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This book analyzes precarious conditions and their manifestations in recent South Asian literature in English. Themes of disability, rural-urban division, caste, terrorism, poverty, gender, necropolitics, and uneven globalization are discussed in this book by established and emerging international scholars. Drawing their arguments from literary works rooted in the neoliberal period, the chapters show how the extractive ideology of neoliberalism invades the cultural, political, economic, and social spheres of postcolonial South Asia. The book explores different forms of “precarity” to investigate the vulnerable and insecure life conditions embodied in the everyday life of South Asia, enabling the reader to see through the rhetoric of “rising Asia”.
A comprehensive and authoritative work that describes the history, caste, custom and manners of the various groups of people that inhabit the then Presidency of Bombay (it included, apart from Maharastra, large tracts of the Deccan, Konkan and Gujarat). The tribes are listed alphabetically and the work is enclosed in 3 volumes. This work was commenced on the orders of the British Indian Government ion 1901. It was first published in 1922.
Incredibly moving and hauntingly honest, Water in a Broken Pot is the memoir of Yogesh Maitreya, a leading independent Indian Dalit publisher, writer, and poet. Encompassing experiences of pain, loneliness, depravation, alienation, and the political consciousness of his caste identity, this intimately moving memoir is a story of resilience and raw brutality. Growing up in a working-class family with meagre wages to get by in life, Yogesh writes of his father's struggle against alcohol and passion for cinema; of intergenerational dreams shattered; working day and night shifts in factories; the struggle of being lost, overlooked and unmentored in India's schooling, college and University systems which continue to be casteist, exclusionary and hostile; and feelings of lovelessness, loss and heartaches. Having hopped from gig to gig to make ends meet, he writes of his eventual discovery of the written word, literature and the Ambedkarite legacy, which helped shape his dreams, identity and the eventual career choice of publishing books. In sharing his story, this fresh and radical voice tells his truth in the most frank and unfiltered of ways, as it happened, giving us readers permission to also be vulnerable in telling our tales.