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As flash mobs gain increasing prevalence there is a great need for organizers and participants alike to be aware of the various legal issues they may encounter. This new book is the first book of its kind to discuss the legal side of flash mobs and presents the reader with everything he or she needs to know about where the law stands on all issues related to the planning and execution of flash mobs.
Publishers Weekly’s Best Books of 2017 Gifted troubleshooter John Smith, introduced in the acclaimed thriller Killfile, must take down a shadowy figure who has weaponized the internet, using social media to put a price on the heads of his targets in this intense, unstoppable thriller from the author reviewers have compared to Michael Crichton, Brad Thor, and James Rollins. As a fixer for America’s one percent, John Smith cleans up the messes of those rich enough to afford him. But he’s no ordinary gun for hire. Smith is a man of rare gifts, including the ability to read minds. Arriving at the wedding of Kira Sadeghi, a reality television celebrity he recently saved from kidnappers, Smith witnesses a group of gunmen open fire, hitting the bride and others. Though he’s unarmed, Smith cripples one of the killers and is able to pry one word from his mind: "Downvote." Eager to learn more, Smith hacks into the brain of an FBI agent investigating the attack to discover the Bureau has been investigating a nefarious new threat called "Downvote," an encrypted site on the "dark net" that lists the names of celebrities and offers a hefty bounty for anyone who can kill them—unleashing an anonymous and deadly flashmob with a keystroke. Finding a mastermind on the internet is like trying to catch air—unless you’re John Smith. Motivated by money and revenge, he traces a series of electronic signatures to a reclusive billionaire living at sea, accompanied by a scary-smart female bodyguard who becomes Smith’s partner in his quest. The hunt for their prey will lead from Hong Kong to Reykjavik to a luxury gambling resort deep in the Laotian jungle. Yet always this criminal mastermind remains one step ahead. The only way Downvote’s creator can stop Smith is to kill him . . . because while this diabolical genius can run, there’s no hiding from a man who can read minds.
Inhaltsangabe:Abstract: Flash mobs are an urban movement in which it seems that random people meet at a random place and do something out of the ordinary to amuse people as well as to make them think, What just happened? They begin as a communication in cyberspace and end as participation in real life, and with the growing popularity of flash mobs, corporations are starting to use this urban movement for commercial purposes. This research seeks to understand the perceptions and attitudes of both participants and the audience of flash mobs and will also examine the impact that commercial use has on this movement. The research is divided into three parts. The first part involves interviewing the audience of an actual flash mob organized by the author in London and will examine their perceptions towards the event they have just watched. The second part involves a questionnaire sent out to the general public, including a video of a real flash mob and a video of a commercialized flash mob. This questionnaire is divided into two parts, whether the interviewee knows what a flash mob is or not. The third part of the research involves interviewing the participants of the flash mob movement and examining their perceptions towards the commodification of the flash mobs by a corporation and the possible impacts of this commercialization on the urban movement. The analysis shows that the majority of the interviewees can detect the commodification of the real flash mob and the agents see the possibility that the urban movement may become mainstream through the commercial use by corporations. Inhaltsverzeichnis:Table of Contents: AbstractIII Table of ContentsIV List of Figures1 List of Appendices2 Introduction3 1.Literature Review5 Chapter Outline5 Flash mob5 The development of a flash mob6 Word-of-mouth7 Viral Marketing9 Online Communities11 Community Marketing12 Authenticity13 2.Research Methods17 Chapter outline17 Problem Statement19 Objectives of this research19 Defining the Research Method21 Philosophies23 Data analysis27 Limitations27 Ethics27 3.Empirical Findings & Analysis28 Chapter outline28 Audience survey28 General public survey29 General Public A29 General Public B42 Agent Survey54 4.Conclusion & Recommendations81 Chapter outline81 Conclusion81 Recommendations83 Future Research83 References List84 Appendices87 Textprobe:Text Sample: Chapter 2, Philosophies: This part of the research onion consists of [...]
