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This book explores the relations and exchanges between Flanders and the Anglo-Norman realm following the union of England and Normandy in 1066.
The Flemish are among the most important if under-appreciated immigrant groups to have shaped the history of medieval and early modern Scotland. Originating in Flanders, Northern Europe's economic powerhouse (now roughly Belgium and the Netherlands), they came to Scotland as soldiers and settlers, traders and tradesmen, diplomats and dynasts, over a period of several centuries following the Norman Conquest of England in the eleventh century. Several of Scotland's major families – the Flemings, Murrays, Sutherlands, Lindsays and Douglases for instance– claim elite Flemish roots, while many other families arrived as craftsmen, mercenaries and religiously persecuted émigrés. Adaptable and creative people, Flemish immigrants not only adjusted to Scotland's very different environment, but left their profound mark on the country's economic, social and cultural development. From pantiles to golf, from place names to town planning, the evidence of Flemish influence is still readily traceable in Scotland today. This book examines the nature of Flemish settlement in Scotland, the development of economic, diplomatic and cultural links between Scotland and Flanders, and the lasting impact of the Flemish people on Scottish society and culture.
This book highlights the ways in which Britain and Belgium became culturally entangled as a result of their interaction in the period between the Napoleonic Wars and the First World War. In the course of the nineteenth century, the battlefields of Waterloo and Ypres in Belgium became veritable burial grounds for generations of dead British military, indirectly leading to the most intensive ties between the two countries. By exploring this twofold path, the author uncovers a series of cross-influences and creative similarities within the Belgo-British artistic community, and explores the background against which the British national identity was constructed. Revealing unknown links between some of the most famous artists on both sides of the channel, such as D.G. Rossetti and Jan Van Eyck; Christina Rossetti and Fernand Khnopff; John Millais and Pieter Breughel, and Lewis Carroll and Quentin Massys, the book emphasises an artistic cross-fertilisation that can be found within battlefield literature throughout the nineteenth century, including examples from the likes of William M. Thackeray, Frances Trollope and Charlotte Brontë. Providing a rich intercultural history of Belgo-British relations after the battle of Waterloo, this interdisciplinary book will appeal to scholars and students researching history, literature, art and cultural studies.
This book provides a vivid and accessible history of first-generation immigrants to England in the later Middle Ages. Accounting for upwards of two percent of the population and coming from all parts of Europe and beyond, immigrants spread out over the kingdom, settling in the countryside as well as in towns, taking work as agricultural labourers, skilled craftspeople and professionals. Often encouraged and welcomed, sometimes vilified and victimised, immigrants were always on the social and political agenda. Immigrant England is the first book to address a phenomenon and issue of vital concern to English people at the time, to their descendants living in the United Kingdom today and to all those interested in the historical dimensions of immigration policy, attitudes to ethnicity and race and concepts of Englishness and Britishness.
The word ""Flemish"" refers to the people living in the North of Belgium and France and the South of the Netherlands. The Flemish, also called ""Flemings,"" are of Germanic (Frank) origin. When the Franks invaded what is now Belgium, they settled between the sea and the ""charcoal forest,"" a dense old-growth forest of beech and oak, which extended to the Rhine and formed a natural boundary during the Late Iron Age through Roman times into the Early Middle Ages. The county of Flanders was created 864 when the French king Charles the Bald granted it as a fief to his son-in-law Baldwin with the Iron Arm. Flanders was a part of France but distinguished itself from the rest of the country with its Germanic Flemish population and close economic ties to England. Unlike other French fiefs it was never returned to the French king's control, instead Flanders became a part of the duke of Burgundy's possessions in 1384, which would evolve into present day Belgium.
Flemish artist Sir Peter Paul Rubens (1577-1640) was one of the most internationally admired painters in seventeenth-century Europe, whose patrons included the rulers of France, Spain, Mantua and the Netherlands. Demonstrating Rubens' fluidity and freedom of invention, this work exemplifies his role as diplomatic envoy to Britain.
The English language in its complex shapes and forms changes fast. This thoroughly revised edition has been refreshed with current examples of change and has been updated regarding archeological research. Most suggestions brought up by users and reviewers have been incorporated, for instance, a family tree for Germanic has been added, Celtic influence is highlighted much more, there is more on the origin of Chancery English, and internal and external change are discussed in much greater detail. The philosophy of the revised book remains the same with an emphasis on the linguistic history and on using authentic texts. My audience remains undergraduates (and beginning graduates). The goals of the class and the book are to come to recognize English from various time periods, to be able to read each stage with a glossary, to get an understanding of typical language change, internal and external, and to understand something about language typology through the emphasis on the change from synthetic to analytic. This book has a companion website: http://dx.doi.org/10.1075/z.183.website
In this volume, the renowned linguist Nicoline van der Sijs glosses over some 300 Dutch loan words that travelled to the New World between the 17th and the 20th century.