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This volume celebrates John M. Najemy and his contributions to the study of Florentine and Italian Renaissance history. Over the last three decades, his books and articles on Florentine politics and political thought have substantially revised the narratives and contours of these fields. They have also provided a framework into which he has woven innovative new threads that have emerged in Renaissance social and cultural history. Presented by his many students and friends, the essays aim to highlight his varied interests and to suggest where they may point for future studies of Florence and, indeed, beyond. -- Amazon.com.
For many years English-language scholarship on late medieval and early modern Italy was largely dominated by work on Florence—as a city, culture, and economic and political entity. During the past few decades, however, scholarship has moved well beyond the “Florentine model” to explore the diversity of Italian urban and provincial life—the “many Italies” that stretched from the Apennines to the Mediterranean. This volume brings together a group of sixteen urban, social, religious, and economic historians of late medieval and early modern Italy whose work reflects this shift, and illustrates some of the significant new research directions of the field. At the volume’s core are questions important to all historians of late medieval and early modern Europe: What does the new work on Italy beyond Florence have to say about the traditional definition of the Renaissance, a definition that made Florence its paradigmatic expression? What new questions about the period in general have emerged as a result of decentering the Renaissance? How has the effort to view Florence in a wider set of Italian and Mediterranean political and economic networks shed new light on the history of city states? And how has this work led to a reexamination of the continuities connecting the late medieval world to the early modern period? In exploring the contours of Italy from the eleventh through the seventeenth centuries, the volume creates a landscape against which to evaluate the current state of Florentine studies, the resurgence of Venetian studies, the renewed interest in Italy under Spanish rule, and the development of many other regional and local histories that are increasingly used by scholars to facilitate a broader understanding of Italy as a whole.
A witty and warm-hearted memoir of abandoning fast-paced American days in favor of discovering the Italian secrets of food, community, and life. Moving across the globe meant Michelle Damiani soon found herself untangling Italian customs, delighting in glorious regional cuisine (recipes included), and creating lasting friendships. From grandmothers eager to teach the ancient art of pasta making, to bakers tossing bread into fiery ovens with a song, to butchers extolling the benefits of pork fat, Il Bel Centro is rich with captivating characters and cultural insights. Throw in clinking glasses of Umbrian red with the local communists and a village all-nighter decorating the cobblestone streets with flower petals; as well as embarrassing language minefields and a serious summons to the mayor’s office, and you have all the ingredients for a spellbinding travel tale. Exquisitely observed, Il Bel Centro is an intimate celebration of small town Italy, as well as a thoughtful look at raising a family in a new culture and a fascinating story of finding a home. Ultimately though, this is a story about how travel can change you when you’re ready to let it. With laugh-out-loud situations and wanderlust-inspiring storytelling, Il Bel Centro is a joyous and life-affirming read that will have readers rushing to renew their passports. “This is one of the most beautiful book I’ve ever read.” “I absolutely couldn’t get enough of this book.” “This book made me want to pack my bags.” “I loved, loved this book. Fabulously written, engaging, and entertaining.” “A magical read.”
Winner, 2010 Phyllis Goodhart Gordan Book Prize, the Renaissance Society of America2009 Outstanding Academic Title, ChoiceHonorable Mention, Economics, 2009 PROSE Awards, Professional and Scholarly Publishing division of the Association of American Publishers Richard A. Goldthwaite, a leading economic historian of the Italian Renaissance, has spent his career studying the Florentine economy. In this magisterial work, Goldthwaite brings together a lifetime of research and insight on the subject, clarifying and explaining the complex workings of Florence’s commercial, banking, and artisan sectors. Florence was one of the most industrialized cities in medieval Europe, thanks to its thriving textile industries. The importation of raw materials and the exportation of finished cloth necessitated the creation of commercial and banking practices that extended far beyond Florence’s boundaries. Part I situates Florence within this wider international context and describes the commercial and banking networks through which the city's merchant-bankers operated. Part II focuses on the urban economy of Florence itself, including various industries, merchants, artisans, and investors. It also evaluates the role of government in the economy, the relationship of the urban economy to the region, and the distribution of wealth throughout the society. While political, social, and cultural histories of Florence abound, none focuses solely on the economic history of the city. The Economy of Renaissance Florence offers both a systematic description of the city's major economic activities and a comprehensive overview of its economic development from the late Middle Ages through the Renaissance to 1600.
