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This easy-to-use, comprehensive guide shows how to establish a floating collection in any library—regardless of type or size. Despite its increasing popularity, there are few published works about floating and floating collections. Virtually no one has addressed critical long-term issues like core collections, material selection, and weeding after floating has taken place. Floating Collections: A Collection Development Model for Long-Term Success makes all of this urgently needed information available in one place. This unique guidebook defines "floating," explains the pros and cons, explores the impact of floating collections on collection work, and enables readers to establish a floating collection in any library. Not only does this book help librarians to decide rationally if, how, and when to float, it also outlines a how-to process for maximum success based on the real-world experience of many systems and identifies ways to maximize the advantages of a floating collection. In addition, the author addresses common collection concerns and outlines workable solutions for problematic issues that can arise.
If the heart of the library is its collection, this textbook provides the keys to the heart of your library. Alongside standards of basic principles and processes, you'll find practical guidance on everything from acquisitions to preservation. Managing collections in today's libraries is more complicated and challenging than ever. Electronic formats, new options for collaboration and sharing, and the drive to use data for evaluation purposes are just a few of the changes now driving collection management. This updated edition of a classic text addresses changes in the field and provides a thorough overview of what collection development specialists now need to know to effectively and efficiently manage processes that range from selection and assessment to sharing resources, handling challenges, weeding, and preservation. Readers will find increased coverage of technical services, intellectual freedom and censorship, and collection policy development, as well as budget development and tracking, joint purchasing, and negotiating with vendors. Updates on e-resources, user needs assessment (including data visualization), and disaster management, along with suggestions for further reading, are also included. Engagingly written and easy to understand, this is a valuable text for students preparing for careers in public, academic, school, and special libraries. It will additionally serve as a training resource and professional refresher for practitioners.
In her electrifying debut, Franny Choi leads readers through the complex landscapes of absence, memory, and identity. Beginning in loss and ending in reflective elation, Floating, Brilliant, Gone explores life as a brief impossibility, “infinite / until it isn’t.” Punctuated with haunting illustrations by Jess X. Chen, Choi’s poems read like lucid dreams that jolt awake at the most unexpected moments.
From the renowned classicist and MacArthur Prize winner: a brilliant new collection that explores myth and memory, beauty and loss, all the while playing with--and pushing--the limits of language and form. Anne Carson continuously dazzles us with her inventiveness and the way her work changes our perspectives. With Float, she surpasses her own bar. In individual chapbooks that can be read in any order, she conjures a mix of voices, time periods, and structures to explore what makes people, memories, and stories "maddeningly attractive" when observed in liminal space. One can begin with Carson puzzling through Proust on a frozen Icelandic plain; in the art-saturated enclaves of downtown New York City; atop Mount Olympus as Zeus ponders his afterlife. There is a three-woman chorus of Gertrude Steins embodying an essay about "falling." And an investigation of monogamy and marriage as Carson anticipates the perfect egg her husband is cooking for breakfast. Exquisite, heartbreaking, disarmingly funny, Float illuminates the uncanny magic that comes with letting go of boundaries. It is Carson's most intellectually electrifying and emotionally engaging book to date. From the Hardcover edition.
A gorgeous, full-scale reproduction of a rare, early 20th century book of Japanese tattoo designs. Accompanied by a lushly illustrated introductory essay detailing the book's mysterious origins and curious history. Around 1900, during the late Meiji era, an anonymous Japanese tattoo artist painted dozens of extraordinary tattoo designs on the silk pages of a small homemade book: writhing, bearded dragons; elegant geishas; eagles and snakes locked in midair combat; meticulously observed cranes on the wing; a spider in his web, awaiting prey. Within a decade, this enigmatic volume had become the prized possession of an Arkansas farmer and amateur tattooer whose travels never took him beyond the South Central states. Floating West reproduces the original book of designs in its entirety, making a singular object of tattoo history available to artists, enthusiasts, and historians worldwide.
Anita's mama loves to sing. She sings such beautiful, happy songs that something magical happens: Everyone who hears her music floats high above the ground. But then Mama stops singing. Can Anita find a way to bring back happy times and magical moments for her family? Debut author Laura LacÁmara's lyrical, uplifting tale is paired with Yuyi Morales's stunning art for a magical celebration of family, music, and happiness. A la mamÁ de Anita le encanta cantar. Sus canciones son tan bonitas y felices que crean algo mÁgico: todo el que escucha su mÚsica se eleva y flota en el aire. Pero la mamÁ de Anita deja de cantar. ¿LograrÁ Anita recobrar los tiempos felices y los momentos mÁgicos para ella y su familia? La lÍrica e inspiradora historia de Laura LacÁmara y el arte espectacular de Yuyi Morales retratan una celebraciÓn mÁgica de la familia, la mÚsica y la felicidad.
From the 17th through the 19th century, artists in Kyoto and Edo (now Tokyo) captured the metropolitan amusements of the floating world (ukiyo in Japanese) through depictions of subjects such as the beautiful women of the Yoshiwara pleasure quarters and performers of the kabuki theater. In contrast to ukiyo-e prints by artists such as Katsushika Hokusai, which were widely circulated, ukiyo-e paintings were specially commissioned, unique objects that displayed the maker’s technical skill and individual artistic sensibility. Featuring more than 150 works from the celebrated Weston Collection, the most comprehensive of its kind in private hands and published here for the first time in English, this lavishly illustrated and meticulously researched volume addresses the genre of ukiyo-e painting in all its complexity. Individual essays explore topics such as shunga (erotica), mitate-e (images that parody or transform a well-known story or legend), and poetic inscriptions, revealing the crucial role that ukiyo-e painting played in a sophisticated urban culture.