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A guide to visiting the odd and less known tourist attractions in the state of Florida.
"From the earliest descriptions of the state's natural beauty to the degradation of the Everglades, virtually every facet of Florida environment is included in Paradise Lost? Nor have the authors neglected the human side of the story, from William Bartram, Marjory Stoneman Douglas, and Archie Carr to various development boosters and bureaucrats. . . . A fine collection that will make an important contribution to environmental history generally and to the history of Florida in particular."--Timothy Silver, Appalachian State University "A magnificent contribution to Florida's environmental history and a fascinating analysis of 'paradise lost' in the land of the pink flamingos and Disney."--Carolyn Johnston, Eckerd College This collection of essays surveys the environmental history of the Sunshine State, from Spanish exploration to the present, and provides an organized, detailed overview of the reciprocal relationship between humans and Florida's unique peninsular ecology. It is divided into four thematic sections: explorers and naturalists; science, technology, and public policy; despoliation; and conservationists and environmentalists. The contributors describe the evolving environmental policies and practices of the state and federal governments and the dynamic interaction between the Florida environment and many social and cultural groups including the Spanish, English, Americans, southerners, northerners, men, and women. They have applied historical methodology and also drawn on the methodologies of the fields of political science, cultural anthropology, and sociology. Of obvious value to environmentalists and general readers interested in Florida's history, exploration, and development, the book will also serve as a solid introduction to the subject for undergraduates and graduate students. Jack E. Davis is associate professor of history at University of Florida. Raymond Arsenault is the John Hope Franklin Professor of Southern History and director of the University Honors College at the University of South Florida, St. Petersburg.
A haunting - and haunted -first novel by the celebrated author of Nightwork.
Describes and analyzes nation-leading school reforms in Florida.
Richard Florida outlines how certain cities succeed in attracting members of the 'creative class' - the key economic growth asset - and argues that, in order to prosper, cities must harness this creative potential.
Celebrating the legendary studio musicians of Jamaican popular music through personal photographs and interviews This is the first book devoted to the studio musicians who were central to Jamaica's popular-music explosion. With color portraits and interview excerpts, over 100 musical pioneers—such as Prince Buster, Robbie Shakespeare, Sly Dunbar, Lee "Scratch" Perry, and many of Bob Marley's early musical collaborators—provide new insights into the birth of Jamaican popular music in the recording studios of Kingston, Jamaica, in the 1950s, 1960s, and 1970s. Includes a listening guide of selected songs.
Because of the divergence in world views and methods between scientists and the creative sector, innovation systems and policies have focused for decades on science, engineering, technology, and medicine. The humanities, arts, and social sciences have had their contributions hidden from research agendas, policy and program initiatives, and the public mind. But structural changes to advanced economies and societies have brought service industries and the creative sector to greater prominence as key contributors to innovation. Hidden Innovation peels back the veil, tracing the way innovation occurs through new forms of screen production enabled by social media platforms as well as in public broadcasting. It shows that creative workers are contributing fresh ideas across the economy, and traces how policies are beginning to catch up with the changing social and economic realities, on a global level. Hidden Innovations argues that the innovation framework offers the best opportunity in decades to reassess the case for the public role of the humanities, particularly the media and cultural and communication studies.