A mobster may need someone whacked, an attempted murder may finally be solved, and a crazy flash mob may be pulled off, but only if Maggie Lee can stay alive long enough to facilitate the desired outcomes. It’s not an easy task as she searches for a missing ring, a comic book collector, and a bombmaker. Her human allies and loyal pets try to help, but you know what kind of trouble Maggie gets herself into…
A paranormal women’s fiction series with hilarious revenge proving there is a lot of life to live after 50. After discovering she has supernatural powers and has been chosen to conspire with karma, Katie’s first reading is from a desperate pregnant woman and has her tangling with unsavory characters from her great-great grandmother's checkered past. She unknowingly becomes the target of a dangerous mob member, leading her best friend, Frankie, to take matters into her own hands. Teaming up with Katie's children and her trusty dog, Arlo, they race against the clock to find her. Meanwhile, Yuli finds herself forced to consider joining forces with her mortal enemy, Zoya, in order to bring her granddaughter home, leading to a showdown between good and evil that you won’t be able to put down. Filled with bold characters over 50 in the prime of their lives, “Flash Mob: Aura Cover Book 2” is a must-read for any woman over 50. This is book 2 of the Midlife in Aura Cove Series—a little Florida town with big secrets. Perfect for fans of Darynda Jones, K. F. Breene, Kristen Painter, Robyn Peterman, Deanna Chase, and Shannon Mayer.
The New York Times Best Seller Experience the Star Wars saga reimagined as an Elizabethan drama penned by William Shakespeare himself, complete with authentic meter and verse, and theatrical monologues and dialogue by everyone from Darth Vader to R2D2. Return once more to a galaxy far, far away with this sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays. Authentic meter, stage directions, reimagined movie scenes and dialogue, and hidden Easter eggs throughout will entertain and impress fans of Star Wars and Shakespeare alike. Every scene and character from the film appears in the play, along with twenty woodcut-style illustrations that depict an Elizabethan version of the Star Wars galaxy. Zounds! This is the book you’re looking for.
The complexity of media that now sees multiple channels accessed through multiple devices has created major challenges for today's marketing and advertising professionals. Consumer time is split between TVs, laptops, iPads, X-Boxes and smartphones, with traditional media, websites, videos, social networks and apps all competing for attention, meaning it's difficult for brands to decide how best to reach and engage their audiences. Paid, Owned, Earned defines the constituents of each area of 'paid', 'owned' and 'earned' media and shows how they are linked together. It proposes a blueprint for how to think and navigate across this space using a framework made up of key elements such as communities and content, social media optimisation, seeding and viral distribution, broadcast mass media, social performance media and measurement.
The essays in this collection explore transcultural events to reveal deeper understandings of the dynamic nature, power and affect of performance as it is created and witnessed across national and cultural boundaries. Focusing on historical and contemporary public events in multiple contexts, contributors offer readings of transcultural exchanges between Europe, Asia and the Middle East, between colonisers and the colonised and back again. In the process the authors explore questions of aesthetics, cultural anxiety, cultural control and how to realise intentions in performance practice.
What makes the 21st century different from the 20th century? This century is the century of extremes -- political, economic, social, and global black-swan events happening with increasing frequency and severity. Book of Extremes is a tour of the current reality as seen through the lens of complexity theory – the only theory capable of explaining why the Arab Spring happened and why it will happen again; why social networks in the virtual world behave like flashmobs in the physical world; why financial bubbles blow up in our faces and will grow and burst again; why the rich get richer and will continue to get richer regardless of governmental policies; why the future of economic wealth and national power lies in comparative advantage and global trade; why natural disasters will continue to get bigger and happen more frequently; and why the Internet – invented by the US -- is headed for a global monopoly controlled by a non-US corporation. It is also about the extreme innovations and heroic innovators yet to be discovered and recognized over the next 100 years.Complexity theory combines the predictable with the unpredictable. It assumes a nonlinear world of long-tailed distributions instead of the classical linear world of normal distributions. In the complex 21st century, almost nothing is linear or normal. Instead, the world is highly connected, conditional, nonlinear, fractal, and punctuated. Life in the 21st century is a long-tailed random walk – Levy walks -- through extreme events of unprecedented impact. It is an exciting time to be alive.
From the trailers and promos that surround film and television to the ads and brand videos that are sought out and shared, promotional media have become a central part of contemporary screen life. Promotional Screen Industries is the first book to explore the sector responsible for this thriving area of media production. In a wide-ranging analysis, Paul Grainge and Catherine Johnson explore the intermediaries – advertising agencies, television promotion specialists, movie trailer houses, digital design companies – that compete and collaborate in the fluid, fast-moving world of promotional screen work. Through interview-based fieldwork with companies and practitioners based in the UK, US and China, Promotional Screen Industries encourages us to see promotion as a professional and creative discipline with its own opportunities and challenges. Outlining how shifts in the digital media environment have unsettled the boundaries of ‘promotion’ and ‘content’, the authors provide new insight into the sector, work, strategies and imaginaries of contemporary screen promotion. With case studies on mobile communication, television, film and live events, this timely book offers a compelling examination of the industrial configurations and media forms, such as ads, apps, promos, trailers, digital shorts, branded entertainment and experiential media, that define promotional screen culture at the beginning of the twenty-first century.