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Part fable, part diatribe, part elegy, part love song, this extraordinary fifth collection by Campbell McGrath makes poetry of the most unlikely of materials -- his home state of Florida. While at times poignantly personal, McGrath also returns for the first time to the characteristically comic and visionary public voice displayed in the renowned "Bob Hope Poem." Moving effortlessly from prehistory to the space age, he catalogues Florida's natural wonders and historical figureheads, from Ponce de LeÓn to Walt Disney, William Bartram to Chuck E. Cheese -- "the bewhiskered Mephistopheles of ring toss,/the diabolical vampire of our transcendent ideals." In the brilliant sociohistorical monologue of "The Florida Poem," McGrath employs the Fountain of Youth as a mythic symbol for both the tragic consequences of a society built on greed and cultural erasure and the diverse human potential, "which must become the fountain/for any communal future we might dare imagine." Place-bound and tightly focused, Campbell McGrath's message is nonetheless universal, as his penetrating vision of Florida is also a vision of America -- its history and hopes, failings and fulfillments, and the eternal force that transcends it all.
For parents of young children, homeschool parent-teachers, teachers in training, and for adults interested in discovering a more loving way for children to blossom in school, Beginner's Mind is the how-to book we have been waiting for--a book that describes teaching the way we so passionately wish it for our children, each and every day they go off to school. Told through the eyes of a ten-year-old, Beginner's Mind asks the question, "How do we want teachers to teach, inspire, and guide our children?" The answer is provided through a series of fourth grade classroom scenes that take us back to a shipyard town in New England where a loving teacher opens her students' eyes to all-but-unimaginable dreams and opportunities. This is a book that reminds us of what teaching can look like: daily lessons where standardized and measurable curriculum goals are less prized than the immeasurable blossoming of our children, and a classroom that puts on display the possibilities before us when a teacher's love is combined with the beginner's mind. As the author shares in these classroom stories, a beginner's mind knows that art is not just for artists and music is not just for musicians. Beginner's Mind is a cautionary tale about an enlightened teacher who led the battle and proved the value of educating the whole child: mind, body, and soul. Beginner's Mind is a tender and sometimes heartbreaking field guide for parents and teachers on how to educate our children, with an emphasis on bringing something into the classroom that cannot be explained in mere words; it can only be experienced, chapter by chapter, lesson by lesson.
Independent Publisher Book Awards, Silver Medal for Anthology National Indie Excellence Awards, Finalist in the Anthology Category International Latino Book Awards, Gold Medal for Best Fiction (Multi-Author) International Latino Book Awards, Honorable Mention, Best Nonfiction (Multi-Author) A powerful collection of contemporary voices Showcasing a variety of voices shaped in and by a place that has been for them a crossroads and a land of contradictions, Home in Florida presents a selection of the best literature of displacement and uprootedness by some of the most talented contemporary Latinx writers who have called Florida home. Featuring fiction, nonfiction, and poetry by Richard Blanco, Jaquira Díaz, Patricia Engel, Jennine Capó Crucet, Reinaldo Arenas, Judith Ortiz Cofer, and many others, this collection of renowned and award-winning contributors includes several who are celebrated in their countries of origin but have not yet been discovered by readers in the United States. The writers in this volume—first- , second- , and third-generation immigrants to Florida from Cuba, Mexico, Honduras, Perú, Argentina, Chile, and other countries—reflect the diversity of Latinx experiences across the state. Editor Anjanette Delgado characterizes the work in this collection as literature of uprootedness, literatura del desarraigo, a Spanish literary tradition and a term used by Reinaldo Arenas. With the heart-changing, here-and-there perspective of attempting life in environments not their own, these writers portray many different responses to displacement, each occupying their own unique place on what Delgado calls a spectrum of belonging. Together, these writers explore what exactly makes Florida home for those struggling between memory and presence. In these works, as it is for many people seeking to make a new life in the United States, Florida is the place where the uprooted stop to catch their breath long enough to wonder, “What if I stayed? What if here could one day be my home?” Contributors: Daniel Reschinga | Ana Menéndez | Frances Negrón Muntaner | Hernán Vera Álvarez | Liz Balmaseda | Ariel Francisco | Andreina Fernandez | Amina Lolita Gautier PhD | Jennine Capó-Crucet | Dainerys Machado Vento | Carlos Harrison | Legna Rodríguez Iglesias | Judith Ortiz Cofer | Chantel Acevedo | Guillermo Rosales | Achy Obejas | Alex Segura | Patricia Engel | Anjanette Delgado | Mia Leonin | Carlos Pintado | Nilsa Ada Rivera | Natalie Scenters-Zapico | Pedro Medina León | Caridad Moro-Gronlier | Aracelis González Asendorf | Michael García-Juelle | Jaquira Díaz | José Ignacio Chascas-Valenzuela | Raúl Dopico | Javier Lentino | Yaddyra Peralta
'Magnificent . . . Lauren Groff is a virtuoso' Emily St John Mandel 'A blistering collection . . . lyrical and oblique' Guardian 'Not to be missed . . . deep and dark and resonant' Ann Patchett 'It's beautiful. It's giving me rich, grand nightmares' Observer In these vigorous stories, Lauren Groff brings her electric storytelling to a world in which storms, snakes and sinkholes lurk at the edge of everyday life, but the greater threats are of a human, emotional and psychological nature. Among those navigating it all are a resourceful pair of abandoned sisters; a lonely boy, grown up; a restless, childless couple; a searching, homeless woman; and an unforgettable conflicted wife and mother. Florida is an exploration of the connections behind human pleasure and pain, hope and despair, love and fury. 'Innovative and terrifyingly relevant. Any one of these stories is a bracing read; together they form a masterpiece' Stylist 'Lushly evocative . . . mesmerising . . . a writer whose turn of phrase can stop you on your tracks' Financial Times
The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts. Under the general heading "Brazil" are grouped eleven poems including "Manuelzinho," "The Armadillo," "Twelfth Morning, or What You Will," "The Riverman," "Brazil, January 1, 1502" and the title poem. The second section, entitled "Elsewhere," includes others "First Death in Nova Scotia," "Manners," "Sandpiper," "From Trollope's Journal," and "Visits to St. Elizabeths." In addition to the poems there is an extraordinary story of a Nova Scotia childhood, "In the Village." Robert Lowell has recently written, "I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country."
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel is a genealogy of the heart, exploring how his family's emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother's life shaped by exile, his father's death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.
Poetry. Both funny and serious, this second poetry collection by Aaron Fogel matches stories with joltingly non-narrative poems. It mixes traditional forms like the villanelle with counter-forms like double alliteration, nine-syllable lines, words with all the vowel-letters crushed into them ("unsynchromadice"), and words with numbers interrupting the letters ("we5re"). Fogel's poems amount to what used to be called pasquinade or menippean satire, a lower-middle class art that refuses to buy into the easy caricatures of that class. The book includes a poem about a young man named Brat who breaks a sculptural portrait of himself done by his father; a prose-poem about Yiddish; and a set of comic sketches about the mock-sorrows of academic life, family aging, and the place of low jokes in poetry.
"Here is the book lover's literary tour of Florida, an exhaustive survey of writers, books, and literary sites in every part of the state. The state is divided into ten areas and each one is described from a literary point of view. You will learn what authors lived in or wrote about a place, which books describe the place, what important movies were made there, even the literary trivia which the true Florida book lover will want to know. You can use the book as a travel guide to a new way to see the state, as an armchair guide to a better understanding of our literary heritage, or as a guide to what to read next time you head to a bookstore or library."--Publisher.
The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.