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Stories from Adnyamathanha Dreaming relating to sites and place names in the Flinders Ranges.
People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.
Examines the role of plants in botanical mythology, from Aboriginal Australia to Zoroastrian Persia. Plants have a remarkable mythology dating back thousands of years. From the ancient Greeks to contemporary Indigenous cultures, human beings have told colorful and enriching stories that have presented plants as sensitive, communicative, and intelligent. This book explores the myriad of plant tales from around the world and the groundbreaking ideas that underpin them. Amid the key themes of sentience and kinship, it connects the anemone to the meaning of human life, tree hugging to the sacred basil of India, and plant intelligence with the Finnish epic The Kalevala. Bringing together commentary, original source material, and colorful illustrations, Matthew Hall challenges our perspective on these myths, the plants they feature, and the human beings that narrate them. “Whether or not we believe that any plant actually has an imagination, the rhetorical flourish in Matthew Hall’s title sends us into his book with a serious interest in what he has to say. This is a valuable addition to our knowledge about mythic tale-telling and awareness of those elements of the animate world that science, since the Renaissance, has always placed on the lowest scale of value. Hall wants to redress this imbalance, and he does so by revealing just how essential (to Indigenous cultures) the plant kingdom was to humanity’s place in the universe.” — Ashton Nichols, author of Beyond Romantic Ecocriticism: Toward Urbanatural Roosting
Lindsay, an Aboriginal elder, and Rob, a young white traveller meet in the Outback and make discoveries that may re-write Australia's history. Based on facts this story takes the reader on a journey through inner, personal landscapes and traditional Aboriginal country. Lindsay's challenge is to locate three sacred objects (tjurunga) that are needed to revive important ceremonies. They disappeared decades earlier and could be anywhere in the world. Through personal contacts, a website, and the help of Australia's Prime Minister he begins his journey. Why are the sacred objects so significant? Will he be able to bring them home? Rob's challenge is to find the first boomerang that came in the Dreamtime. He is inspired by Aboriginal Legends, 'cosmic timing' and reliable intuition that enables him to interpret signs which guide his search. Will he make the unprecedented discovery? Does the ancient artefact hold messages for Humanity? Time to enter the world of the First Boomerang.
In Dreaming, Healing and Imaginative Arts Practice, Kathleen Anne Connellan brings dream theory together with art practice and art psychotherapy to demonstrate how releasing the imagination can open-up processes of healing. In this interdisciplinary and richly innovative book, Connellan focuses on nocturnal dreams, day dreams, memory and reverie, and she explores how to access, depict and use these dream images to discover personal healing. Unlike other dream journals, Connellan encourages visual recording and personal experimentation with a variety of materials and modalities, regardless of artistic ability. Each chapter is divided into a theoretical and practical half, where the theoretical section addresses the foundations of dream theory and philosophy, and the practical section offers step-by-step exercises that lead you to the creation of something restorative. Connellan covers a theme in each chapter which helps merge the unconscious with the conscious: the nature of dreaming and the constitution of the psyche, the archetype and our shadow selves, belonging, moving, pain and pleasure, and all the senses in remembering. Dreaming, Healing and Imaginative Arts Practice is a unique blend of scholarly research, beautiful illustration and hands-on practicality that allows the reader to interpret their dreams for self-expression and self-knowledge. This work will be of great interest to those studying post-graduate psychology, social work, art and arts therapy, and an essential resource for art therapists, creative therapists, alternative psychotherapists and social workers in practice and in training.
During your valuable holidays, you will want to experience the heart of Australia. Footprint’s Dream Trip Australia will ensure you discover the very best this glorious destination has to offer as well as take you to some fantastic out-of-the-way places hand-picked by the author. From the stunning Sydney Opera House to a tour of the Bungle Bungles, this new guide is packed full of ideas, suggestions and expert advice and will help you design your own dream trip. • Packed with detailed information on where to go and what to do • A hand-picked selection of the very best places to stay and eat in • Full-colour trip-planning section featuring detailed itineraries and maps • Off-the-beaten track suggestions from the author • Compact, pocket-sized format so you can carry it with you • Written by a local expert offering you insider information Footprint’s carefully tailored information ensures that you get the most out of your dream trip.
Take a journey into the fascinating world of Australia's Aboriginal culture with this unique collection of 33 authentic, unaltered stories brought to you by three Aboriginal storyteller custodians! Unlike other compilations of tales that were modified and published without permission from the Aboriginal people, these stories are now presented with approval from Aboriginal elders in an effort to help foster a better understanding of the history and culture of the Aboriginal people. Gadi Mirrabooka, which means below the Southern Cross, introduces wonderful tales from the Dreamtime, the mystical period of Aboriginal beginning. Through these stories you can learn about customs and values, animal psychology, hunting and gathering skills, cultural norms, moral behavior, the spiritual belief system, survival skills, and food resources. A distinctive and absolutely compelling story collection, this book is an immensely valuable treasure for educators, parents, children, and adult readers. Grades K-A
Highlights the contribution Aboriginal people made in assisting European explorers, surveyors and stockmen to open the country for colonisation, and explores the interface between Aboriginal possession of the Australian continent and European colonisation and appropriation.
The final volume of the author's east Kimberley region life history books P the other titles in the series being TMy Country of the Pelican Dreaming' (1981), TBanggaiyerri' (1983), TCountryman' (1986) and TBush Time, Station Time' (1991). This volume contains the life stories of 18 Aboriginals, compiled from tape-recorded conversations. Contains a chronology, an extensive glossary, a select bibliography and an index.