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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Turning to primary sources others have overlooked, Sibley challenges the cliches about Florence Harding's time in the national spotlight. She describes her support for racial equality, lobbying for better treatment for veterans and female prisoners and her lifelong interest in preventing animal cruelty.
President Nixon's former counsel illuminates another presidency marked by scandal Warren G. Harding may be best known as America's worst president. Scandals plagued him: the Teapot Dome affair, corruption in the Veterans Bureau and the Justice Department, and the posthumous revelation of an extramarital affair. Raised in Marion, Ohio, Harding took hold of the small town's newspaper and turned it into a success. Showing a talent for local politics, he rose quickly to the U.S. Senate. His presidential campaign slogan, "America's present need is not heroics but healing, not nostrums but normalcy," gave voice to a public exhausted by the intense politics following World War I. Once elected, he pushed for legislation limiting the number of immigrants; set high tariffs to relieve the farm crisis after the war; persuaded Congress to adopt unified federal budget creation; and reduced income taxes and the national debt, before dying unexpectedly in 1923. In this wise and compelling biography, John W. Dean—no stranger to controversy himself—recovers the truths and explodes the myths surrounding our twenty-ninth president's tarnished legacy.
The New York Times on the Presidency is a fascinating new reference book that uses nearly 150 years of New York Times reporting to explore the dynamic nature of the presidency in the American political system. Presidential scholar Meena Bose has selectively chosen a variety of news articles, editorials, and data from The Times for which she has written context-providing narrative that discusses the key issues, leadership challenges, and turning points in each presidents administration, from Franklin Pierce (1853-1857) through George W. Bush (2001-2008). The New York Times on the Presidency provides readers with insight into the stories of 29 presidents spanning three centuries, as well as the effect The New York Times position may have had on the issues of their day.
Tells the story of Florence Harding's rise from young unwed mother to First Lady and reveals her influence behind Harding's ascent to America's most scandal-ridden presidency and her role in his death. The drama of her life is set against the stage of the White House in the Jazz Age, and involves exciting elements such as mistresses, blackmail, poisoning, and opium addicts. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR
Southern-style politics was one of those peculiar institutions that differentiated the South from other American regions. This system—long referred to as the Solid South—embodied a distinctive regional culture and was perpetuated through an undemocratic distribution of power and a structure based on disfranchisement, malapportioned legislatures, and one-party politics. It was the mechanism that determined who would govern in the states and localities, and in national politics it was the means through which the South's politicians defended their region's special interests and political autonomy. The history of this remarkable institution can be traced in the gradual rise, long persistence, and ultimate decline of the Democratic Party dominance in the land below the Potomac and the Ohio. This is the story that Dewey W. Grantham tells in his fresh and authoritative account of the South's modern political experience. The distillation of many years of research and reflection, is both a synthesis of the extensive literature on politics in the recent South and a challenging reinterpretation of the region's political history.