Forming a collection -- Transacting an entire collection -- Dealers for dealers -- (No longer) obscure agents -- Issues of attribution.
For millions of people around the world, Carol Brady is synonymous with motherhood, but growing up as the youngest of ten children in rural Indiana in the aftermath of the Great Depression, Florence Henderson lived a life quite different from that of the quintessential TV mom she later played on television. Florence's father was a dirt-poor tobacco tenant farmer who was nearly fifty years old when he married Florence's twenty-five-year-old mother, and was nearly seventy when Florence was born. Florence's childhood was full of deprivation and abandonment. Her father was an alcoholic at a time when there was no rehab or help for the disease. Their home rarely had electricity or running water. When she was twelve, Florence's mother left the family to work in Cleveland and never returned. Florence opens up about her childhood, as well as the challenges she's faced as an adult, including stage fright, postpartum depression, her extramarital affairs, divorce, her hearing loss, and heart problems. She writes with honesty and wisdom of how her faith and ability to survive has brought her through rough times to a life of profound joy and purpose.
A vivid recreation of how the governors and governed of early seventeenth-century Florence confronted, suffered, and survived a major epidemic of plague Plague remains the paradigm against which reactions to many epidemics are often judged. Here, John Henderson examines how a major city fought, suffered, and survived the impact of plague. Going beyond traditional oppositions between rich and poor, this book provides a nuanced and more compassionate interpretation of government policies in practice, by recreating the very human reactions and survival strategies of families and individuals. From the evocation of the overcrowded conditions in isolation hospitals to the splendor of religious processions, Henderson analyzes Florentine reactions within a wider European context to assess the effect of state policies on the city, street, and family. Writing in a vivid and approachable way, this book unearths the forgotten stories of doctors and administrators struggling to cope with the sick and dying, and of those who were left bereft and confused by the sudden loss of relatives.
Visit a church in a prison, learn how Florence became the centre of hermetism during the Renaissance and where you can still find traces of it today, escape from the crowds of tourists to visit little-known artistic masterpieces, head off to hunt for the 34 plaques displaying quotes from the "Divine Comedy", fill up your tank at a vintage service station, have your children count the number of bees sculpted on the monument to the glory of Ferdinand I, look for the last wine distributors of the Renaissance, notice the minuscule windows designed to let children look out quietly onto the street, visit superb private gardens that even the Florentines don't know about, learn how the purple colour of the Fiorentina football team is connected to the pee of a Florentine crusader in Palestine ... Far from the crowds and usual clichés, Florence holds many well-hidden treasures that are revealed only to the city's inhabitants or travellers who know how to step off the beaten track. An essential guide for those who think they know Florence well or for those looking to discover the hidden side of the city.
The magic of early Renaissance architecture. The notion that numerical proportional systems contribute to the serene, orderly appearance of the basilica of San Lorenzo has long stood as a virtual axiom of architectural history. In this book, Cohen challenges this and many other long-standing preconceptions about proportional systems in the history of architecture. Using Brunelleschi's basilicas of San Lorenzo and Santo Spirito as case studies, the author presents a detailed analysis of his comprehensive measurements of these buildings, which he recorded from scaffolding, meticulous observations of the built fabric, and a variety of documentary sources. This book presents a rigorous new approach to an important but little studied area of architectural history and is essential reading for anyone interested in medieval and Renaissance architecture.
Luigi Pulci's rollicking, ribald account of the exploits of the paladin Orlando and his giant friend Morgante has never failed to provoke strong reactions in its readers. Pulci's irreverent satirical wit made his Morgante an instant bestseller following its initial publication, but also drew the ire of powerful enemies like the Dominican friar Girolamo Savonarola, who called for copies to be burned in the 'bonfires of vanities' organized by his followers in Florence. The Morgante is the most important immediate precursor to the Orlando innamorato and the Orlando furioso, yet relatively little critical attention has been devoted to Pulci's work compared to that of his successors Boiardo and Ariosto. This volume - the first collection of critical essays dedicated to Pulci - offers a comprehensive reassessment of Pulci's work and legacy, shedding new light on the cultural and literary traditions that Pulci draws from and subverts, the social and political forces that shaped Pulci's work, and the breadth of Pulci's influence from the Renaissance to the present day.