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What is a woman? What is a man? How do they—and how should they—relate to each other? Does our yearning for "wholeness" refer to something real, and if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasingly valorized uniqueness and self-sufficiency. The theoreticians who loom so large within contemporary thought also privilege difference over similarity. Silverman reminds us that this is but half the story, and a dangerous half at that, for if we are all individuals, we are doomed to be rivals and enemies. A much older story, one that prevailed through the early modern era, held that likeness or resemblance was what organized the universe, and that everything emerges out of the same flesh. Silverman shows that analogy, so discredited by much of twentieth-century thought, offers a much more promising view of human relations. In the West, the emblematic story of turning away is that of Orpheus and Eurydice, and the heroes of Silverman's sweeping new reading of nineteenth- and twentieth-century culture, the modern heirs to the old, analogical view of the world, also gravitate to this myth. They embrace the correspondences that bind Orpheus to Eurydice and acknowledge their kinship with others past and present. The first half of this book assembles a cast of characters not usually brought together: Friedrich Nietzsche, Sigmund Freud, Marcel Proust, Lou-Andréas Salomé, Romain Rolland, Rainer Maria Rilke, Wilhelm Jensen, and Paula Modersohn-Becker. The second half is devoted to three contemporary artists, whose works we see in a moving new light:Terrence Malick, James Coleman, and Gerhard Richter.
Examines representations of sexual violence in modern Hebrew literature, focusing on the ways in which sexual aggression relates to Zionism, gender, ethnicity, and disability.
A collection of articles by Stephen Jay Gould, Leon Kass, William Safire, Peter Steinfels, and other scientists, philosophers, bioethicists, theologians, and law professors on the ethics of human cloning.
In My Flesh Is Meat Indeed, Meredith J. C. Warren shows that the "bread of life" discourse in John 6:51c-58 bears no Eucharistic overtones. Instead, John plays on Mediterranean cultural expectations about the nature of heroic sacrifice and the sacrificial meal that established the identification of a hero with a deity. Warren traces a literary trope in which a hero or heroine'’s antagonistic relationship with a deity is resolved through the hero's sacrifice. Against this milieu, Jesus' insistence that his flesh be eaten demonstrates the Christology of the Gospel.
“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.
Left Behind and Loving It is a cheeky critique of popular writings about the end times. Rather than presenting a steroid-buffed Jesus wrapped in an American flag and "coming again in clouds of gunfire," Left Behind and Loving It invites readers to approach some of the most controversial and scary portions of the Scriptures with the utter confidence that "God's steadfast love endures forever." Rather than asserting a hope premised on a few chosen ones escaping the world, Left Behind and Loving It argues that if it is Jesus who is to return (and not his evil twin), then the second coming has redemption written all over it. Many today cannot accept the escapist, violent, end-of-the-world scenario envisioned by "Left Behind" theology. Left Behind and Loving It invites readers not to fear but to trust in God's steadfast love and look at the finitude of the world with hope in an infinitely loving God.
Pope Francis, in his recent exhortation Amoris Laetitia (“Joy of Love”), praises marriage as a unique “friendship marked by passion” and “a free, faithful, and exclusive love.” We live in a culture that doesn’t cherish the permanence of marriage, according to Karee and Manuel Santos. Even Catholics aren’t immune from the epidemic of divorce. But how can you make the ideals of being forever, faithful, fruitful, and free a reality? How can you maintain a healthy Catholic marriage when society is pushing against it? In The Four Keys to Everlasting Love, the Santoses draw on real-life stories, scriptural principles, and the timeless wisdom of St. John Paul II to help you celebrate the sacrament of Marriage without downplaying the difficulties of married life. In doing so, they will inspire you to stay in love with each other, Christ, and the wisdom of the Church. The Santoses tell their own story as well: how they learned not to cling to personality, culture, or religious differences; how they learned to put family first; how they overcame health crises that exacted a physical, emotional, and spiritual toll; and how they navigated stressful holiday get-togethers with extended family. They let God transform them and make their marriage stronger. Each chapter provides discussion questions, action prompts, quotes from the Catechism of the Catholic Church and various popes, and additional online and print resources to stimulate the couple’s conversation, mutual understanding, and positive change. Free worksheets and other supplemental resources are available on the authors’ website, canwecana.blogspot.com.
In 2 Corinthians 12: 7 Paul makes the extraordinary admission that he was given a 'thorn in the flesh'. Although we can never be sure what that torment was, many of us will know what it feels like to experience a painful problem which does not seem to go away. In this book R. T. Kendall explains what a thorn in the flesh is, why we have it, and what we should understand by it. Looking with compassion at the kinds of acute situation in which we may find ourselves - an unhappy marriage, difficult working conditions, loneliness, sexual misgivings or chronic illness, for example - he shows how the grace of God is sufficient whatever our thorn, and how it can lead us into unimaginable intimacy with Jesus.