike. Flexible Instrumentation: The inclusion of alternative parts for various instruments allows for greater flexibility in ensemble configuration, accommodating different instrumental setups and preferences. Comprehensive Package: The package includes a full score and individual parts for each member of the quintet, as well as optional piano accompaniment, ensuring a smooth rehearsal and performance process. Why Choose This Arrangement? This arrangement is perfect for flute quintets or choirs looking to enrich their repertoire with a lively and historically significant piece. Whether preparing for a concert, recital, or simply enjoying the process of making music together, "Tritsch-Tratsch Polka" arranged by Francesco Leone offers a delightful blend of tradition and excitement. Bring the festive and playful sounds of Johann Strauss II's "Tritsch-Tratsch Polka" to your flute quintet/choir and delight audiences with this timeless classic. Get your copy today and let the music of Strauss add a touch of Viennese elegance to your next performance!
(World's Greatest Classical Music). This clean edition of newly engraved works for flute and piano contains ten of the flutist's favorite Romantic masterpieces. Pieces include: Serenade in D Major (selected movements) (Beethoven) * Entr'acte from Carmen (Bizet) * Variations on a Theme by Rossini (Chopin) * The Swan (Saint-Saens) * Divertissement (Kuhnau) * Three Romances (Schumann) * and more. Information about the composers and individual pieces, and a foreword by the editor supplement the volume.
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
(Piano). 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String * Arioso * Jesu, Joy of Man's Desiring * Sheep May Safely Graze * Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 * Theme from Symphony No. 6 * Theme from Symphony No. 7 * Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen * Farandole from L'Arlesienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance * Lullaby * Theme from Symphony No. 1 * Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORAK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations * Pomp and Circumstance March No. 1 FAURE: Pavane * Pie Jesu * Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite * Morning from Peer Gynt Suite * Solveig's Song from Peer Gynt Suite * Theme from Piano Concerto HANDEL: Harmonious Blacksmith * Bourree from Music for the Royal Fireworks * Largo (Ombra mai fu) from Serse * Where'er You Walk from Semele * Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thais MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto * Minuet from Don Giovanni * Allegro from Eine kleine Nachtmusik * Theme from Piano Concerto No. 20 * Theme from Piano Concerto No. 21 * Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld * Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi * Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville * Theme from William Tell SCHUBERT: Ave Maria * Serenade * Theme from Symphony No. 8 ("Unfinished") * Theme from Symphony No. 9 * To Music * The Trout * SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell * The Stars and Stripes Forever * The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz * On the Beautiful Blue Danube * Tales from the Vienna Woods * Tritsch-Tratsch Polka * Viennese Blood * Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture * Marche slave * Dance of the Reed Flutes from The Nutcracker * Waltz of the Flowers from The Nutcracker * Theme from Piano Concerto No. 1 * Theme from Romeo and Juliet Theme from Swan Lake * Theme from Symphony No. 5 * Theme from Symphony No.6 VERDI: Grand March * La donn
A cumulative list of works represented by Library of Congress printed cards.
Schubert wrote 452 short dances and this collection presents 52 of the most beautiful, melodic, and expressive waltzes written by this beloved composer. The editor carefully selected a representative sampling of the kind of dance music Schubert must have improvised for parties. The Valses Nobles, Op. 77, D 969 are included in their entirety along with 18 of the Letzte Walzer (Last Waltzes), Op. 127, D 146. Other waltzes were chosen from Op. 9, Op. 18, Op. 33, and Op. 50.