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Margaret Mee must rank as one of the most remarkable women of the twentieth century. She was an intrepid explorer of the Brazilian rainforest and an outstanding botanical artist, acclaimed by botanists and art critics worldwide. At the age of 47 Mee started exploring the Amazon, travelling throughout the wildest parts of Amazonia for the next thirty years. Mee learned to live with the forest and its plants, animals and people and learnt much from the Native people about the trees and plants she so meticulously painted. Mee initially sketched the plants in the forest and then worked on the large illustrations of the entire plant in her studio in Rio de Janeiro. Nine of these plants recorded by Mee, previously unknown to science, are now named after her. Flowers of the Amazon Forests: The Botanical Art of Margaret Mee illustrates more than sixty of Mee's major works with additional sketches painted while in the forest. The text is taken directly from the diaries she kept whilst travelling, giving
The Botanists’ Library is a lavishly illustrated compendium of the most significant publications that have informed botanical knowledge throughout history.
An exhaustive treatment of all British and Irish botanists through 1976.
This is the latest volume in a major series that describes selections of the rare books, manuscripts, and other works of art held at Oak Spring Garden Library, a collection formed by Rachel Lambert Mellon. The 111 items chosen for this volume on floral illustration since the later Middle Ages include Books of Hours, still-life and vanitas paintings, botanical prints, and books of instruction of every kind, from planting a garden to making flowers using colored papers or wax. Lucia Tongiorgi Tomasi groups the works into chapters on such topics as florilegia, women artists, tulipomania, Dutch and Flemish painting, and exotic flowers from distant lands, providing an introduction to each chapter that gives the contextual background necessary for a real understanding and appreciation of floral illustration past and present. The sheer beauty as well as extraordinary skills encountered, for example, in manuscript florilegia by Jacob Marrel and Maria Sibylla Merian, in hand-colored books by Jacques Le Moyne de Morgues and G.B. Ferrari, and in flower studies painted by John Constable, Margaret Mee, and others, are testament to the high status accorded floral illustration over the centuries. This handsome, richly illustrated volume will attract all those with an interest in rare books and the history of art as well as horticulturalists, botanists, and garden historians.
"Highly entertaining…Mabey gets us to look at life from the plants’ point of view." —Constance Casey, New York Times The Cabaret of Plants is a masterful, globe-trotting exploration of the relationship between humans and the kingdom of plants by the renowned naturalist Richard Mabey. A rich, sweeping, and wonderfully readable work of botanical history, The Cabaret of Plants explores dozens of plant species that for millennia have challenged our imaginations, awoken our wonder, and upturned our ideas about history, science, beauty, and belief. Going back to the beginnings of human history, Mabey shows how flowers, trees, and plants have been central to human experience not just as sources of food and medicine but as objects of worship, actors in creation myths, and symbols of war and peace, life and death. Writing in a celebrated style that the Economist calls “delightful and casually learned,” Mabey takes readers from the Himalayas to Madagascar to the Amazon to our own backyards. He ranges through the work of writers, artists, and scientists such as da Vinci, Keats, Darwin, and van Gogh and across nearly 40,000 years of human history: Ice Age images of plant life in ancient cave art and the earliest representations of the Garden of Eden; Newton’s apple and gravity, Priestley’s sprig of mint and photosynthesis, and Wordsworth’s daffodils; the history of cultivated plants such as maize, ginseng, and cotton; and the ways the sturdy oak became the symbol of British nationhood and the giant sequoia came to epitomize the spirit of America. Complemented by dozens of full-color illustrations, The Cabaret of Plants is the magnum opus of a great naturalist and an extraordinary exploration of the deeply interwined history of humans and the natural world.
From the golden age in English history to today s gardeners and designers, this volume recognizes women s contributions to gardening in Britain and around the worldspanning more than four centuries. Despite growing vegetables for their kitchens, tending herbs for their medicine cupboards, and teaching other women about the craft before agricultural schools officially existed, women have been mere footnotes in the horticultural annals for specimens collected abroad. These pioneers influence on the style of gardens in the present day is illustrated here in a style both accessible and scholarly. Presenting a rare bouquet, this collection shares the stories of more than 200 women who have been involved withgarden design, plant collecting, flower arranging, botanical art, garden writing, and education."
DEVELOPMENT AND DISTURBANCE IN AMAZON FORESTS Contrasting Impressions 6 2 The rain forests of the Amazon Basin cover approximately 5.8 x 10 km (Salati and Vose 1984). Flying over even just part of this basin, one gazes hour after hour upon this seemingly infinite blanket of green. The impression of immen sity is similar when viewed from the Amazon River itself, or from its tributar ies. From a hammock on the shaded deck of a riverboat, the immensity of the forest presents an incredible monotony as one view of the shoreline blends unnoticeably into another. From both perspectives, the overwhelming reaction to the sea of trees that stretches from horizon to horizon is a sense of the vastness of the rain forest. In September 1985, I got a different impression of the rain forest. Several students and I journeyed in a self-propelled car along the single-track railroad that stretches almost 1000 km from the Carajas iron ore mine in the rain forest of Para State, Brazil, all the way to Sao Luis on the coast (Fig. 1.1).
A comprehensive biographical guide to the scientific achievements, personal lives, and struggles of women scientists from around the globe. International Women in Science: A Bibliographical Dictionary to 1950 presents the enormous contributions of women outside North America in fields ranging from aviation to computer science to zoology. It provides fascinating profiles of nearly 400 women scientists, both renowned figures like Florence Nightingale and Marie Curie and women we should know better, like Rosalind Franklin, who, along with James Watson and Francis Crick, uncovered the structure of DNA. Students and researchers will see how the lives of these remarkable women unfolded, and how they made their place in fields often stubbornly guarded by men, overcoming everything from limited education and professional opportunities, to indifference, ridicule, and cultural prejudice, to outright hostility and discrimination. Included are a number of living scientists, many of whom provide insights into their lives and scientific times. Those contributions, plus additional previously unavailable material, make this a volume of unprecedented scope and richness.