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Fletch’s Fortune He hadn’t been a practicing journalist for years, although people remembered him and he still has a few contacts. And he’s pretty sure he hasn’t paid his dues to the American Journalism Alliance anytime recently. But somebody has. Fletch’s Fortune Enjoying himself on the French Riviera, developing a killer tan, and sleeping with the neighbor’s wife, Fletch is feeling pretty flush. But when agents Eggers and Fabens show up with a little more information about Fletch than is comfortable and an invitation to the A.J.A. convention, how could he refuse? Fletch’s Fortune So he finds himself enlisted as a spy among his peers. But before he can even set up his surveillance, there’s a murder. And almost everybody’s a suspect. Because a lot of people were employed by Walter March, and most of them had a reason to hate him. From the Trade Paperback edition.
Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim—a newspaper tycoon and former employer of I. M. Fletch—was no stranger to enemies. And at a hotel full of reporters who’d all had their dealings with the tyrannical leader, everyone’s a suspect.
Book one in the bestselling mystery series that brought to life an iconic literary antihero of subversion and schemes Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000. Intrigued, Fletch can’t help but dig into this suspicious deal he’s being offered. Dodging the shady beach police as his case begins to break open, and with his temperamental editor Clara pushing for his article, he soon discovers that Stanwyk has a lot to hide and this plan is anything but what it seems.
Young Irwin Maurice Fletcher, a.k.a. Fletch, the eager and inventive new reporter for the News-Tribune, is having a hard time finding his place at the newspaper. After a few “mishaps” writing questionable headlines and creatively worded obituaries, Managing Editor Frank Jaffe appoints Fletch to the society pages, where he’s assigned to cover a generous yet surprising donation to an art museum from a high-powered defense attorney. But before he can secure an interview, the attorney is shot dead in the newspaper’s parking lot, no witnesses in sight. To Fletch’s chagrin, the story is reassigned to the boorish lead investigative reporter Biff Wilson, and he’s placed on a seemingly unrelated story, some society pages fluff piece about an all-women-trainers health club that’s rumored to offer a lot of “extras.” Undeterred by Biff’s threatening nature and determined to dig up the dirt on both stories, Fletch collects a cast of engaging characters and strings together the scandalous clues that lead to an eventful and unexpected conclusion.
Now a major motion picture starring Jon Hamm as Fletch! Offering up brisk, tightly written plots and a stellar cast of characters both new and old, Confess, Fletch finds our incorrigible protagonist back in deep waters once again. Fletch, now newly engaged and happily living out his days in Italy, finds himself embroiled in yet another scandal. His soon-to-be father-in-law has been kidnapped and is now presumed dead, and the priceless collection of rare art that belongs to his fiancée’s family has been stolen. Ever the investigative reporter, he receives a tip about the missing art that lands him in Boston, where he walks right into a murder scene in his apartment. What clearly looks like a setup to the unfazed Fletch looks quite different to the detective assigned to the case, Mr. Francis Xavier Flynn. But even if the case is seemingly cut-and-dry, Flynn is reluctant to arrest the only suspect that stands before him. Now under the detective’s watchful eye, Fletch must try to clear his name and search for the missing paintings, all while his gorgeous future mother-in-law works to persuade him for help the best way she knows how—seduction.
When Fletch learns there are four ex-cons on the loose in his part of the county, little does he suspect that one of the scruffy and very dangerous men will claim to be the son he never knew--in fact, was never even told about. But when a muddy and bedraggled young man acosts him in his study, it doesn’t take our wily reporter and investigator long to surmise this kid might well be his son. And when Fletch meets the kid’s compatriots he wonders how either of them is going to get out of this situation unscathed.
In this installment of the popular Fletch series, Mcdonald brings to life the vibrant, provocative culture and indomitable spirit of Brazil. After escaping to South America on a questionable “arrangement,” Fletch has all but settled in to his new life of never-ending vacation, shacking up with the young and beautiful Laura Soares, enjoying the expansive Copacabana Beach, making new friends from all walks of life, and preparing for the most exciting time of the year in Rio de Janeiro: Carnival! But right before the festivities begin, an old woman off the street tells Fletch that he’s the reincarnation of her husband and implores him to solve the mystery of his death. Caught between the rhythmic chaos of Carnival and this past-life murder, Fletch starts to lose more than just sleep as he pokes around through favelas and sambas through nightclubs searching for answers.
Young Fletch is less than pleased to be writing a business story, something that’s well outside his field of expertise. Eager to get back out on the streets, he quickly compiles what he thinks is a well-executed article, complete with quotes from the chairman of the board’s recent memos. But when he fails to do his due diligence when researching the company and its associates, he finds himself in hot water ... and now out of a job. The chairman has been dead for over a year. Realizing his mistake, he visits the widow Bradley to make amends—and to ask a few simple questions. But her strange demeanor and puzzling answers leave Fletch perplexed. He can’t help but wonder: Why would a dead man still be writing memos to his associates? Is he even dead? With his interest now thoroughly piqued, fueled by his desire to get the real story and take back his job, Fletch puts his reporting skills to work as he dives into the mystery surrounding the Bradleys’ past.
In Fletch’s Moxie, the prolific Gregory Mcdonald tests his incomparable investigative journalist once again with a caper that is as perfectly plotted as Fletch is brilliant. It seems just about everyone in Hollywood had a reason to want Steve Peterman dead. But how someone managed to put a knife in his back on a live broadcast without being seen is anyone’s guess. Unfortunately for Fletch, his girlfriend, Moxie Mooney, a huge star at the box office, is also the number one suspect. With the police asking way too many questions, Fletch whisks Moxie and her drunken father, O.L., off to Key West for a little privacy. But before he can even check out the beach, the rest of the suspects decide to check in. Now, in a house full of Hollywood’s elite, Fletch is increasingly amazed at how ruthless the movie business can be. From the Trade Paperback edition.
Restoring Hearts When Rachel Shaw and Jack Fletcher meet on a sunny Georgia beach, it seems like the perfect start to a romance. There's just one problem--neither one is the least bit interested in falling in love. They're just looking for peace, and time to work through their losses. But Rachel's aunt Eleanor and Fletch's Gram have other plans. Their meddling matchmaking would drive Rachel and Fletch nuts if they weren't busy restoring a house for one of Gram's charities. Yet as they repair the house, it's their hearts that begin to mend. Soon Rachel and Fletch realize they might be able to build a second chance at a great love.